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Collection

Nelson Miles European Travel Photograph Album, ca. 1897

approximately 127 photographs in 1 album

The Nelson Miles European travel photograph album contains approximately 127 photographs documenting a trip to southern Europe undertaken by U.S. Army officer Lieutenant-General Nelson Appleton Miles and John Brooks Henderson, Jr., primarily in order to observe the Greco-Turkish War of 1897.

The Nelson Miles European travel photograph album contains approximately 127 photographs documenting a trip to southern Europe undertaken by U.S. Army officer Lieutenant-General Nelson Appleton Miles and John Brooks Henderson, Jr., primarily in order to observe the Greco-Turkish War of 1897.

The album (28 x 37 cm) has green cloth covers with the word "Photographs" stamped on the front. The inside of the front cover bears the inscription "Personal Travel Album of General Nelson Miles" as well as a loose color print from 1888 depicting Lt. Gen. Miles in full campaign dress. Contents consist of images of Athens and Lamia in Greece, a shot of Lt. Gen. Miles and other officers at rest, a series of photographs that appear to have been taken through binoculars, and views of Castle Angelo and the Coliseum in Rome, Pompeii, an excavation site, the Doge’s Palace and San Marco Square in Venice, Vienna, and Corfu.

Collection

Paul A. Meunier Photograph Albums, 1942-1949

approximately 3,000 photographs in 3 albums

The Paul A. Meunier photograph albums consist of three large volumes documenting the experiences of the U.S. Army 941st Engineering Aviation Topographical Battalion during World War II including basic training in the United States in 1942, assignments in Tunisia and Italy, and the journey home via the Pacific following the conclusion of the war.

The Paul A. Meunier photograph albums consist of three large volumes documenting the experiences of the U.S. Army 941st Engineering Aviation Topographical Battalion during World War II including basic training in the United States in 1942, assignments in Tunisia and Italy, and the journey home via the Pacific following the conclusion of the war.

All three albums in the collection are 46 x 57 cm in size and have black covers and black paper pages. Each album contains approximately 1,000 photographs. Being a professional artist, Meunier’s attention to detail and exactness is evidenced by the presence of faint framing lines an inch from page margins, with photos carefully arranged within the frames. Numerous captions are present in white ink and neatly printed in appropriate size. Since the three albums present in this collection are titled “Volume 3,” “Volume 4,” and “Volume 5,” it is presumed that Meunier likely produced at least five albums total. Both official photographs as well as personal snapshots taken by Meunier himself are included.

Album A ("Volume 3"): This album documents Meunier’s military service starting from June 1942 when he departed Cleveland for basic training, initial U.S. deployments, his assignment to Tunisia, and his unit’s journey across the Mediterranean Sea to Italy in December 1943. Many snapshot views of street scenes in Tunis and other places in North African Meunier explored while on leave as well as copies of official U.S. Army photographs recording visits to Tunis in 1943 by high-ranking U.S. officials (including Secretary of War Henry Stimson and Generals Eisenhower and Spaatz) are present.

Album B ("Volume 4"): This album documents the transfer of Meunier’s unit to San Severo, Italy. Images of particular interest show the unit working on the production of large-scale lithographically produced bird’s-eye view maps with designated bombing targets charted out. Visits while on leave to Naples, Capri, and Amalfi are also thoroughly represented. Also present is a hand-drawn map of the streets of San Severo and an annotated aerial view of Capri.

Album C ("Volume 5"): This album includes official photos of airborne fighter planes and bombers, aerial views of target sites, and artwork by a fellow soldier. Meunier’s snapshots show soldiers at work as well as on tourist visits to famous Italian sites such as Rome, Florence, Pisa, and Pompeii. Although materials are not arranged in strict chronological order, this volume covers a period of time from when Meunier’s company was headquartered in Bari in mid-1944 to his journey home by ship through the Panama Canal in mid-1945. Also present are a handful of views of the eruption of Mt. Vesuvius in 1944.