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2.5 Linear Feet — 3 boxes

The Citizens Committee for Constitutional Liberties was established to work for the repeal of the McCarran Act and other legislation authorizing surveillance of political activities. Records include files of executive secretary Miriam Friedlander, including correspondence with Committee members, other civil liberties organizations, and members of Congress, and drafts of publications, press releases, and speeches. Correspondents include Lee H. Ball, Carl Braden, Gus Hall, Linus Pauling, Norman Thomas, and Willis Uphaus.

The Citizens Committee for Constitutional Liberties collection documents the activities of the organization. The records have been divided into four series: Office Business, Governmental, Photographs, and Printed Material.

Files from CCCL's office have been placed into the Office Business series dating from 1962-1963. These include office correspondence, financial information, as well as speeches given at CCCL rallies by members of the organization or its supporters: Dr. Willard Uphaus, Moe Fishman, Paul Ross, Benjamin Davis, and others.

The Governmental series, 1960-1973, contains materials pertaining to CCCL's involvement with government agencies charged in some way with the enforcement of the McCarran Act. Included are letters exchanged with congressman and senators, including letters from former Attorney General Robert F. Kennedy and former First Lady Eleanor Roosevelt. This series also contains testimony given by the organization before the Subversive Activities Control Board, information on the McCarran Act, the Smith Act, and the Emergency Detention Act, and acts, bills, and propositions related to the CCCL's causes.

The Photograph series includes photographs of supposed detention camps for foreign-born citizens.

The Printed Material series has magazines and newspaper clippings relevant to the organization and its causes. Also included in this series are Congressional Records excerpts, pamphlets published by the CCCL, scrapbooks, and political cartoons.

1.25 Linear Feet — 3 manuscript boxes

Scrapbooks, correspondence, photographs, and ephemera relating to the life and activism of UM alumnus Stan Nadel.

Scrapbooks, correspondence, photographs, and ephemera relating to the life and activism of University of Michigan alumnus Stan Nadel.

The correspondence series is primarily composed of letters sent to Nadel either supporting or denouncing his actions. Also included is Nadel's correspondence with a representative of the NLF in Algeria.

The legal documents series consists of the papers the FBI and Michigan police compiled while investigating and surveilling Nadel.

The two scrapbooks contain clippings, correspondence, and ephemera that Nadel collected in the 1960s. Loose materials from the scrapbooks have been placed in folders stored alongside the scrapbooks. Each folder notes the contents of the scrapbook pages that were on either side of the loose materials. Many of the loose materials from scrapbook one are legal documents relating to Nadel's HCUA hearing. Note that the second scrapbook has been placed at the back of Box 3 to optimize storage.

The photographs series includes a sequence of photographs taken in South Vietnam around 1964 and a number of photos and negatives of Nadel and others in Ann Arbor.

Ephemera includes an anti-war petition CAV circulated, lists of contacts for potential donors to CAV, travel ephemera from Nadel's trip to Europe, and a small booklet of NLF stamps.

15.5 Linear Feet — 19 manuscript boxes, 2 record boxes, 4 oversize boxes

Correspondence, manuscripts, A/V materials, journals, artwork, and realia from the life and works of Postbeat poet Jim Cohn.

The correspondence series is made up of letters Cohn sent and received throughout his career. Cohn sorted the correspondence according to the person he was corresponding with, making special room for his two primary correspondents, fellow poets David Cope and Randy Roark.

The ASL Poetry and Poetics, Beat and Postbeat Studies, and Disability series contain records of Cohn's research, writings, and work related to each subject. Similarly, the Research Notebooks contain materials related to Cohn's archival research about poets Paul Blackburn and Ezra Pound.

The Audio Files and Books in Print files series are papers relating to Cohn's recordings and publications, respectively. Related A/V materials were placed in the A/V series, while published books were separated for cataloging.

The Education, Juvenilia, and Photographs series contain papers, photography, and artifacts from Cohn's personal life from childhood through the 2000s.

The Editor/Co-editor and Publisher series consist of magazines that Cohn helped edit or publish, as well as files related to the same.

The Manuscripts series contains Cohn's manuscripts, organized by genre.

Fine Arts includes two of Cohn's art projects, making paper and printing poetry on Tibetan prayer flags.

The Promotional Materials series includes papers relating to Cohn's public career and self-promotion, as well as performance reviews from a former job. The Interviews series contains both interviews of Cohn and interviews with other poets conducted by Cohn.

The Teaching Guides series are papers related to poetry workshops Cohn has taught.

The Museum of American Poetics series consists of printouts of various sections and updates to the website over the years.

Finally, the A/V materials series largely consists of CD and tape recordings of Cohn's spoken word music poetry. Also included are CD backups of the MAP website, recordings of Allen Ginsberg, and Ann Waldman's 2003 film, "Makeup on Empty Space." Please reach out to the Special Collections Research Center for information about accessing these materials.

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Folder

Correspondence

The correspondence series is made up of letters Cohn sent and received throughout his career. Cohn sorted the correspondence alphabetically by last name, making special room for his two primary correspondents, fellow poets David Cope and Randy Roark.

2 Linear Feet — 4 manuscript boxes.

The Human Rights Party Papers consist of correspondence, writings, administrative materials, teaching materials, notes, reports, and photos regarding the life and works of Benita and Gabe Kaimowitz and Edward and Victoria Vandenberg, all of whom were active members of the Human Rights Party in Ann Arbor in the 1970s.

The correspondence series largely consists of correspondence to and occasionally from Ed and Victoria concerning their personal and professional lives. Items groupings correspond to the creators' original order.

The campaign materials series comprises legal documents, ad copy, expenses, ephemera, and photos related to Benita Kaimowitz's 1973 bid for Ann Arbor mayor and Ed Vandenberg's 1986 candidacy for probate judge.

The teaching materials series includes lesson plans, assignments, student work, student evaluations, reading lists, and correspondence relating to Victoria and Ed Vandenberg's and Benita Kaimowitz's work as teachers. Both Benita and Ed taught courses at Community High School, a public alternative school founded in 1972 in response to the popularity of the Youth Liberation movement in Ann Arbor.

The Ed Vandenberg legal work series contains materials related to Ed's career as an attorney and ombudsman.

In the Office of Ethics and Religion series are administrative materials, correspondence, notes, ephemera, and proposals created by or submitted to the eponymous office. Ed Vandenberg served for a time as president of the Office of Ethics and Religion, and participated in many of the office's forums, conferences, and iniatives. Many of the materials in this series pertain to the University Values Program and the debates it facilitated concerning research into recombinant DNA technology.

The conferences series primarily consists of documents related to the 1977 "Narcissism in Modern Society" conference held at the University of Michigan and hosted in part by the Office of Religion and Ethics. It also includes statements and notes about attendees from the 1965 International Conference on Alternative Perspectives on Vietnam, which was co-sponsored by the predecessor to the Office of Ethics and Religion. Lastly, the series contains of a handful of documents related to various teach-ins in the 60s and 70s.

The topical files series is composed of groupings of files, largely collected by Ed Vandenberg, related to political and philosophical topics that did not fit neatly elsewhere in the collection. Files contain a variety of items, including essays, articles, newsletters, and ephemera.

The last item in the collection is a spiral-bound notebook used as a communication log for the Kaimowitzes' communal home.

0.25 Linear Feet — One manuscript box

This collection consists of correspondence, photographs, ephemera, publications, and A/V materials created or collected by Ms. Bob Davis, a transgender rights activist and professor of music at City College of San Francisco.

This collection consists of correspondence, photographs, ephemera, publications, and A/V materials created or collected by Ms. Bob Davis, a professor of music at City College of San Francisco.

The correspondence dates from the mid-2000s and centers around Ms. Bob and her students' efforts to convince CCSF to keep the position of Transgender Outreach and Advocacy Coordinator.

The photographs are 1970s press photos from a touring production of La Cage aux Folles. Ephemera relate to trans activism at CCSF. The publications folder includes "Inside Out," an interdisciplinary collaboration from CCSF that documents that experiences of trans individuals in the Bay Area. The news clippings cover transgender activism in the Bay Area and at CCSF. Contained in the oversize box is also a signed, wrapped clipping of an interview with Miss Major Griffin-Gracy, a survivor of the Stonewall Riots. Finally, the A/V folder contains a Lasses Record Company 45 vinyl single featuring music from Miss Rae Bourbon.

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10 Linear Feet — 9 record center boxes, 1 flat oversize box

The Jean Fagan Yellin/Harriet Jacobs Research Collection (1855-2017, majority between 1968-2010) spans approximately 10 linear feet with 7 series covering the work done by Jean Fagan Yellin on Harriet Jacobs and related materials on slavery, abolitionism, and feminism. The collection includes correspondence, drafts, reports, notes and annotations, clippings, photographs, and various research files collected, created, and utilized for Yellin's research, writings and publications, and speaking engagements to public and scholarly audiences. Notable materials include extensive evidence of Yellin's engagement with public and scholarly audiences on topics related to Harriet Jacobs, research files and other materials related to Harriet Jacobs and individuals originating from the 1800s and descendants, and files including correspondence proving the authenticity of "Incidents in the Life of a Slave Girl" as an autobiographical work by Harriet Jacobs.

The Jean Fagan Yellin/Harriet Jacobs Research Collection is approximately 10 linear feet and contains materials between 1855-2017 and primarily between 1968-2010. The collection focuses on the work of Jean Fagan Yellin with most attention to Yellin's research and engagement regarding Harriet Jacobs through correspondence, research files, drafts, reports, clippings, photographs, clippings, and other collected materials.

Other notable topics include her works on antislavery, abolitionism, and feminism during the nineteenth century through additional writings, drafts, and research that would connect with Yellin's work on Harriet Jacobs. Notable strengths of the collection include files related to extensive outreach efforts to public and scholarly audiences about Harriet Jacobs, research files with notes and other documentation including those created during Harriet Jacobs' lifetime, correspondence with the North Carolina archivist George Stevenson in researching "Incidents in the Life of a Slave Girl", and a 1993 interview with Dr. William Knox Jr., a family member of Harriet Jacobs.

Audiovisual materials in the collection have not been digitized.

Jean Fagan Yellin also used extensive abbreviations to describe various professional associations, organizations, projects, and titles within individual files and folder names such as the following:

AAUW: American Association of University Women AHA: American Historical Association ALA: American Literature Association ASA: American Studies Association CAAR: Collegium for African American Research CLA: College Language Association EIAAT: European Imprints of African American Texts HJFP: "Harriet Jacobs Family Papers" ILSG: "Incidents in the Life of a Slave Girl" MELUS: Society for the Study of Multi-Ethnic Literature of the United States MLA: Modern Language Association NCFA: National Collection of Fine Arts, now Smithsonian American Art Museum NEH: National Endowment for the Humanities NEMLA: Northeast Modern Language Association NHI: National Humanities Institute NYC: New York City Humanities Program OHA: Organization of American Historians SHA: Southern Historical Association

10 Linear Feet

The Finvola Drury papers consist of correspondence, publications, writings, printed ephemera, photographs, and audiovisual materials created or collected by Finvola Drury, a poet, teacher, , and activist.

The Finvola Drury papers are organized into eight series: correspondence, publications, writings, professional, personal, photographs, clippings, and A/V materials.

The correspondence series is sorted alphabetically by surname or institution name, except in cases where the correspondent's full name was not included in the correspondence or a single letter was addressed to multiple recipients. The bulk of correspondence is between Finvola Drury and her son, George S. Drury, and his wife Kathy. Other notable correspondents include Flo Kennedy, Sohnya Sayres, Jim Cohn, and David Cope.

A note on names: Finvola's daughter, Finvola, is often referred to by her nickname "Finny," or sometimes "Finvola II," while Finvola herself uses the nickname "Fin."

The publications series is sorted between poetry and prose and arranged alphabetically by title. Also included are various ephemera with Drury's poetry or prose printed on them, as well as a published review of Drury's book, Burning the Snow.

The writings series contains four subseries: poetry drafts, prose drafts, notes, and notebooks and journals. Both the poetry and prose draft subseries include files created and named by Drury and/or the donor, denoted in the finding aid and folder titles as "poetry draft files" or "prose draft files." Loose/unsorted poetry and prose drafts were organized alphabetically by name by the processing archivist and placed into folders labeled "alphabetized poetry drafts," denoted in the finding aid like "poetry drafts, A-Z." The notes subseries consists of pages of Drury's handwritten notes about literature, writing, ideas for poems or prose, and other subjects of interest. The "subject notes" files were ordered and labeled by Drury and/or the donor. Other notes were loose and/or unsorted and brought together in processing. Finally, the notebooks and journals subseries comprises notebooks and journals Drury kept throughout her life, as well as a handful of notebooks that belonged to her daughter, Finvola.

The professional series is made up of materials from Drury's career, sorted primarily by institution, followed by announcements for Drury's poetry readings, a copy of Drury's resume, and the draft of a memoir a student wrote under Drury's tutelage.

The personal series consists of biographical sketches written about Drury, notes and records from Drury's undergraduate and graduate education, personal ephemera, and a book given to Drury by Detroit artists.

The photographs series is organized chronologically.

The clippings series consists of newspapers and clippings Drury kept in her files, as well as a handful of collages Drury and her friend, Kathy Rose, made from news clippings.

The A/V series contains two LP music records, three tapes, and three CDs.

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2.0 Linear Feet

Ella Reeve "Mother" Bloor (1862–1951) was an American activist dedicated to the labor movement, the Socialist Party, and numerous radical groups.

The Ella Reeve Bloor Papers consist of two linear feet of personal and professional correspondence, notebooks and pamphlets, clippings, publications, and printed ephemera.

The collection, divided into 4 series, documents her activities as suffragist, free speech advocate, and labor organizer.

The Correspondence series consists of manuscript letters betweeen Bloor and her family, and correspondence between Bloor and her colleagues.

The majority of the family letters are to/from her children. Her letters, written during her travels, provide information about individuals and events associated with her work. Most of the family letters include the month and day written, but not the year. As a result, the letters are arranged in non-specific order.

Bloor's correspondence with colleagues and organizations are arranged chronologically. Included are letters from various Socialist societies, state and local government offices, newspapers, and labor unions, such as the New York State Committee Socialist Party, United Cloth and Cap Makers, Tailors' Union. In addition, there are handwritten letters from other activists involved in socialist and labor causes (e.g., letter from Joseph W. Sharts, counsel for Eugene V. Debs in his trial at Cleveland, Ohio; Theodore H. Lunde, officer of the Peace Council in Chicago).

The Publications series includes several small booklets, articles, a journal, and a report on the professional achievements of Harold M. Ware.

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Folder

Correspondence

The Correspondence series consists of handwritten letters betweeen Bloor and her family, and correspondence between Bloor and her colleagues.

The majority of the family letters are to/from her children. Her letters, written during her travels, provide information about individuals and events associated with her work. Most of the family letters include the month and day written, but not the year. As a result, the letters are arranged in random order.

Bloor's correspondence with colleagues and organizations are arranged chronologically. Included are letters from various Socialist societies, state and local government offices, newspapers, and labor unions, such as the New York State Committee Socialist Party, United Cloth and Cap Makers, Tailors' Union. In addition, there are handwritten letters from other activists involved in socialist and labor causes (e.g., letter from Joseph W. Sharts, counsel for Eugene V. Debs in his trial at Cleveland, Ohio; Theodore H. Lunde, officer of the Peace Council in Chicago).

Letters of note:

  1. "Max" (possibly Max Eastman, January 18, 1918)
  2. Eugene V. Debs (copies, September 20, 1918)
  3. Theodore Debs (brother of Eugene V. Debs, June 18, 1919)
  4. Ernest Untermann (socialist author, translator, newspaper editor, February 1, 1920)
  5. Elizabeth Gurley Flynn (labor leader, activist, and feminist, April 11,1920)
  6. Earl Browder (political activist, January 3, 1921)

47 Linear Feet — 39 record center boxes, 1 manuscript box, 5 flat boxes, 1 oversize folder — Papers contain brittle newspaper clippings as well as audiovisual materials including audio film, floppy disks, VHS, and audiocassettes.

The Victor Perera Papers document the life and work of Victor Perera (1934-2003), a Guatemalan born Sephardic-American writer, journalist, and political activist. Papers include correspondence, book and article drafts, Sephardic genealogy research, professional and teaching papers, research subject files, personal materials, audiovisual materials, and thousands of travel photographs and slides.

The Victor Perera Papers include correspondence, book and article drafts, Sephardic genealogy research, professional and teaching papers, research subject files, notebooks, personal materials, audiovisual materials, and thousands of travel photographs and slides. The collection is divided into 6 series:

Series 1: Correspondence, 1949-2002 includes combined incoming and outgoing correspondence arranged first by date and then by correspondent's name. Materials have been kept in original order with loose correspondence interfiled.

Series 2: Publications and Works, 1960-2000 is arranged into 3 subseries: Subseries 1: Books and Drafts, 1960-1995: includes Perera's edited drafts and galley proofs of his published books. Subseries 2: Articles, Drafts, and Other Works, 1960-2000: includes published articles and drafts, translations, book reviews, plays, and other works. Subseries 3: Reviews, Agreements, and Promotional Materials, 1966-1997: includes reviews on Perera's works, news clippings and interviews, catalogs, royalties, publisher agreements, event fliers, and other promotional materials.

Series 3: Professional Activities, Research Files, and Notebooks, 1970-1998 is arranged into 3 subseries: Subseries 1: Professional Activities Materials, 1972-1998 includes Perera's fellowships and awards, teaching materials, conference and panel presentations, travel materials, editorial comments, and involvement in organizations including the New Association of Sephardic/Mizrahi Artists and Writers International (IVRI-NASWI). Subseries 2: Research Files, 1970-1998 contains newspaper clippings, scholarly articles, brochures, and various other materials; arranged by subject or by country of origin and date. Subseries 3: Notebooks, 1970s-1990s, undated: includes handwritten notebooks of Perera's drafts and research; mostly undated.

Series 4: Personal Materials, 1921-1997: includes Perera's baby book, Brooklyn College and University of Michigan class materials, appointment books, legal documents, Earthways Wilderness Journey court case, and travel ephemera. Significant materials include Perera/Periera family genealogy and a photocopy of the Perera family curse.

Series 5: Photographs and Audiovisual Materials, 1934-1998 Subseries 1: Photographs and Slides, 1934-1997 contains childhood and family photographs, portraits of Perera, speaking events, Lancondon Maya in Mexico, and other photographs that documents Perera's travels to India, Nepal, Guatemala, Mexico, and Central America. Subseries 2: Audiovisual Materials, 1962-1998 includes floppy disks containing publication drafts, audio film, audiocassettes, and VHS. Subjects include interviews, TV and radio appearances, conference proceedings, and research.

Series 6: Artifacts, 1970-1990s: contains Perera's leather messenger bag, wallets, Lila Wallace Reader's Digest Writers Award plate, Hummingbird tie pin, and cloth satchel bag and sash.

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Collection

Victor Perera Papers, 1934-2002

47 Linear Feet — 39 record center boxes, 1 manuscript box, 5 flat boxes, 1 oversize folder — Papers contain brittle newspaper clippings as well as audiovisual materials including audio film, floppy disks, VHS, and audiocassettes.

1 Linear Foot

The David Herreshoff Papers (1960 - 1972) consists of police intelligence reports, photographs, and personal correspondence from the life and activities of David Herreshoff. Much of the material concerns his work with the Socialist Worker's Party and Anti-War efforts during the Vietnam Era while he was employed as faculty at Wayne State University in Detroit, MI. Documents the life and activities of David Sprague Herreshoff, a notable socialist and Anti-War activist living and working in Detroit, MI during the Vietnam War era. These papers include documents, reports, photographs, articles, and correspondence related to Herreshoff's activist activities.

Box 1: Photographs, correspondence, police/intelligence reports. Box 2: Police/intelligence reports, Two published monographs.

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