Collections : [University of Michigan Special Collections Research Center]

The Citizens Committee for Constitutional Liberties was established to work for the repeal of the McCarran Act and other legislation authorizing surveillance of political activities. Records include files of executive secretary Miriam Friedlander, including correspondence with Committee members, other civil liberties organizations, and members of Congress, and drafts of publications, press releases, and speeches. Correspondents include Lee H. Ball, Carl Braden, Gus Hall, Linus Pauling, Norman Thomas, and Willis Uphaus.

The Citizens Committee for Constitutional Liberties collection documents the activities of the organization. The records have been divided into four series: Office Business, Governmental, Photographs, and Printed Material.

Files from CCCL's office have been placed into the Office Business series dating from 1962-1963. These include office correspondence, financial information, as well as speeches given at CCCL rallies by members of the organization or its supporters: Dr. Willard Uphaus, Moe Fishman, Paul Ross, Benjamin Davis, and others.

The Governmental series, 1960-1973, contains materials pertaining to CCCL's involvement with government agencies charged in some way with the enforcement of the McCarran Act. Included are letters exchanged with congressman and senators, including letters from former Attorney General Robert F. Kennedy and former First Lady Eleanor Roosevelt. This series also contains testimony given by the organization before the Subversive Activities Control Board, information on the McCarran Act, the Smith Act, and the Emergency Detention Act, and acts, bills, and propositions related to the CCCL's causes.

The Photograph series includes photographs of supposed detention camps for foreign-born citizens.

The Printed Material series has magazines and newspaper clippings relevant to the organization and its causes. Also included in this series are Congressional Records excerpts, pamphlets published by the CCCL, scrapbooks, and political cartoons.

David Cope is a poet in the Objectivist tradition and the founder of Nada Press, a small press which publishes the literary magazine and other poetry. Cope, a University of Michigan graduate and lifelong Michigan resident, taught literature and writing at Grand Rapids Community College and Western Michigan University. The collection documents Cope's writing, editing, and to some extent teaching and other spheres of Cope's life, through correspondence, manuscripts, notes, printed material, photographs, and videotapes.

David Cope made his first donation of papers to the Special Collections Research Center in 1987. Since then he has continued to make frequent contributions. The David Cope Papers cover Cope's writing and correspondence from the 1970s to the present, as well as his editing and teaching activities. In addition to offering insight into Cope's work, the collection details some of the activities and thoughts of friends and fellow writers and poets; in particular, Allen Ginsberg, Jim Cohn, Antler, and Jeff Poniewaz. Not currently well-documented are the more personal aspects of Cope's life--especially his family life--except for those details made available through his writings and correspondence.

The David Cope Papers are divided into eight series: Correspondence and Name Files, Writings, Editing Materials, Teaching and Education Materials, Publicity Materials, Personal, Photographs, and Audio/Visual. A small selection of books from Cope's library have been removed from the collection and have been cataloged individually. They are shelved by call number in Special Collections and can be requested through the Library's catalog.

Research materials created and collected by the political scientist David Porter during the course of his doctoral research in Algeria.

The bulk of the papers is Porter's own handwritten notes, but also includes materials he saved from other sources (such as local newspapers) and typewritten proposals presented by Porter to his dissertation committee. The papers remain in Porter's original order. Porter's research focused on socialist and anarchist forces in Algeria immediately following independence. Materials are in both French and English.

Research materials created and collected by the political scientist David Porter during the course of his doctoral research in Algeria.

The bulk of the papers is Porter's own handwritten notes, but also includes materials he saved from other sources (such as local newspapers) and typewritten proposals presented by Porter to his dissertation committee. The papers remain in Porter's original order. Porter's research focused on socialist and anarchist forces in Algeria immediately following independence. Materials are in both French and English.

Edward C. Weber (1922-2006) was long-time curator of the University of Michigan Special Collection's Joseph A. Labadie Collection of radical history. Under his stewardship, the Labadie Collection grew into one of the premier and most forward-thinking holdings of materials relating to radical and protest groups from the United States and around the world. The Edward C. Weber Papers are made up of the subject's correspondence and biographical materials, written from 1949 to 2006. The bulk of the collection, the correspondence is mostly comprised of Weber's letters soliciting materials on behalf of the Labadie Collection or fielding reference questions from researchers, as well as personal correspondence from the his family and friends. The collection's materials are comprised of letters (typed and handwritten), printed out emails, postcards, greeting cards, news clippings, photographs, printed biographical materials, framed commendations, and other miscellaneous paper materials.

The Edward C. Weber Papers consists of Weber's correspondence with organizations, publishers, researchers, associates, family, and friends, along with biographical materials created for his retirement and memorial services. The collection provides a snapshot of the Joseph A. Labadie Collection and his work there for a 40 year period (1960-2000), as well as a portrait of his personal relationships with friends and family from 1949 to 2005.

The Biographical Materials series contains materials from Weber's retirement celebration and memorial service. The first folder contains past articles and correspondence on paper stock, reprinted for Weber's memorial service in 2006. The second set of items relate to Weber's retirement in 2000. This includes a flyer for his retirement celebration, articles about his retirement, and copied certificates of commendation. In addition, two framed items of commendation are housed in an oversized box.

The Correspondence series makes up the majority of the collection and is comprised of 27 linear feet of paper material housed in 54 manuscript boxes, foldered alphabetically by correspondent or corresponding organization. Individual letters, cards, photographs and other types of written communication are arranged chronologically within each subject's folder(s). The majority of folders are dedicated to outreach by Weber to various radical groups and individuals soliciting material donations to contribute to the Labadie Collection. His written responses to reference inquiries for items within the Labadie Collection make up another significant segment of the series. Most of these materials are typewritten letters officially sent on behalf of the Labadie Collection and University of Michigan Special Collections. Some later letters were written by Labadie Collection assistants during Weber's time there and with his knowledge. Since Weber never used email, his letters sent on behalf of the Labadie Collection were typed on a manual or electric typewriter. There are occasional handwritten notations on some of these letters and a few emails printed out so he could read them. Other folders in the series contain personal correspondence from friends, family, and other associates. These items are made up mostly of handwritten notes, postcards, greeting cards, newspaper clippings, printouts of emails, occasional photographs, and other miscellaneous items. Many of the folders were removed from the general Labadie correspondence files in 2008 and a listing was made of them at that time. The rest of the series is made up of personal correspondence Weber stored in his home.

Within the series are several notable, lengthy correspondence partners including Theodore Adams (1950-2004, 21 folders), James Q. Belden (1952-2000, 11 folders), George Nick (1949-1991, 12 folders), Curtis and Clarice Rodgers (1961-2005, 18 folders), and Henry Van Dyke (1950-2004, 12 folders). The series also includes correspondence from notable individuals such as civil rights activist Malcolm X, graphic novelist Harvey Pekar, former Secretary of State Eliot Abrams, the White Panther Party, among many others.

Abbreviations:

LC=Labadie Collection ECW=Edward C. Weber

This collection consists of letters, prints, and brochures that children's authors and their publishers sent to Chamberlain, a school librarian.

This collection consists of letters, prints, and brochures that children's authors and their publishers sent to Chamberlain, a school librarian. The letters date from late 1972 to fall of 1973. The collection consists primarily of type- and hand-written letters on various stationary. Some authors wrote on or signed brochures or book pages. A few included printed illustrations.

Authors discuss subjects such as their upcoming work, their inspirations, the importance of reading and fun in childhood, and censorship in children's literature.

Notable items include an authentic signature from Charles Schulz, an illustration from Patricia Coombs' Dorrie and the Goblin, and a series of exchanges between Chamberlain, Roald Dahl, and a magazine editor concerning a critical review of Charlie and the Chocolate Factory>.

The Finvola Drury papers consist of correspondence, publications, writings, printed ephemera, photographs, and audiovisual materials created or collected by Finvola Drury, a poet, teacher, , and activist.

The Finvola Drury papers are organized into eight series: correspondence, publications, writings, professional, personal, photographs, clippings, and A/V materials.

The correspondence series is sorted alphabetically by surname or institution name, except in cases where the correspondent's full name was not included in the correspondence or a single letter was addressed to multiple recipients. The bulk of correspondence is between Finvola Drury and her son, George S. Drury, and his wife Kathy. Other notable correspondents include Flo Kennedy, Sohnya Sayres, Jim Cohn, and David Cope.

A note on names: Finvola's daughter, Finvola, is often referred to by her nickname "Finny," or sometimes "Finvola II," while Finvola herself uses the nickname "Fin."

The publications series is sorted between poetry and prose and arranged alphabetically by title. Also included are various ephemera with Drury's poetry or prose printed on them, as well as a published review of Drury's book, Burning the Snow.

The writings series contains four subseries: poetry drafts, prose drafts, notes, and notebooks and journals. Both the poetry and prose draft subseries include files created and named by Drury and/or the donor, denoted in the finding aid and folder titles as "poetry draft files" or "prose draft files." Loose/unsorted poetry and prose drafts were organized alphabetically by name by the processing archivist and placed into folders labeled "alphabetized poetry drafts," denoted in the finding aid like "poetry drafts, A-Z." The notes subseries consists of pages of Drury's handwritten notes about literature, writing, ideas for poems or prose, and other subjects of interest. The "subject notes" files were ordered and labeled by Drury and/or the donor. Other notes were loose and/or unsorted and brought together in processing. Finally, the notebooks and journals subseries comprises notebooks and journals Drury kept throughout her life, as well as a handful of notebooks that belonged to her daughter, Finvola.

The professional series is made up of materials from Drury's career, sorted primarily by institution, followed by announcements for Drury's poetry readings, a copy of Drury's resume, and the draft of a memoir a student wrote under Drury's tutelage.

The personal series consists of biographical sketches written about Drury, notes and records from Drury's undergraduate and graduate education, personal ephemera, and a book given to Drury by Detroit artists.

The photographs series is organized chronologically.

The clippings series consists of newspapers and clippings Drury kept in her files, as well as a handful of collages Drury and her friend, Kathy Rose, made from news clippings.

The A/V series contains two LP music records, three tapes, and three CDs.

This collection consists of manuscripts of articles submitted to Fraye Arbeter Shtime, a Jewish Anarchist journal, during the 1920s and 30s.

The Fraye Arbeter Shtime papers consist of manuscripts submitted for publication during the editorships of Joseph Cohen (1923-32) and Mark Mrachnyi (1934-40).

This collection consists of original artwork by Gabby Schulz, also known as Ken Dahl, an American cartoonist.

The majority of the collection consists of ink and watercolor pages from Schulz's graphic novels, particularly Sick and Welcome to the Dollhouse. The journal, labeled "Sick etc." by the artist, contains drafting for Sick as well as some personal journaling. Other artwork includes various screenprint transparencies and a poster for a 2017 Black Lives Matter flag-raising event.

Books, correspondence, photos, contracts, manuscripts, magazines, and ephemera relating to the works of playwright and screenwriter Clifford Odets.

This collection is organized into eight series.

The Books Series consists of published stage plays and screenplays written by Odets, books belonging to or inscribed by Odets, biographical publications about Odets, novels that Odets adapted into screenplays, and stage plays written by other Group Theatre writers. The bulk of the Correspondence Series is Odets's letters to his friend Bill Kozlenko. Other letters sent by Odets to a variety of correspondents are also included.

The Contracts Series consists of contracts Odets signed with movie studios.

The Manuscripts Series consists of scripts, notes, and test scenes from Odets's various projects, including a scrapped film called Joseph. Also included are proofs of The Time Is Right: The 1940 Journal of Clifford Odets, published posthumously in 1988.

The Photographs Series includes portraits and photos of Odets, portraits of Odets's first wife Luise Rainer, and photos of film and stage productions of Odets's works.

The Magazines Series comprises magazines with articles or advertisements about Odets or his works or colleagues, organized chronologically.

The bulk of the Ephemera Series are playbills and lobby cards for Odets's plays and movies. Also included are one sheets, small flyers, pressbooks, and tickets. Two of the pamphlets feature Odets's writing, while the pamphlet by Margaret Brenman-Gibson is an analysis of Odets and his work.

The A/V Series consists of two LPs: a recording of the original Broadway cast of the Golden Boy musical adaptation and a recording of Odets in conversation with Herman Harvey.