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Collection

Revolutionary Cuba and Philippines collection, 1849-1925 (majority within 1895-1903)

2.75 linear feet

This collection consists of 883 letters, documents, an orderly book, printed items, and other materials concerning revolutionary conflicts in Cuba and the Philippines, American involvement particularly, dating largely from the 1890s-1900s. This collection's contents include detailed information from Cuban and Philippine revolutionaries at home and in exile; U.S. Army activities related especially to the Spanish-American War, Philippine-American War, and postwar occupations; American, Cuban, Filipino, and Spanish consular and governmental officials; and civilians (including families of U.S. Army soldiers' and sailors' family members) involved in the events.

This collection consists of 883 letters, documents, an orderly book, printed items, and other materials concerning revolutionary conflicts in Cuba and the Philippines, American involvement particularly, dating largely from the 1890s-1900s. This collection's contents include detailed information from Cuban and Philippine revolutionaries at home and in exile; U.S. Army activities related especially to the Spanish-American War, Philippine-American War, and postwar occupations; American, Cuban, Filipino, and Spanish consular and governmental officials; and civilians (including families of U.S. Army soldiers' and sailors' family members) involved in the events.

Please see the box and folder listing in this finding aid for extensive, detailed descriptions of items and groups of items in the Revolutionary Cuba and Philippines Collection.

Collection

Rewards of Merit Collection, ca. 1800-1900s (majority within 1830-1900)

approximately 800 items

The Rewards of merit collection consists of approximately 800 hand-illustrated and printed rewards of merit originating in the United States during the 19th and early 20th centuries.

The Rewards of merit collection consists of approximately 800 hand-illustrated and printed rewards of merit originating in the United States during the 19th and early 20th centuries.

The collection includes rewards of merit decorated with ink, watercolor, and fraktur art as well as lithographic and chromolithographic rewards. The bulk of materials are dated between 1830 and 1900.

Series I of the collecton contains approximately 200 rewards of merit that are primarily grouped around specific students and teachers. Also present is a group 100 examples of early 19th century rewards acquired from dealer Alfred P. Malpa Ephemera.

Series I groupings:
  • 1.1: Early 19th century rewards of merit, 100 items
  • 1.2: Abbott, Carrie M. (student), 3 items
  • 1.3: Adams, Priscilla (teacher), 4 items
  • 1.4: Corbette, Edith (student), 4 items
  • 1.5: Garretson family (students) and Smiley family (teachers), 13 items
  • 1.6: Jones family (students), 6 items
  • 1.7: Roberts, Charlie (student), 13 items
  • 1.8: Shackford, Mabel (student) and Riley, Mary L. (teacher), 3 items
  • 1.9: Sturtevant, Florence (student) and Lamb, Clara (teacher), 8 items
  • 1.10: Thompson, Susan A. (student), 3 items
  • 1.11: Thurley, Gertie (student), 4 items
  • 1.12: Thurston family (students & teacher), 5 items

Series II contains approximately 600 19th century rewards of merit. Materials are organized roughly by size and include "small" and "large" groupings. Also present are two instructional cards for a rewards of merit system and blank uncut printed rewards of merit sheets.

Series II groupings:
  • 2.1: Small miscellaneous rewards of merit
  • 2.2: Large miscellaneous rewards of merit
  • 2.3: Uncut rewards of merit

Also of note is a cylindrically-shaped paper reward of merit that is housed in its own separate box.

Other students and teachers represented in the collection include the following: O. C. E. Baker, Minnie Bates, Edgar Blanchard, Sarah Bods, Hiram Bradley, Lydia P. Burnham, Sallie Burnham, Eliza W. Burrage, Amelia Burt, Joseph Busk, Frances M. Caulkins, Anna Chamberlain, Eddie Clock, William Duncan, Annie Earle, Della L. Farwell, Leva Ferro, Frances F. Fitch, Abraham E. Fox, Clarissa French, Lillie Gerz, Aletta Green, Isaac Goodchild, Henry S. Gouver, Celia Griswold, L. Hasbrouck, Jane Hayden, Joseph Heaton, Flora Hemmings, George Hibbs, Janell M. Hopkins, Frank Houghton, Katie Houghton, Lydia C. Huntington, Chelsey Hutching, Ellen K. Kanchett, Sidney Keith, Lucy Kendall, Henry Kimball, Edith Konter, Lizzie Kraybill, Euphema J. Lament, Grace Laverny, Walter Leonard, Della Lewis, Bertha Lockwood, Bessie C. Lord, Lilly McDonnell, Maggie S. Mitchell, Lizzie Morse, Llewallyn Moulton, Jennie C. Perry, Hallie A. Purinton, Amanda Reed, John Reed, Mary E. Richardson, Eva H. Roberts, Abbie F. Rupell, W. H. Rutherford, Andy Salisbury, Adolphus Sayre, Ella Sherman, Mary E. Shipman, Emogene F. Spakin, Sophia Strong, Edward Van Soligen, Lizzie P. Whillemore, Cira B. Whitney, Emma Yeaton, Georgie Young, and James Young.

Educational institutions represented include Belknap School, Bennington (Vt.) Graded School District, D.C. Academy, Excelsior School System, Hartford Centre School, Kingston Grammar School, Marblehead Academy, Miss Sanders' Seminary, Mrs. Cranch's Academy, Pollsville Institute, and "Town School No. 12."

Collection

Richard C. Frank papers, 1958-2004

43 linear feet — 90 tubes — 1 oversize folder — 2 GB (online)

Online
The papers of Richard C. Frank, preservation architect and planner, contain paper files as well as architectural drawings and sketches from Frank's Preservation / Urban Design / Incorporated firm and from his work after leaving the firm in 1984. Major projects include Crossroads Village in Genesee County, the Detroit People Mover, Orchestra Hall of Detroit, and the Smithsonian Institution Art and Industries Building.

The Frank papers are organized into six series: Project Files, Orchestra Hall, Crossroads Village, Smithsonian Institution Arts and Industries Building, Other Files, and Visual Material. The records contain paper files as well as architectural drawings and sketches. In most instances, the container list reflects the original order of the files. If a project number was written on a file folder or tube, this number is also recorded in the container list. Additionally, the majority of the material has been kept in its original folder.

Collection

Richard Crossley Civilian Conservation Corps Photograph Album, ca. 1938-1940

90 photographs and 2 documents in 1 album

The Richard Crossley Civilian Conservation Corps photograph album contains two documents and approximately 90 snapshot views of Civilian Conservation Corps Camps in Ravenna and Broken Bow, Nebraska, as well as Fort Scott, Kansas.

The Richard Crossley Civilian Conservation Corps photograph album contains two documents and approximately 90 snapshot views of Civilian Conservation Corps Camps in Ravenna and Broken Bow, Nebraska, as well as Fort Scott, Kansas.

The album (19 x 25.5 cm) has blue felt covers with orange felt bear skin spelling "C.C.C/Civilian Corps" sewn on to the front. Images include views of young men in uniform, a CCC camp, and an airbase, as well as photographs of a man (likely Richard Crossley at Fort Scott) dressed in full uniform and the same man holding aloft an Air Corps Technical School diploma. Also present are two documents are present including a membership card for CCC Company 2732 as well as honorable discharge papers.

Collection

Richard C. Train and Kha Nay Ung Train Collection, 1970-2023 (Scattered), and undated

6.25 cubic ft. (in 13 boxes)

This is collection of oral history interview cassettes of Richard C. “Chit” Train, transcriptions of the one and only oral history interview with Kha Nay Ung Train, a draft outline of book chapters all by Joan Shippers Memering, and a few related materials.

This is collection of mostly oral history interview cassettes of Richard C. “Chit” Train, transcriptions of the one and only oral history interview with Kha Nay Ung Train, and draft outline of book chapters all by Joan Shippers Memering. There are also a few related newspaper clippings (copies) of Cambodian refugees in mid-Michigan, including one by Memering, a cassette of This Shattered Land by Jim Laurie [and Pamela Hill, who is not listed in the credits], a documentary of the destruction of Cambodia, 1970-1979, by the Khmer Rouge Regime and the Cambodian Famine, 1979-1980. The slides are all topically related. About half the slides are from a slide presentation titled Kampuchea: it’s People, Land and Culture by Asia Resource Center, Ontario, 1980. Kampuchea was the Cambodian state, 1975-1979, under the Khmer Rouge, the Communist Party of Kampuchea. The collection is organized alphabetically, chronologically, and by format. he collection is in very good condition.

The oral history interview cassettes includes black and white cassettes. The black cassette tapes are written on in pen or marker, while white cassettes have typed labels, so the black cassettes were the initial recordings and the white cassettes appear to be a master copy as they are not edited. For most dates there are both black and white cassettes, but for some dates there are only cassettes of one color.

Besides the Trains, Joan interviewed other Cambodian refugees: Meng Leng [Phou], Heng Suy Keang, who was called Lim Son Seak, Tan Chen Fu, Ing May, and Din Leng, who are discussed in her draft book chapter. For more information about them, please see the Joan Shipers Memering Papers finding aid.

There is also one folder of correspondence and between the Trains and Joan and one folder of materials about Richard C. Train.

Processing Note: A folder of a few mailing envelopes and a duplicate transcription were returned to the donors as specified on the donor form.

Collection

Richard I. Ford papers, 1968-2005 (majority within 1970-1990)

28 linear feet — 48.7 MB (online)

Online
University of Michigan professor of anthropology; professor of botany; curator of ethnology; and former director of the University of Michigan Museum of Anthropology. Well-known for his innovative research in archaeology, ethnobotany, and paleoethnobotany, as well as a long and distinguished teaching career and dedication to public and professional service.

The Richard I. Ford Papers document the professional and personal life of one of the country's most prominent paleoethnobotanists, curator and former director of the University of Michigan Museum of Anthropology, and longtime University of Michigan professor of Anthropology and Botany. The records in this collection measure 27 linear feet, and date from 1968 to 2005, with the majority of the records from the period 1970 to 1990. The Ford papers are primarily comprised of correspondence, legal filings and consulting materials, lectures and conference presentations, publications, committee and service records, administrative materials, teaching files, and mixed media. The records are arranged into seven series: Correspondence, Legal Consultations, Professional Service and Activities, Teaching, University of Michigan Museum of Anthropology, Audio-Visual Materials, and Research, Publications, and Projects.

Collection

Richard L. Zurel papers, 1897-2011 (majority within 1956-2006)

3 linear feet

Richard L. Zurel is an archaeologist who has conducted research on Native Americans in Michigan. The Richard L. Zurel papers, 1914-2011, contain materials related to his work in the field of archaeology and ethnography documenting Native American groups in Michigan. Materils include field notes, collected publications, written works by Zurel, newsletters of organizations, photographs and slides. The collection also includes materials related to Zurel family history.

The Richard L. Zurel papers, 1897-2011, contain research materials and photographs related to his archaeological work in Michigan, as well as printed materials and minutes of the Aboriginal Research Club of Detroit and of the Michigan Archaeological Society. Collection also contains Zurel family photographs depicting family members, as well as photographs and postcards depicting locations in the Upper Michigan Peninsula.

Collection

Richard Tillinghast Papers, 1887-2008 (majority within 1960-2008)

22 Linear Feet — 21 records boxes, 1 oversize box

Richard Tillinghas is a poet and critic based in Ann Arbor, Michigan. He is known for his employment of stylistic techniques to explore tracel, history, lanscapes, and the evolution of personal relationships. He was an active in the counterculture movement, and produced several published collections of poetry. Tillinghast claimed that his writings were primarily inspired by everyday experiences, which he interpreted in "an unusual way". In addition to writing, Tillinghast taught at both Harvard and San Quentin Prison, as well as at the University of Michigan. He travelled extensively, and now lives in rural Ireland. The Richard Tillinghast Papers contain materials from throughout Tillinghast's career, including extensive correspondence, manuscripts, and critical pieces. A large section of the collection is dedicated to the scrapbooks and journals spanning many years, and in which Tillinghast details his writing, work, and travels.

The Richard Tillinghast Papers consist of a wide variety of materials from across the length of Tillinghast's career. The collection contains a large amount of correspondence with colleagues, family, friends, publishers, and others involved with his career, a voluminous amount of manuscripts for his many poems, essays, critical pieces, and other writings, and material related to his professional work as a poet and professor as well as his personal life and that of his family. The largest element of the collection is the many manuscripts and drafts of Tillinghast's poems and other published writings, as well as the scrapbook-like journals he kept for many years documenting his travels, work, and writing. The Richard Tillinghast Papers are divided into seven series: Name and Topical, Personal, Professional, Writings and Manuscripts, Journals and Diaries, Clippings and Reviews, and Audiovisual.

The Name and Topical series contains approximately 3.25 linear feet, Boxes 1-4, consisting mainly of correspondence with fellow authors, colleagues, academics, friends, and publishers. Although largely organized by names, a few organizations with which Tillinghast corresponded significantly are included as topics as well. Relevant photographs, clippings, and ephemera are generally kept with related names and topics. The series is arranged alphabetically by name. Each name or topic is given a folder as long as there are at least three letters of correspondence or if the person is of significant status. Names or topics that do not meet these minimum requirements are filed by letter in the alphabet. This series also contains some unidentified correspondence due to illegible signatures on letters.

Tillinghast's largest correspondents include David Freidberg, Rachel Hadas, Donald Hall, Alan Williamson, and Wesleyan University Press, which published several of his books. Other notable correspondents include William Bolcom and Joan Morris, Billy Collins, James Dickey, Annie Dillard, Shelby Foote, George Garrett, Allen Ginsberg, Robert Haas, Seamus Heaney, James Laughlin, Robert Lowell and Elizabeth Hardwick, Robert Pinsky, Gary Snyder, Chase Twichell, and Robert Penn Warren.

The Personal series contains approximately 1 linear foot, Boxes 4-5, and includes a variety of materials related to Tillinghast's early life and family. Much of the series consists of correspondence with family members and close personal friends, arranged chronologically. Some correspondence of Tillinghast's family members, especially his grandparents, that dates from before his birth is also included. Among these are a letter to his grandfather A. J. Williford, a prominent public figure in the Memphis area, from Theodore Roosevelt. The series also contains materials from Tillinghast's childhood, and some of his academic work prior to graduate school, especially from his undergraduate days at the University of the South (Sewanee) in Tennessee. More general materials related to his time at Sewanee and at graduate school at Harvard are also included. The series also contains genealogical information and photographs on both Tillinghast's father's and mother's families compiled by relatives, and other miscellaneous personal materials.

The Professional series contains approximately 2 linear feet, Boxes 5-7, and includes materials related to Tillinghast's work both as a professor at the University of Michigan and as a poet and lecturer more generally. The largest part of the series is correspondence, logistical and publicity information, and other material related to Tillinghast's travels around the United States and abroad to conduct poetry readings at college and universities, bookstores, and other locations. This material is arranged by state, and within each state every institution for which there was a significant amount of correspondence or other information is given its own folder(s). Readings which Tillinghast gave in Ireland follow the US states. This series also contains correspondence with many publishers and publications regarding publication of Tillinghast's poems and essays. Because it is with such a wide variety of entities, this correspondene was left together rather than being split in Name and Topical. There is thus some overlap with Name and Topical, as well as correspondence in the Writings and Manuscripts series. Other materials in this series include some teaching materials, material related to projects Tillinghast conducted as a professor, materials on writers' conferences he attended and/or organized, and materials related to his work in Ireland and international travel.

The Writings and Manuscripts series contains approximately 6.75 linear feet, Boxes 7-15, and contains materials from Tillinghast's writings throughout his career. The series contains nine subseries: Poetry, Published Books of Poetry, Novels, Editorial Work, Criticism, Essays, Talks and Lectures, Robert Lowell, and Other.

The Poetry subseries consists largely of manuscripts of Tillinghast's poems from drafts, and revisions made by Tillinghast, which show the development of his work over time. Occasionally, correspondence related to the development of the poems is included as well. Undated manuscripts are grouped together at the end of the series, which also contains manuscripts of unpublished books of poetry and photocopies of published poems. Materials were generally kept together in the groupings in which Tillinghast had arranged them, which means related materials are sometimes dispersed throughout the series. For example, when a large number of copies of poems were placed together, they were placed in a single folder or set of folders. The same is true, though to a lesser degree, for other materials in this series. A limited amount of correspondence appears alongside the manuscripts.

The Published Books of Poetry subseries contains materials related to many of Tilinghast's published works, arranged chronologically by book. The series contains drafts, manuscripts, galleys, copies, signatures, and correspondence with publishers and others. The amount of material for each book varies considerably, and for none is there enough material to show the complete development of the book. It is important to note that the manuscript entitled "They Gambled For Your Clothes" was renamed as "The New Life" before eventually being published. Earlier manuscripts can be found in the Poetry subseries. Many of the individual poems in each book also have files in the Poetry subseries.

The Novels subseries consists of a manuscript for a never-published novel by Tillinghast, as well as drafts and fragments of another unpublished novel or short story.

The Editorial Work subseries contains material related to Tillinghast's service as editor of an edition of the literary magazine Ploughshares, mainly correspondence and manuscripts. Correspondents are arranged alphabetically.

The Criticism subseries consists primarily of book reviews Tillinghast wrote for a wide variety of academic and popular publications, arranged chronologically. Materials include manuscripts and drafts of the reviews and correspondence with publishers and publications. The subseries also includes similar materials on various other works of criticism published in a variety of publications. Publications for which there was not a significant amount of materials are grouped together as "various." The subseries also contains materials of the same nature as those in the Published Books of Poetry subseries for one published book of criticism by Tillinghast.

The Essays subseries contains material similar to that on book reviews in the Criticism subseries, but for essay on literary and travel topics by Tillinghast published in various publications, arranged chronolgoically. A large amount of these essays were travel pieces for the New York Times, as well as a large amount of writing on Irish literature and culture for a number of publications. Folders on many of the travel pieces also contain a variety of tourist materials and other ephemera from the locations about which the essays were written. Those essays for which there were not a large amount of materials are grouped together as "various." Manuscripts and materials related to Tillinghast's Finding Ireland are grouped following the essays, as well as working manuscripts and correspondence related to "The Istanbul Book", an as-yet unpublished book.

The Talks and Lectures subseries contains manuscripts of a few talks and lectures given by Tillinghast.

The Robert Lowell subseries contains all of Tillinghast's writings on Robert Lowell, arranged by type and chronologically therein. Lowell was a mentor to Tillinghast at Harvard and Tillinghast wrote his Ph.D. thesis on Lowell as well as a literary biography of him. Because of the importance of Lowell in Tillinghast's work, these writings are grouped together. This subseries contains book reviews, essays, a lecture, and various Lowell-related clippings and articles.

The Other subseries contains a few other writings and manuscripts by Tillinghast that do not fit into any of the other subseries, such as an interview, a travel guide, and an autobiography Tillinghast provided to Gale.

The Clippings and Reviews series contains approximately 0.25 linear feet, Box 15, of primarily clippings and photocopies of reviews of Tillinghast's published books of poetry, arranged by book. The series also contains miscellaneous clippings about Tillinghast from throughtout his career.

The Journals and Diaries series contains 7 linear feet, Boxes 15-20, of Tillinghast's journals or diaries from throughout his career, arranged chronologically by decade, though the bulk are from the 1990s and 2000s. These books contain a wide variety of materials: notes on and drafts of poems, materials related to teaching, such as notes on grading and class preparation, notes from Tillinghast's extensive travels, clippings and photographs pasted in, and a wide range of other content. The earliest journals, from Tillinghast's undergraduate days, are primarily his class notes. The journals appear to have been kept as "catch-all" books that served a wide variety of professional and personal purposes. They are in a wide variety of physical formats. When the dates of a journal could not be determined, a guess was made based on the other journals near it and on content. Since the dates of journals occasionally overlap, no attempt was made to arrange them chronologically beyond the level of decade. The varied nature of these books mean that they reveal much about Tillinghast's writing, his work, and his life in general in the years in which they were kept.

The Audiovisual series contains1 linear foot, Box 21, of primarily audio and videocassettes, as well as two CDs. Some of the audio and videocassettes are of Tillinghast giving poetry readings or of projects he participated in or coordinated. The bulk of the collection is recordings of class meetings for two classes Tillinghast taught, the Beat Generation and Poets Live, from January to April 1995.

Collection

Right to Decency Organizational Records, 1985-2006

5.4 linear feet

The Right to Decency organization was centered in Macomb County, Michigan, and was dedicated to the elimination of "the vast amount of pornography and obscenity inundating society." The record group includes correspondence, organizational records, meeting minutes, newsletters, flyers, articles, and recordings regarding the activities and administration of the organization.

The Right to Decency records include correspondence, organizational records, meeting minutes, newsletters, flyers, articles, and recordings regarding the activities and administration of the organization.

Collection

Robby DeBoer Papers, 1977-2006 (majority within 1991-2006)

20 linear feet — 1 oversize folder — 16.6 GB (online)

Online
Two year custody battle over "Baby Girl Clausen" between Jan and Robby DeBoer of Ann Arbor, Michigan and her biological parents Cara Clausen and Daniel Schmidt of Blairstown, Iowa; and the national child advocacy group Hear My Voice. The collection consists of correspondence, news clippings, press releases, photographs, audio cassette tapes, digital materials, video tapes, and legal papers such as petitions, briefs, judicial orders, and amicus briefs.

The Robby DeBoer papers document the legal battle and media coverage surrounding the adoption of "Baby Girl Clausen," and also the organizational records of the national child advocacy group Hear My Voice. The collection consists of correspondence, news clippings, press releases, photographs, audio cassette tapes, digital materials, video tapes, and legal papers such as petitions, briefs, judicial orders, and amicus briefs. The collection has the following series: Biographical, Litigation, Hear My Voice, Publicity, Audio/Visual Materials, and General Correspondence.