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This collection consists of two variations of a 1912 yearbook for members of the 1915 co-ed class of Rochester High School in Rochester, Pennsylvania.

This collection consists of two variations of a 1912 yearbook for members of the 1915 co-ed class of Rochester High school in Rochester, Pennsylvania. These yearbooks include pencil and pen-and-ink portraits of students, faculty, and sports teams, as well as caricatures, cartoons, and humorous drawings. Several poems are also included. Their content touches on humor, social affairs, class members' personalities, curriculum, athletics, and gender. The content is very similar between the two volumes, with some variations of student descriptions and introductory matter.

The first volume, titled "The Nightmare," includes an introduction stating that "the only excuse for publishing this book is because the rest of the bunch have one apiece . . . [and] merely aids one in passing some idle hours in school . . . this book is strictly 'Entre Nous,' so don't tell anybody outside of America." One page, headed "Familiar Quotations" quotes Bunny Amos Rex as having said, "Aw fellows let's git together and do some devilment." On the opposite page of the "Quotations" section is a drawing of the Rochester High School with the label "Agony Building." Accompanying the student portraits are humorous descriptions of said students: Armin Barner is described as an elegant musician, politician, electrician and magician of the lowest rank.

The second volume, titled "Freshmen Class Book 1911," includes a preface claiming the book "touches on such topics as Elementary Science, Natural Science, Natural Phylosophy, Orthography, Uranography, Geodasy and Wireless Telegraphy" to emulate "when all writters chiseled out dedications for a book thereby showing their originality." It further states that the class has attempted the same "because of our first class solid ivory domes." Many pages feature illustrations or descriptions of the school's sports teams. It also contains croquet scores for the women's team, who apparently gave the class "the thing we need to brag over," as they "mopped the valley clean" in their season.

The Rowland Stephenson scrapbook contains numerous clippings, engravings, illustrations, notes, and ephemera primarily related to British banking and finance, the Royal Family, and prominent political and historical figures.

The Rowland Stephenson scrapbook contains numerous clippings, engravings, illustrations, notes, and ephemera primarily related to British banking and finance, the Royal Family, and prominent political and historical figures.

The scrapbook (23 x 18 cm) has brown board covers, is lacking a spine, and contains 184 pages in total. While it is unlikely that Stephenson himself created the scrapbook, it does appear that it may have been compiled by a close associate or relative of Stephenson's. Dated contents range from ca. 1767 to 1840 and generally speaking include numerous engraved portraits of various individuals (mainly royal personages, aristocrats, politicians, military and religious leaders, writers, artists, doctors, scientists, athletes, eccentrics, criminals, and historic figures), engravings and illustrations of buildings and other scenes, handwritten notes and ephemeral materials related to various subjects including royal finances and banking, multiple pasted in signatures, and newspaper clippings regarding various subjects including a reward notice for information on Stephenson's whereabouts after his disappearance following his embezzlement scandal. A number of engravings appear to have been clipped from European Magazine as well as R. S. Kirby’s Wonderful and Eccentric Museum; Or, Magazine of Remarkable Characters. Many undated engravings of pre-18th century historic figures were likely produced prior to 1767.

• Pressed plant life remnants of a “Willow from the grave of Buonaparte at St. Helena. 1838” (pg. 1)
• Engraved portraits of King George III, Aleksandr Suvorov, and the Duke of Wellington (pgs. 2-4)
• Handwritten list of debts held by Prince Regent George IV coupled with a newspaper clipping expressing caution about how to deal with being in debt (pg. 7)
• Engraved portrait of Prince Regent George IV with handwritten notes summarizing "Debts of this King paid by Parliament"; includes juxtaposed clipped engraving of a man with hand-drawn sight lines drawing attention to the total debt amount of £3,113,061 (pg. 8)
• Handwritten list of expenses for the coronation of King George IV, July 19, 1821 (pg. 9)
• Invitation to the coronation of King George IV (pg. 10)
• Printed poem about death of Princess Charlotte of Wales, November 6, 1817 (pg. 13)
• Handwritten list detailing pensions paid to certain dukes, duchesses, princes, and princesses (pg. 15)
• Two engravings showing portraits of Queen Victoria (ca. 1837) and the 1st Earl of Munster (ca. 1834) encircled by statistical references regarding “The Population of the British Empire according to the last census” (pgs. 16 & 48)
• Handwritten list showing stats related to the “Total personal charge of a King of England, on the scale of the reign of George the Third” (pg. 17)
• Engraved portrait of surgeon Charles Aldis (pg. 19)
• Engraved view of the comet of 1811 (between pgs. 19 and 20)
• Clipped handwritten cookery list dated December 29, 1767 (pg. 20)
• Engraved portrait of “Her late Most Excellent Majesty Sophia Charlotte, Queen of Great Britain,” dated December 1818 (pg. 23)
• Engraved view of “Frogmore, the favorite residence of Her late Majesty” coupled with smaller engraving of people ice skating (pg. 24)
• Handwritten notes detailing the history and operations of the Bank of England (pgs. 25, 27, 29, & 31)
• Three Bank of England checks dated February 14, 1826, Dec 10, 1818, and March 6, 1818, all marked with “Forged” stamps, accompanied by handwritten notes (pgs. 26, 28, & 30)
• Two unfilled stock certificates for £1 and £10 from the Hibernian Bank, Dublin, illustrated with vignettes (pg. 32)
• Handwritten statement detailing the Bank of England’s net profits from 1797 to 1816; includes tipped-in engraved portrait from 1803 of Abraham Newland, Chief Cashier for the Bank of England (pgs. 33-35)
• Handwritten note about scented “love letter paper” made in New Jersey alongside an engraved portrait of Raphael (pg. 37)
• Engravings including depictions of four honorary medals and views of “The Car on which the Remains of Lord Nelson were conveyed to St. Paul’s Jany. 9, 1806,” the "Palaquin presented by the Marquis Cornwall to Prince Abdul Calic, Eldest Son of Tippoo Sultaun…Sepr. 1796," and "A West View of the Iron Bridge over the Wear near Sunderland" (pgs. 39-41)
• Handwritten notes detailing the history of the Rothschild Family (pgs. 43 & 44)
• Engravings of Thomas Coram and the Foundling Hospital as well as a funding solicitation notice seeking contributions for the Foundling Hospital (pgs. 45 & 46)
• Tickets and other ephemera related to various lotteries (pgs. 49, 50, 52, 54, 55, 56, & 58)
• Engraved view of the Globe Theater (pg. 53)
• Clipping regarding election anecdote related to Lord Chief Justice John Holt accompanied by a tipped-in engraved portrait of Holt (pg. 62)
• Handwritten notes on the "Character of a Good Woman" (pg. 63)
• Handwritten notes on Freemasonry (pg. 64)
• Hand-drawn view of the comet of 1811 (pg. 65)
• Engraved portraits of Benjamin Thompson, the Count Rumford; John Elwes; Joanna Southcott; Thomas Paine; Rev. Thomas Raffles; Richard Carlile; Sir Richard "Dick" Wittington and his cat; Joseph Priestley; Prince Albert; engraver John Rowe; and London eccentric Ann Siggs (pgs. 74-85)
• Engraved depiction of a sleeping woman named Elizabeth Perkins of Morley, Norfolk, accompanied by handwritten notes detailing her sudden and mysterious entrance into a coma in 1788 (pg. 86)
• Ca. 1839 advertisement for a showing of Brother Jonathan, the mammoth ox from America (pg. 87)
• Engraved portraits of boxer James Belcher, eccentric dentist Martin van Butchell, and Madame de Staël Anne-Louise-Germaine Necker (pgs. 88-90)
• Plan of the King’s Theatre (pg. 94)
• Engraving showing the three defendants in the 1823 Radlett Murder: John Thurtell, Joseph Hunt, and William Probert (pg. 101)
• Handwritten copy of a letter sent from Rotterdam, Netherlands, dated August 18, 1817, instructing Stephenson’s firm to pay £100 to someone who was purpsoefully injured by one of their clients (pg. 103)
• Engraved portraits of Thomas Hobson accompanied by a printed poem, Henry Jenkins of Ellerton in Yorkshire “who lived to the Surpizing Age of 169,” and Thomas “Old Tom” Parr (pgs. 110-112)
• Engraved view of London and the observatory erected over the cross of St. Paul's Cathedral that was used by Thomas Hornor to create his panoramic view of London accompanied by a handwritten note about an individual nearly falling to their death after slipping on top of the cathedral's dome (pgs. 115 & 116)
• Engraved portraits of Lady Morgan Sydney Owenson and Charlemagne (pg. 117)
• Ca. 1840 advertisement for London-based rubbish collector John Allford attached to French cologne advertisement (between pgs. 117 & 118)
• Clipping regarding Edmund Burke's description of the Bible, an engraved portrait of Burke and an engraving of two Biblical-era priests preparing sacrifices (pgs. 123 & 124)
• Engraved portraits of Rev. Rowland Hill and George Savile, Marquis of Halifax (pgs. 125 & 128)
• Cut and pasted signatures of various individuals (pgs. 129-168)
• Engraved portraits of Governor Joseph Wall, Sir Francis Burdett, Lord Brougham and Vaux, Lord Durham, John Bellingham, T. S. Duncombe, Colonel George De Lacy Evans, Lord Thomas Erskine, George Canning, Granville Sharp, Henry Hunt, Richard Watson, Joseph Hume, William Cobbett, Daniel O'Connell, Charles Lennox the Duke of Richmond, Lord Palmerston, Thomas Spring-Rice, William Henry the Duke of Portland, Sir James Shaw, Lord Bexley Nicholas Vansittart, Sir Matthew Wood, Robert Waithman, W. T. Raynal, Sir Richard Birnie, Joliot de Crebillon, John Gully, Sir John Oglander, John Soane, Sir Nicholas Conyngham Tindal, Hippocrates, Josiah Ricraft, Dr. Herman Boerhaave, Henry Hastings, Marie and Catherine de Médicis, James Cook, Rev. Obadiah Sedgwick, Lord Burghley, King William IV, and Queen Victoria (pgs. 133-183)
• Hand-colored engraved portrait of Stephenson accompanied by his own clipped signature as well as a newspaper clipping of a reward notice offering £1000 pounds for Stephenson's apprehension following his alleged embezzlement and flight from London (pg. 171)
• Four tipped-in manuscript items including an undated note from Stephenson quoting "Lev: 12: Blair" about choosing one's path in life; a letter dated January 9, 1804, from B. Pratt to Stephenson regarding the importance of being careful with money; a letter dated August 29, 1827, from “Rody Moroney” to Stephenson thanking the latter for favors; and a letter dated March 23, 1822, from "the Independent Inhabitation of West Looe" to innkeeper Robert Reath inquiring about the whereabouts of Stephenson's friends and remarking on business matters impacted in the wake of a contested election (between pgs. 171 & 172)
• Clipping of a poem dated January 10, 1829, regarding Stephenson's alleged embezzlement and lamenting the volume of negative newspaper coverage devoted to Stephenson as well as to the Duke of Wellington (pg. 173)
• Loose letter dated March 19, 1828, from Michael Meredith to Stephenson expressing the former's willingness to work for Stephenson again in Leominster "if it should happen that your Honour should call on me again at any future Election" (between pgs. 173 & 174)
• Handwritten notes regarding the "Expenses of the Coronation of Queen Victoria" accompanied by a clipping that details the approximate value of the jewels found in Her Majesty's Crown (pg. 184)
• Engraved view of the passenger steamboat SS British Queen (pasted inside back cover)

The Society for the Prevention of Cruelty to Disabled Hats is a humorous handwritten and illustrated booklet related to a fictional organization dedicated to the protection of various styles of hats.

The Society for the Prevention of Cruelty to Disabled Hats is a humorous handwritten and illustrated booklet related to a fictional organization dedicated to the protection of various styles of hats.

The volume (11 x 7 cm) is a small notebook with a sticker on the front cover of an American top hat. Inside of the front cover the name and originating date of the society are presented. The following pages display a declaration from the society’s “board” before delving into 60 watercolor and ink illustrations of different types of hats, each of which is provided a name. The inside of the back cover contains lists of the society's “board members” and “inspectors.” Also of note is an illustration of a firefighting wagon.

This handmade account book contains financial accounts for the Stephentown (N.Y.) school district library, including fines imposed on individuals for late returns of books, as well as damages. This volume was repurposed later by William Wallace Elliot as a penmanship exercise book.

This handmade account book contains financial accounts of the Stephentown (N.Y.) school district library, including fines imposed on individuals for late returns of books, as well as damages. This volume was repurposed at a later date by William Wallace Elliot as a penmanship exercise book.

The final page is a "Register of damages to books." The cover is made from a scrap of a paper ream wrapper. Sections used by William for penmanship exercise feature repeated phrases and quoted passages.

The Summer 1894 snapshot album contains 68 outdoor photographs of various scenes including a militia camp, a lake, Central Park, and a sawmill under construction.

The Summer 1894 snapshot album contains 68 outdoor photographs of various scenes including a militia camp, a lake, Central Park, and a sawmill under construction.

The album (18 x 26.5 cm) is lacking covers but the spine remains partially intact. Images of note include views of a militia camp showing men in uniform relaxing and completing drills, the Bethesda Fountain and the John Quincy Adams Ward Seventh Regiment National Guard, State of New York Memorial in Central Park, men in a store selling hosiery, a group of people in front of a series of changing rooms on a dock, the construction of a sawmill, and a trip in the summer of 1894 to an unidentified lake.

This volume, titled "The Conundrum Crop for 1859," is a blank book containing 36 handwritten riddles and their answers. They include references to agriculture, literature and prominent figures (e.g. Lord Byron, Cowper, Louis Napoleon, Victor Emmanuel, Pope Leo, Shakespeare, Ivanhoe, Bunyan, and John G. Saxe), military culture, technology (iron steamers, railroads), race, gender, and geography.

This volume, titled "The Conundrum Crop for 1859," is a blank book containing 36 handwritten riddles and their answers. They include references to agriculture, literature and prominent figures (e.g. Lord Byron, Cowper, Louis Napoleon, Victor Emmanuel, Pope Leo, Shakespeare, Ivanhoe, Bunyan, and John G. Saxe), military culture, technology (iron steamers, railroads), race, gender, and geography.

Seventeen individuals answered the questions printed in J. E. Spears' The Mental Portrait Album... (St. Louis: John L. Boland Book & Stationery Co., [1895]), which has a pictorial cloth cover showing a female figure and flowers. Entries between 1894 and 1895 were filled in by individuals residing in Missouri, Kentucky, and Kansas, while the later entries from 1910 to 1972 were written by those residing in Texas. Answers reveal contributors' favorite items, their tastes in music and literature, their opinions on admirable and detestable personality traits in men and women, as well as their beliefs about transportation, great reforms, follies, and wonders of the world.

Seventeen individuals answered the questions printed in J. E. Spears' The Mental Portrait Album. For Recording the Autographic Confessions of Friends and Acquaintances Regarding their Opinions, Tastes, Fancies, Etc. (St. Louis: John L. Boland Book & Stationery Co., [1895]), which has a pictorial cloth cover showing a female figure and flowers. Entries between 1894 and 1895 were filled in by individuals residing in Louisville and Danville, Kentucky; Pleasant Hill, Kansas City, Harrisonville, and Hughesville, Missouri; and Kansas City, Kansas, while the later entries from 1910 to 1972 were written by those residing in Forney and Wichita Falls, Texas. Answers reveal contributors' favorite items, their tastes in music and literature, their opinions on admirable and detestable personality traits in men and women, as well as their beliefs about transportation, great reforms, follies, and wonders of the world. Varying beliefs and prejudices are reflected, including those relating to women's rights, immigration, race (in particular against those of Mexican descent), and politics. Common answers celebrating emerging technologies, inventors, and historical figures, such as Thomas Edison and Robert E. Lee, indicate broader social phenomena.

Contributors noted their favorites of the following categories:

Color, Flower, Book, Animal, Season, Poet or Poetess, Prose Writer, Composer, Character in History, Character in Romance, Scenery, Music, Amusement, Occupation During a Summer's Vacation, and My Pet Hobby.

• My Chief Ambition in Life
• The trait I most admire in a woman
• The trait I most admire in a man
• The trait I most detest in each
• The fault for which I have the most toleration in another person
• That for which I have the least
• The qualifications or accomplishments I most desire in a matrimonial partner
• My idea of perfect happiness
• My idea of real misery
• There is always some one person, or thing, for which we have an attachment exceeding all other endearments in intensity. For me it is for
• Of the various modes of traveling, I prefer
• If privileged to make a journey, the single place or locality I would prefer to visit, above all others would be
• As a traveling companion, I would most highly appreciate
• Shipwrecked on a deserted island, I would most desire
• The greatest wonder of the world, according to my estimation, is
• As an inventor, I think the greatest service towards the world's progress has been rendered by
• Of the many reforms at present under consideration, I most sincerely and particularly advocate
• The greatest folly in the Nineteenth Century, in my opinion, is
• My motto

The Traveling photographers collection contains approximately 245 examples of photographs produced by various traveling photographers that operated in the United States primarily during the latter half of the 19th-century.

Works by approximately 145 different traveling photographers are present in this collection and include cartes de visite, cabinet cards, stereographs, tintypes, and a small number of larger format images. For many of these photographers there is only a single example of their work included in the collection. Locations of operation include a wide range of regions across the United States, with eastern states such as Pennsylvania being particularly well-represented. Most of these photographs are typical individual and group portraits of men, women, and children.

The collection has been divided into two volumes. Volume 1 contains cartes de visite and tintypes while Volume 2 contains cabinet cards, stereographs, and a few other images with larger mounts of varying sizes. Volume 1 also includes two clippings and one photocopied page from an article about traveling photographers written by Eaton S. Lothrop, Jr., for Popular Photography magazine as part of his "Time Exposure" column series.

• “Wm. Johnson” - taken by N. L. Stone (Vol 1)
• “F. W. Huling” - taken by C. S. Roshon’s Mammoth Union Photograph Car (Vol 1)
• “Jimmie McCool Taken in 1889” - taken by S. R. Miller’s Photograph Car (Vol 1)
• “J. B. [or J. R.?] Enders” - taken by A. J. Miller, Keystone Traveling Gallery (Vol 1)
• “Uncle John Grimes” - taken by H. F. Knoderer & Bro (Vol 1)
• “J. P. Seip & Bro” - taken by Josiah Knecht (Vol 1)
• “Angalina Seip” [Angelina Seip] - taken by Josiah Knecht (Vol 1)
• “Julie Hamlin” - taken by Huested Bros. (Vol 1)
• “Timo Moyer?” - taken by Geo. V. Knecht (Vol 1)
• “Sam Rhenis Martin” and “Probably Sam Rhenis Martin’s Wife” - taken by Callahan’s Traveling Gallery (Vol 1)
• “Mrs. R H Blodget 236 35th St. Denver Col. Formily Mary Neil” - taken by King & Co.’s Traveling Gallery (Vol 1)
• “[?] Adaline Temple” - taken by F. J. Aiken (Vol 1)
• “Presented to Mr. & Mrs. Silas Boyer” - taken by B. Breslow’s Empire Movable Photograph Gallery
• “C. H. Holmes May 2nd 1881” - taken by J. B. Silvis (Vol 1)
• “Lou House - Graham’s Baby” - taken by the Erik Borklund Photo Car (Vol 2)
• “Olive Woodward” - taken by A. Couturier (Vol 2)
• “Geo. H. Dunham” and “Fredd Harry Dunham” - taken by Currier & Parkinson (includes stamp depicting Landing of Columbus on verso) (Vol 2)
• “Will Duning of Dresden” - taken by F. M. Foster (Vol 2)
• “Pansy Lovewell” - taken by the Hutchings Rail-Road Photo-Car (Vol 2)
• “Jabez Willes brother of Julia Willes Thrall” - taken by F. L. Hale (Vol 2)
• “Charlie, Mary, & Bruce Blaney Claysville Washington Co Pa.” - taken by Gibson & Myres (Vol 2)
• “Mrs. James J. Connelly #10 McConnellsburg PA” - taken by S. R. Miller’s Photograph Car (it is unclear if this inscription is related to the couple depicted) (Vol 2)
• “Carrie and Mattie Ewan”- taken by the National Art Company’s Railroad Palace Photographic Studio (Vol 2)
• “George & Sarah Kistler” - taken by Rollow’s Art Car (Vol 2)
• “Leo Martin” and "Jim Martin" - both taken by the Pacific Photograph Car, Rockford, Washington (Vol 2)
• “Arron Smith Children” - taken by the Pacific Photograph Car, Rockford, Washington (Vol 2)
• “Miss. Kittie M. Newell July 22nd 1889” - taken by Abel J. Whalen’s Accommodation Photo. Car (Vol 2)
• “Will Schnegg” - taken by H. C. Williams’ Floating Gallery (Vol 2)
• “Jonas Heim” - taken by B. L. Wilson’s Traveling Gallery (“Christina Waltz Williamsport Pa.” likely a relative of the subject and former owner of the photograph) (Vol 2)
• “April 1891 - Maggie Austin April 1891. A. M. Austin 43. E. G. ‘ ‘ 43 Mag ‘ ‘ 14 Edd ‘ ‘ 18 May ‘ ‘ 21.” - taken by W. H. Yant (Vol 2)
• “Howard J. Martin about 1893” - taken by Boston and Albany R.R. Photo Car (Vol 2)
• “Wash’s Daughter Pearl” - taken by F. M. Steele (Vol 2)
• “The Boy Preacher, Age 14: John E. De Merritt” - taken by Winslow and Shobe (Vol 2)
• “Maurice (Moe?) Boynton Alice Price } 2nd buggy” - taken by Carson Bros (Vol 2)
• “Mrs. J. C. Boxley” - taken by Newton & Sprague Photo Car (Vol 2)

Other items of interest include 14 tintypes including a group portrait taken at the Algonquin Bon Ton Tent by W. H. Pearce and a miniature tintype produced by Douglass’ Travelling Car (Vol 1); several photographs with revenue stamps; and 10 cartes de visite by C. G. Blatt, including three items containing humorous poetry in their backstamps (Vol 1); a stereograph view of "the old Block House at Annapolis Royal" by the Palace R.R. Photograph Car Co. (Vol 2); a stereograph view of Bridgewater, Vermont (Vol 2); a stereograph view of the "Steam Packet 'Minnesota' at Hastings [Minnesota] (Vol 2); a portrait of a pet pug taken by Will. H. McMillan, R. R. Palace Photo Car that bears an inscribed caption reading: “For my dear ‘Missis’ from her Devoted ‘Brownie’” (Vol 2); a group portrait of a man and women taken by Keil & Matula with an inscribed caption reading “Czechlovakia Couple Fayetteville, TX” (Vol 2); several portraits of children that appear to show hidden mothers in the background; two studio portraits of unidentified individuals produced by Civil War veteran turned photographer Capt. J. B. Shane (Vol 2); a number of photographs that appear to be copies of earlier images, including a portrait of a man produced by the Hutchings Railroad Photo Car bearing an inscribed caption reading: “Copied from original” (Vol 2); and a possible self portrait of photographer Abel J. Whalen on a mount stamped "Whalen's 'Accommodation' Photo. Car."

The following lists contain names of photographers represented in the collection as well as the total number of images included for each photographer:

• F. J. Aiken [2 images]
• Aldhizer & Eutsler [2 images]
• Atkinson’s Photographic Railroad Gallery [1 image]
• L. K. Bair [1 image]
• B. Billian [1 image]
• C. G. Blatt [10 images]
• A. F. Bonine [1 image]
• E. A. Bonine [2 images]
• J. K. Bottorf [1 image]
• Bowdish's Traveling Gallery [1 image]
• B. Breslow’s Empire Movable Photograph Gallery [2 images]
• Brown & Huard [1 image]
• Burchfield & Bottorf [1 image]
• J. Bushong [1 image]
• Callahan’s Travelling Gallery [3 images]
• H. P. Carnes [1 image]
• Coggeshall’s Excelsior Photographic Car (John Ingersoll Coggeshall) [2 images]
• G. W. Dibert [1 image]
• W. A. Dietrich [4 images]
• Doran's Photographic Car [1 image]
• Dougherty (Mammoth wagon) [2 images]
• Dougherty & Cope (Mammoth wagon; J. L. Cope) [3 images]
• J. W. Fothergill's Mammoth Photograph Car [1 image]
• F. Z. Fritz [2 images]
• William R. Godkin [1 image]
• M. C. Goodell [4 images]
• William Griffin [2 images]
• Harry Gurlitz’s Photograph Car [1 image]
• W. H. Heiss [2 images]
• J. J. Hodge [2 images]
• J. M. Horning & Co. [2 images]
• Huested Bros. [1 image]
• Johnson & Sullivan’s Portable Railroad Gallery [1 image]
• King & Co.’s Traveling Gallery [1 image]
• George V. Knecht [5 images]
• Josiah Knecht [8 images]
• H. F. Knoderer & Bro. [1 image]
• C. L. Leonard [3 images]
• J. Loveridge [1 image]
• C. D. Luccock [1 image]
• J. H. McGowan (U.P.R.R. Photographic Car) [1 image]
• A. J. Miller [1 image]
• S. R. Miller's Photograph Car [2 images]
• William Nick [3 images]
• Nick & Knecht [2 images]
• E. W. Peirce (The Railroad Photograph Coach) [1 image]
• Lewis P. Peter [7 images]
• Peter & Kresge [1 image]
• Peters & Brother [1 image]
• F. B. Pine's Floating Photographic Studio, of the St. John's River, Fla. [1 image]
• S. Place [1 image]
• Portable Picture Palace [1 image]
• G. M. Primrose [2 images]
• W. H. Rector [4 images]
• C. S. Roshon (Mammoth Union photograph car) [1 image]
• J. B. Silvis (U.P.R.R. Photographic Car) [2 images]
• C. H. Sisson [1 image]
• C. M. Stark [1 image]
• N. L. Stone [1 image]
• A. Stoppel [1 image]
• Tucker & Powell [1 image]
• W. A. Vale [1 image]
• M. C. Vance [1 image]
• D. S. Von Nieda [1 image]
• Horace L. Webber [1 image]
• West & Lewis (Travelling photographers) [1 image]
• Whalen's Portable Art Gallery (Abel J. Whalen) [1 image]
• L. H. Whitson (Professor L. H. Whitson's Rail Road Photographic Car) [1 image]

• Bishop's Portable Photograph Gallery [1 image]
• J. Davidson [1 image]
• Doolittle & Humphrey's Tintype and Ferrotype Car [1 image]
• Dougherty & Cope (Mammoth wagon; J. L. Cope) [1 image]
• Douglass’ Traveling Car [2 images]
• Paul’s Mammoth Travelling Photograph and Ferro-type Car [1 image]
• W. H. Pearce (The Algonquian Bon Ton Tent) [1 image]
• E. B. Squier [2 images]
• A. D. Terhune [1 image]
• Williams & Dodge’s Photograph Cars [2 images]
• C. C. Williams [1 image]

• Antoinette Palace Railroad Photo Car (Studio Antoinette) [2 images]
• Blocker Palace Art Studio and Traveling Cottage Gallery [1 image]
• Erik Borklund [1 image]
• Boston and Albany R. R. Photo Car [2 images]
• W. A. Bradley [1 image]
• P. L. Britain (Palace R. R. Photo Car.) [1 image]
• Clark’s Portable Gallery [1 image]
• J. P. Coffey, Photo. Car. (J. N. Bayles) [1 image]
• A. Couturier [2 images]
• James H. Crockwell [1 image]
• Currier & Parkinson [1 image]
• J. W. Dalrymple [1 image]
• Drum Rail Road Photo Car (Oscar Drum) [1 image]
• Elite R. R. Photo Co. [1 image]
• Fallman Parlor Photo Car [3 images]
• F. M. Foster [1 image]
• Gibson & Myres, Traveling Photographers [1 image]
• F. L. Hale [2 images]
• F. J. Haynes [3 images]
• T. E. Hays [1 image]
• Howell (Prairie Queen Gallery - Temple, Tex.) [1 image]
• Hutchings Bros. Railroad Photo. Car [1 image]
• Hutchings Rail-Road Photo-Car [3 images]
• K. C. Photo Car [1 image]
• Keil & Matula, Traveling Photographers [1 image]
• Keystone Portable Gallery [1 image]
• Lyden & Bellinger [1 image]
• Malloy (20th Ave. No. & Wash. Minneapolis) [1 image]
• William H. McMillan [1 image]
• J. W. Merideth [1 image]
• S. R. Miller [3 images]
• National Art Company’s Railroad Palace Photographic Studio [1 image]
• Newton & Sprague Photo Car. [1 image]
• Nowack Bros. Floating Gallery [1 image]
• Pacific Photograph Car [4 images]
• Palace R.R. Photograph Studio [1 image]
• Lewis DeArcy Rollow (Rollow’s Art Car) [2 images]
• J. B. Shane [2 images]
• Showman & Joy’s Palace Cars [1 image]
• Smith Brothers [1 image]
• C. H. South [1 image]
• F. M. Steele [1 image]
• The K. C. Art Chariot [1 image]
• The Stuart Queen City Photo Co's. Great Australian Route, Car No. 12 [4 images]
• The Traveling Art Company [1 image]
• M. F. Timmerman (East Tenn. Photo Car) [1 image]
• Tooley & Grigsby (The Monarch Traveling Photographers) [1 image]
• Turner & Johnson [1 image]
• N. A. Watkins [1 image]
• Welsh & Harlow [1 image]
• West & Lewis (Travelling photographers)
• Whalen's "Accommodation" Photo. Car. (Abel J. Whalen) [2 images]
• H. C. Williams (Williams' Floating Gallery) [1 image]
• B. L. Wilson's Traveling Gallery [1 image]
• Wilson's Railroad Photo Car. (B. L. Wilson) [1 image]
• Winslow and Shobe [1 image]
• Wolfe & Peiffer (Keystone Traveling Photo Studio) [2 images]
• W. H. Yant [1 image]
• Young, Portrait Artist (Boston Portrait Car) [1 image]

• T. A. Aldrich [1 image]
• Coggeshall’s Excelsior Photographic Car (John Ingersoll Coggeshall) [2 images]
• Mrs. Emma A. Cooke's Traveling Photo. Pavillion (Emma A. Cooke and W. A. Cooke) [1 image]
• J. P. Doremus [1 image]
• H. H. H. Langill [1 image]
• Palace R. R. Photograph Car Co. [1 image]
• F. B. Pine's Floating Photographic Studio, of the St. John's River, Fla. [1 image]
• W. E. Warren's Portable Photograph House [2 images]

• J. A. Bellinger [1 image]
• Carson Bros. [1 image]
• Newton & Sprague Photo Car. [1 image]
• D. R. White [1 image]

This manuscript rhyming poem written by "Hazel" is about a young girl who hung an extra Christmas stocking for an impoverished child, and Santa Claus' enlistment of elves to help provide gifts.

This manuscript rhyming poem written by "Hazel" is about a young girl who hung an extra Christmas stocking for an impoverished child, and Santa Claus' enlistment of elves to help provide gifts.

The poem is written in a blank book bound with red, white, and green braid, and pages featuring printed decorative borders of holly. The volume also features six watercolor illustrations depicting Santa, the elves, and the gifts in the stockings. The cover bears the title and painted holly and leaves.

An inscription on inside front cover reads "A merry Christmas from Hazel."

The U.S. Army 15th Infantry Regiment photograph albums consist of a two-volume set containing approximately 197 photographs compiled by a United States Army soldier stationed in China.

The U.S. Army 15th Infantry Regiment photograph albums consist of a two-volume set containing approximately 197 photographs compiled by a United States Army soldier stationed in China.

Volume one (33.5 x 26.5 cm) contains approximately 150 snapshots that primarily consist of images of street scenes, Chinese laborers, construction projects, and American, Chinese, and British soldiers at work and posing in front of buildings. Of particular note are extremely graphic images of Chinese men being executed at large public events. Also present is a clipping from Popular Mechanics regarding a hotel in Honolulu being converted into an army Y.M.C.A., a program from Christmas 1919 including the dinner menu and roster of "Headquarters Company, 15th U.S. Infantry," and a series of family photographs of unidentified men, women, and children on a farm presumably back in the United States.

Volume two (27 x 34.5 cm) contains approximately 47 snapshots. Contents consist of images documenting daily life activities of Chinese people including parades and street scenes as well as views of flooding, American soldiers, and military facilities. Also present is a clipping dated to 1927 from the Attleboro Sun regarding executions in China.

Both volumes appear to have sustained fire damage and are accordion-style fold out albums composed of heavy cardstock encased in brown covers with "Album" stamped in gold on the front.