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The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.

The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. At least one volume was kept by an African American man, Lewis G. Mosebay. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.

This 18-page volume has a wallpaper cover, and it contains a variety of practical, household, and medicinal recipes. The entries pertain to printing on fabric, sheet music engraving, improvements in photography, several types of matches, adhesives, different kinds and colors of ink, hair removal, removal of freckles, soaps, pomatum and hair oil, wart salve, rouge, prevention of hair falling out, a pimple cure, blacking, white gunpowder, and more. The currently unidentified compiler drew a few entries from 1840s to 1860s published books and serials, such as Scientific American, James Booth's Encyclopedia of Chemistry, The Homestead, The Golden Rule, The Dollar Newspaper, and others. While the purpose of the volume is not explicitly clear, a few entries are for large quantities and others have notes on the difference between costs of raw materials versus sales revenue, suggesting that the compiler may (or may not) have been a huckster, peddler, or perhaps a manufacturer or wholesaler of these products.

This 18-page volume has a wallpaper cover, and it contains a variety of practical, household, and medicinal recipes. The entries pertain to printing on fabric, sheet music engraving, improvements in photography, several types of matches, adhesives, different kinds and colors of ink, hair removal, removal of freckles, soaps, pomatum and hair oil, wart salve, rouge, prevention of hair falling out, a pimple cure, blacking, white gunpowder, and more. The currently unidentified compiler drew a few entries from 1840s to 1860s published books and serials, such as Scientific American, James Booth's Encyclopedia of Chemistry, The Homestead, The Golden Rule, The Dollar Newspaper, and others.

The purpose of the volume is not explicitly clear, though a few entries are for large quantities and others have notes on the difference between costs of raw materials versus sales revenue, suggesting that the compiler may (or may not) have been a huckster, peddler, or perhaps a manufacturer or wholesaler of these products.

Please see the box and folder listing below for a table of contents for the volume.