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Collection

Josephine Dyer Varnum and John P. Varnum correspondence, 1872-1888

76 items

This collection is mostly made up of letters that Josephine Dyer Varnum ("Josie") and John P. Varnum, natives of Massachusetts, wrote to each other and family members while living in Tallahassee and Jacksonville, Florida, in the 1880s. They commented on daily life, their young children, John's involvement in the newspaper trade, and his political work. Two letters relate to his work to ensure fair elections in the face of racial violence targeting the African American community of Madison and Greenville, Florida, in 1880.

This collection (76 items) is mostly made up of letters that Josephine Dyer Varnum ("Josie") and John P. Varnum, natives of Massachusetts, wrote to each other and family members while living in Tallahassee and Jacksonville, Florida, in the 1880s. They commented on daily life in Florida, their young children, John's involvement in the newspaper trade, and his political work. Two letters relate to his efforts in 1880 to ensure fair elections in the face of racial violence targeting the African American community of Madison and Greenville, Florida.

Letters from Josephine Dyer Varnum ("Josie") mostly consist of those she wrote to her mother and other family members while living in Tallahassee and Jacksonville, Florida, in the 1880s. The first two items are letters from Josephine L. Dyer to John P. Varnum ("Johnnie"), her future husband, written in October 1872. The remaining correspondence largely consists of Josephine's letters to her family in Massachusetts, in which she discussed many aspects of her life in Florida, such as food, weather, and her daily activities. She commented on a new sewing machine (April 1, 1884) and described some of her living quarters. Her letters include news of her husband John, who worked in the newspaper industry. Several letters are written on newspaper letterhead, and she commented on people wanting to work with John to start up a new paper, its sale, and its impact on his health. She writes about John's unsuccessful political campaing in 1877, and how he attended to visiting senators in 1884. Josephine also wrote about her children Charles ("Archie"), Grace ("Gracie"), and Edith ("Edie"). She wrote about the children's development, schooling, their feelings about their grandparents, and other subjects. She also sent a letter to an absent child about Christmas celebrations and gifts (December 30, 1883).

Josephine's letters provide a view of the family's social dynamics and racial beliefs. Several of her letters refer to her "Northern standpoint" or desire for a "Northern home." She notes at least two toys their children were using connected to racial stereotypes, an Uncle Remus book and an automaton bank of an African American man. She used racial epithets at least once (September 25, 1882), when she accused a domestic servant of causing her to burn her pies, suggesting at least some of the household workers were African Americans. Several other letters reflect a degree of prejudice, including disparaging Florida as "fit" only for African Americans (September 30, 1883), a preference for a white servant (February 11, 1885), and discomfort with integrated schools (September 28, 1885).

Correspondence to and from John P. Varnum comprises the rest of the collection, with many addressed to Josephine. He wrote about newspapers and politics. In a letter dated June 19, 1880, he scoffs at the Boston Globe, and recommends in addition to choosing a better paper that the recipient reads Albion W. Tourgée's A Fool's Errand, identifying some of the figures the characters represent and calling it "the most truthful novel ever penned." In his letters to his wife he wrote frankly about his frustration with politics and the stance of Northerners, the 1880 presidential election, the death of President James Garfield (September 20, 1881), and more.

In a 31-page letter to his wife dated November 6, 1880, he wrote in detail about the 1880 election in Madison and Greenville, Florida, and the racial violence and attempts at voter suppression targeting African American voters. He described threats and attempted violence against marshalls and himself as they worked to supervise the polls, noting attempts of fraud, the vigilance and protective efforts by members of the Black community, how they worked to evade being caught by white mobs, and the suggested presence of the Ku Klux Klan. He described his narrow escape as he was shot in the arm as he attempted to leave by train. In a subsequent letter dated February 9, 1881, John noted efforts to secure testimony about the contested election in Madison, leading to a verbal assault against an African American man, a retaliatory shooting that resulted in death, and subsequent imprisonment, threats of murder, and fleeing into the swamp.

Two letters are addressed to John P. Varnum from his father. Another correspondent wrote to Mr. Dyer from the Office of the Adjutant General at Tallahassee, Florida, on February 5, 1873, and reflected disparagingly on Florida's "second 'reconstruction' administration," comparing Governor Ossian Bingley Hart's wife, Catherine Hart, to Lucy Stone and referencing Josiah Walls' removal from office. Two items refer to John's military involvement, including his election as an active member of the 1st Florida Light Artillery (November 12, 1884) and his interest in applying for a commission as a Second Lieutenant in the army (December 10, [no year]).

The collection contains three undated documents: a manuscript map of properties along the Indian River; a printed list of letters of recommendation; and a partial manuscript addressed to the "republicans of Alachua county" opposing the National Party.

Collection

Traveling photographers collection, ca. 1850s-1900s

approximately 245 photographs

The Traveling photographers collection contains approximately 245 examples of photographs produced by various traveling photographers that operated in the United States primarily during the latter half of the 19th-century.

Works by approximately 145 different traveling photographers are present in this collection and include cartes de visite, cabinet cards, stereographs, tintypes, and a small number of larger format images. For many of these photographers there is only a single example of their work included in the collection. Locations of operation include a wide range of regions across the United States, with eastern states such as Pennsylvania being particularly well-represented. Most of these photographs are typical individual and group portraits of men, women, and children.

The collection has been divided into two volumes. Volume 1 contains cartes de visite and tintypes while Volume 2 contains cabinet cards, stereographs, and a few other images with larger mounts of varying sizes. Volume 1 also includes two clippings and one photocopied page from an article about traveling photographers written by Eaton S. Lothrop, Jr., for Popular Photography magazine as part of his "Time Exposure" column series.

While most of the people represented in this collection are unidentified, the following individuals are identified by accompanying inscriptions:
  • “Wm. Johnson” - taken by N. L. Stone (Vol 1)
  • “F. W. Huling” - taken by C. S. Roshon’s Mammoth Union Photograph Car (Vol 1)
  • “Jimmie McCool Taken in 1889” - taken by S. R. Miller’s Photograph Car (Vol 1)
  • “J. B. [or J. R.?] Enders” - taken by A. J. Miller, Keystone Traveling Gallery (Vol 1)
  • “Uncle John Grimes” - taken by H. F. Knoderer & Bro (Vol 1)
  • “J. P. Seip & Bro” - taken by Josiah Knecht (Vol 1)
  • “Angalina Seip” [Angelina Seip] - taken by Josiah Knecht (Vol 1)
  • “Julie Hamlin” - taken by Huested Bros. (Vol 1)
  • “Timo Moyer?” - taken by Geo. V. Knecht (Vol 1)
  • “Sam Rhenis Martin” and “Probably Sam Rhenis Martin’s Wife” - taken by Callahan’s Traveling Gallery (Vol 1)
  • “Mrs. R H Blodget 236 35th St. Denver Col. Formily Mary Neil” - taken by King & Co.’s Traveling Gallery (Vol 1)
  • “[?] Adaline Temple” - taken by F. J. Aiken (Vol 1)
  • “Presented to Mr. & Mrs. Silas Boyer” - taken by B. Breslow’s Empire Movable Photograph Gallery
  • “C. H. Holmes May 2nd 1881” - taken by J. B. Silvis (Vol 1)
  • “Lou House - Graham’s Baby” - taken by the Erik Borklund Photo Car (Vol 2)
  • “Olive Woodward” - taken by A. Couturier (Vol 2)
  • “Geo. H. Dunham” and “Fredd Harry Dunham” - taken by Currier & Parkinson (includes stamp depicting Landing of Columbus on verso) (Vol 2)
  • “Will Duning of Dresden” - taken by F. M. Foster (Vol 2)
  • “Pansy Lovewell” - taken by the Hutchings Rail-Road Photo-Car (Vol 2)
  • “Jabez Willes brother of Julia Willes Thrall” - taken by F. L. Hale (Vol 2)
  • “Charlie, Mary, & Bruce Blaney Claysville Washington Co Pa.” - taken by Gibson & Myres (Vol 2)
  • “Mrs. James J. Connelly #10 McConnellsburg PA” - taken by S. R. Miller’s Photograph Car (it is unclear if this inscription is related to the couple depicted) (Vol 2)
  • “Carrie and Mattie Ewan”- taken by the National Art Company’s Railroad Palace Photographic Studio (Vol 2)
  • “George & Sarah Kistler” - taken by Rollow’s Art Car (Vol 2)
  • “Leo Martin” and "Jim Martin" - both taken by the Pacific Photograph Car, Rockford, Washington (Vol 2)
  • “Arron Smith Children” - taken by the Pacific Photograph Car, Rockford, Washington (Vol 2)
  • “Miss. Kittie M. Newell July 22nd 1889” - taken by Abel J. Whalen’s Accommodation Photo. Car (Vol 2)
  • “Will Schnegg” - taken by H. C. Williams’ Floating Gallery (Vol 2)
  • “Jonas Heim” - taken by B. L. Wilson’s Traveling Gallery (“Christina Waltz Williamsport Pa.” likely a relative of the subject and former owner of the photograph) (Vol 2)
  • “April 1891 - Maggie Austin April 1891. A. M. Austin 43. E. G. ‘ ‘ 43 Mag ‘ ‘ 14 Edd ‘ ‘ 18 May ‘ ‘ 21.” - taken by W. H. Yant (Vol 2)
  • “Howard J. Martin about 1893” - taken by Boston and Albany R.R. Photo Car (Vol 2)
  • “Wash’s Daughter Pearl” - taken by F. M. Steele (Vol 2)
  • “The Boy Preacher, Age 14: John E. De Merritt” - taken by Winslow and Shobe (Vol 2)
  • “Maurice (Moe?) Boynton Alice Price } 2nd buggy” - taken by Carson Bros (Vol 2)
  • “Mrs. J. C. Boxley” - taken by Newton & Sprague Photo Car (Vol 2)

Other items of interest include 14 tintypes including a group portrait taken at the Algonquin Bon Ton Tent by W. H. Pearce and a miniature tintype produced by Douglass’ Travelling Car (Vol 1); several photographs with revenue stamps; and 10 cartes de visite by C. G. Blatt, including three items containing humorous poetry in their backstamps (Vol 1); a stereograph view of "the old Block House at Annapolis Royal" by the Palace R.R. Photograph Car Co. (Vol 2); a stereograph view of Bridgewater, Vermont (Vol 2); a stereograph view of the "Steam Packet 'Minnesota' at Hastings [Minnesota] (Vol 2); a portrait of a pet pug taken by Will. H. McMillan, R. R. Palace Photo Car that bears an inscribed caption reading: “For my dear ‘Missis’ from her Devoted ‘Brownie’” (Vol 2); a group portrait of a man and women taken by Keil & Matula with an inscribed caption reading “Czechlovakia Couple Fayetteville, TX” (Vol 2); several portraits of children that appear to show hidden mothers in the background; two studio portraits of unidentified individuals produced by Civil War veteran turned photographer Capt. J. B. Shane (Vol 2); a number of photographs that appear to be copies of earlier images, including a portrait of a man produced by the Hutchings Railroad Photo Car bearing an inscribed caption reading: “Copied from original” (Vol 2); and a possible self portrait of photographer Abel J. Whalen on a mount stamped "Whalen's 'Accommodation' Photo. Car."

The following lists contain names of photographers represented in the collection as well as the total number of images included for each photographer:

Volume 1: Cartes de visite
  • F. J. Aiken [2 images]
  • Aldhizer & Eutsler [2 images]
  • Atkinson’s Photographic Railroad Gallery [1 image]
  • L. K. Bair [1 image]
  • B. Billian [1 image]
  • C. G. Blatt [10 images]
  • A. F. Bonine [1 image]
  • E. A. Bonine [2 images]
  • J. K. Bottorf [1 image]
  • Bowdish's Traveling Gallery [1 image]
  • B. Breslow’s Empire Movable Photograph Gallery [2 images]
  • Brown & Huard [1 image]
  • Burchfield & Bottorf [1 image]
  • J. Bushong [1 image]
  • Callahan’s Travelling Gallery [3 images]
  • H. P. Carnes [1 image]
  • Coggeshall’s Excelsior Photographic Car (John Ingersoll Coggeshall) [2 images]
  • G. W. Dibert [1 image]
  • W. A. Dietrich [4 images]
  • Doran's Photographic Car [1 image]
  • Dougherty (Mammoth wagon) [2 images]
  • Dougherty & Cope (Mammoth wagon; J. L. Cope) [3 images]
  • J. W. Fothergill's Mammoth Photograph Car [1 image]
  • F. Z. Fritz [2 images]
  • William R. Godkin [1 image]
  • M. C. Goodell [4 images]
  • William Griffin [2 images]
  • Harry Gurlitz’s Photograph Car [1 image]
  • W. H. Heiss [2 images]
  • J. J. Hodge [2 images]
  • J. M. Horning & Co. [2 images]
  • Huested Bros. [1 image]
  • Johnson & Sullivan’s Portable Railroad Gallery [1 image]
  • King & Co.’s Traveling Gallery [1 image]
  • George V. Knecht [5 images]
  • Josiah Knecht [8 images]
  • H. F. Knoderer & Bro. [1 image]
  • C. L. Leonard [3 images]
  • J. Loveridge [1 image]
  • C. D. Luccock [1 image]
  • J. H. McGowan (U.P.R.R. Photographic Car) [1 image]
  • A. J. Miller [1 image]
  • S. R. Miller's Photograph Car [2 images]
  • William Nick [3 images]
  • Nick & Knecht [2 images]
  • E. W. Peirce (The Railroad Photograph Coach) [1 image]
  • Lewis P. Peter [7 images]
  • Peter & Kresge [1 image]
  • Peters & Brother [1 image]
  • F. B. Pine's Floating Photographic Studio, of the St. John's River, Fla. [1 image]
  • S. Place [1 image]
  • Portable Picture Palace [1 image]
  • G. M. Primrose [2 images]
  • W. H. Rector [4 images]
  • C. S. Roshon (Mammoth Union photograph car) [1 image]
  • J. B. Silvis (U.P.R.R. Photographic Car) [2 images]
  • C. H. Sisson [1 image]
  • C. M. Stark [1 image]
  • N. L. Stone [1 image]
  • A. Stoppel [1 image]
  • Tucker & Powell [1 image]
  • W. A. Vale [1 image]
  • M. C. Vance [1 image]
  • D. S. Von Nieda [1 image]
  • Horace L. Webber [1 image]
  • West & Lewis (Travelling photographers) [1 image]
  • Whalen's Portable Art Gallery (Abel J. Whalen) [1 image]
  • L. H. Whitson (Professor L. H. Whitson's Rail Road Photographic Car) [1 image]

Volume 1: Tintypes
  • Bishop's Portable Photograph Gallery [1 image]
  • J. Davidson [1 image]
  • Doolittle & Humphrey's Tintype and Ferrotype Car [1 image]
  • Dougherty & Cope (Mammoth wagon; J. L. Cope) [1 image]
  • Douglass’ Traveling Car [2 images]
  • Paul’s Mammoth Travelling Photograph and Ferro-type Car [1 image]
  • W. H. Pearce (The Algonquian Bon Ton Tent) [1 image]
  • E. B. Squier [2 images]
  • A. D. Terhune [1 image]
  • Williams & Dodge’s Photograph Cars [2 images]
  • C. C. Williams [1 image]

Volume 2: Cabinet cards
  • Antoinette Palace Railroad Photo Car (Studio Antoinette) [2 images]
  • Blocker Palace Art Studio and Traveling Cottage Gallery [1 image]
  • Erik Borklund [1 image]
  • Boston and Albany R. R. Photo Car [2 images]
  • W. A. Bradley [1 image]
  • P. L. Britain (Palace R. R. Photo Car.) [1 image]
  • Clark’s Portable Gallery [1 image]
  • J. P. Coffey, Photo. Car. (J. N. Bayles) [1 image]
  • A. Couturier [2 images]
  • James H. Crockwell [1 image]
  • Currier & Parkinson [1 image]
  • J. W. Dalrymple [1 image]
  • Drum Rail Road Photo Car (Oscar Drum) [1 image]
  • Elite R. R. Photo Co. [1 image]
  • Fallman Parlor Photo Car [3 images]
  • F. M. Foster [1 image]
  • Gibson & Myres, Traveling Photographers [1 image]
  • F. L. Hale [2 images]
  • F. J. Haynes [3 images]
  • T. E. Hays [1 image]
  • Howell (Prairie Queen Gallery - Temple, Tex.) [1 image]
  • Hutchings Bros. Railroad Photo. Car [1 image]
  • Hutchings Rail-Road Photo-Car [3 images]
  • K. C. Photo Car [1 image]
  • Keil & Matula, Traveling Photographers [1 image]
  • Keystone Portable Gallery [1 image]
  • Lyden & Bellinger [1 image]
  • Malloy (20th Ave. No. & Wash. Minneapolis) [1 image]
  • William H. McMillan [1 image]
  • J. W. Merideth [1 image]
  • S. R. Miller [3 images]
  • National Art Company’s Railroad Palace Photographic Studio [1 image]
  • Newton & Sprague Photo Car. [1 image]
  • Nowack Bros. Floating Gallery [1 image]
  • Pacific Photograph Car [4 images]
  • Palace R.R. Photograph Studio [1 image]
  • Lewis DeArcy Rollow (Rollow’s Art Car) [2 images]
  • J. B. Shane [2 images]
  • Showman & Joy’s Palace Cars [1 image]
  • Smith Brothers [1 image]
  • C. H. South [1 image]
  • F. M. Steele [1 image]
  • The K. C. Art Chariot [1 image]
  • The Stuart Queen City Photo Co's. Great Australian Route, Car No. 12 [4 images]
  • The Traveling Art Company [1 image]
  • M. F. Timmerman (East Tenn. Photo Car) [1 image]
  • Tooley & Grigsby (The Monarch Traveling Photographers) [1 image]
  • Turner & Johnson [1 image]
  • N. A. Watkins [1 image]
  • Welsh & Harlow [1 image]
  • West & Lewis (Travelling photographers)
  • Whalen's "Accommodation" Photo. Car. (Abel J. Whalen) [2 images]
  • H. C. Williams (Williams' Floating Gallery) [1 image]
  • B. L. Wilson's Traveling Gallery [1 image]
  • Wilson's Railroad Photo Car. (B. L. Wilson) [1 image]
  • Winslow and Shobe [1 image]
  • Wolfe & Peiffer (Keystone Traveling Photo Studio) [2 images]
  • W. H. Yant [1 image]
  • Young, Portrait Artist (Boston Portrait Car) [1 image]

Volume 2: Stereographs
  • T. A. Aldrich [1 image]
  • Coggeshall’s Excelsior Photographic Car (John Ingersoll Coggeshall) [2 images]
  • Mrs. Emma A. Cooke's Traveling Photo. Pavillion (Emma A. Cooke and W. A. Cooke) [1 image]
  • J. P. Doremus [1 image]
  • H. H. H. Langill [1 image]
  • Palace R. R. Photograph Car Co. [1 image]
  • F. B. Pine's Floating Photographic Studio, of the St. John's River, Fla. [1 image]
  • W. E. Warren's Portable Photograph House [2 images]

Volume 2: Larger formats
  • J. A. Bellinger [1 image]
  • Carson Bros. [1 image]
  • Newton & Sprague Photo Car. [1 image]
  • D. R. White [1 image]