Collections : [University of Michigan William L. Clements Library]

This volume is an early French translation of Bartolomé de Las Casas influential treatise Brevissima Relacion de la Destruccion de las India, an indictment of the Spanish conquerors for acts of brutality inflicted on the indigenous peoples of the New World.

In 1539, Bartolomé de las Casas wrote Breuissima relacion de la destruycion de las Indias..., a short treatise that indicted the Spanish conquerors for acts of brutality inflicted on the American Indians in the New World. The first of nine tracts on this subject, Brevissima was first published in 1552 and later published in France in 1579 as Tyrannies et Cruautez des Espagnols Perpetres es Indes Occidentales Quon dit le Nouveau Monde: Brievement Descrites en Lettre Castillane par L'Evesque Don Frere Bartelemy De Las Casas...fidelement traduites par Jackques De Miggrode: à Paris par Guillaume Julien.... Clements manuscript was likely prepared in 1582 for an illustrated Paris edition which was never printed; the 17 watercolor illustrations, depicting gruesome acts of torture, are similar to the engravings of Jodocus van Wingheused used by DeBry for the first illustrated Latin edition in 1598.

Las Casas wrote two chronicles, Historia General de las Indias and Historia Apologetica de las Indias, which were designed to form a single work. He asked his executors not to publish them until forty years after his death. They were not printed, in fact, until 1875-1876 at Madrid, when they appeared under the title "Historia de las Yndias." The original manuscripts are in the Biblioteca de la Academia de la Historia, Madrid. The Clements copy corresponds to the prologue and first 11 chapters of the printed Historia General.

Two bookplates are present on the front pastedown: The Honble. Frederic North, 5th Earl of Guilford and William L. Clements. The first two leaves are mounted and the volume contains other repairs. A note written in ink, possibly a contemporary hand, reads, "Manuscrit original qui a servi à l'imprimé de 1582." The following binding description was provided by Julia Miller: non-contemporary but notable 18th century binding; dark green leather; covers bordered with decorative rolls; large fleur de lis corner decorations; spine gilt; maroon leather lettering piece tooled in gold; black leather roundel, blank; paper shelf label at tail of spine; non-contemporary marbled and plain endpapers; text block sewn on four recessed cords; text edges gilt; worked headbands; pink silk register bound in.

This collection consists of incoming letters sent to wholesalers Bateman & Switzer (based in Great Falls, Montana) between 186- and 1912. Bateman & Switzer sold alcoholic beverages (liquor, wine, beer), cigars, glassware, and other items.

This collection consists of incoming letters sent to wholesalers Bateman & Switzer (based in Great Falls, Montana) between the 1860s and 1910s. Bateman & Switzer sold alcoholic beverages (liquor, wine, beer), cigars, glassware, and other items.

The bulk of the collection is correspondence from R. M. Steele at Choteau regarding payments and orders. A letter dated August 14, 1893, from a customer regarding their account with Bateman & Switzer notes the customer's trouble regarding a bank closure and subsequent lack of money in circulation.

This scrapbook contains materials relating to the Bell Theatre, likely located in Springfield, Oregon, around the 1910s. The theatre presented motion pictures, vaudeville acts, comedy acts, contests and lectures, and other events. The items in the scrapbook include programs, tickets, advertisements, newspaper clippings about the theatre, and other printed ephemera.

The Bell Theatre advertised themselves as having "all the latest motion pictures and vaudeville," and appeared to have been managed by Wallace Potter at the time of the items' creation. Some newspaper clippings reference a legal case of the city vs. Potter, who appears to have been arrested for operating his theatre contrary to an ordinance (passed over the mayor's veto) requiring moving picture shows to pay a license fee.

One newspaper article discussed an uptick in cocaine usage, calling it a "snow" habit. Some advertised events included minstrel shows/comedy acts and "prize baby" contests.

The Benjamin Brown collection is made up of correspondence, documents, and artifacts related to the showman's career as a circus owner in the early 1800s. Many of the letters relate to his journey to Egypt between 1838 and 1840, as he attempted to procure giraffes for an American menagerie company; to his other travels; and to the contemporary American circus industry.

The Benjamin Brown collection is made up of correspondence, documents, and artifacts related to the showman's career as a circus owner in the early 1800s.

Letters, documents, and printed materials concern Brown's early ventures as a show owner, including correspondence and financial records pertaining to his travels in the Caribbean and to the northeast coast of South America in the early 1830s. These materials document the difficulties of transporting exotic animals by sea, the type of equipment necessary to run a circus, and other logistical issues.

A later group of letters and documents reflects Brown's experiences in Egypt, where he traveled as an agent of the June, Titus, Angevine & Company, attempting to purchase giraffes. Many of these letters are from Stebbins B. June, who was also in Egypt at the time, and several items relate to George R. Gliddon, United States consul in Cairo. Brown's friend Gerard Crane wrote about Brown's business affairs in New York, and frequently reported the increasingly frail health of Brown's father. Benjamin Brown received a letter from P. T. Barnum, who asked him to find a pair of fortune tellers for Barnum's museum. He also inquired about locating a pony small enough to accommodate his performer Tom Thumb (June 29, 1843). While in London, Brown frequently received letters from his sister, Eudocia Brown Noyes, who wrote of the Brown family farm and provided other news from Somers, New York.

The collection includes playbills and broadsides advertising Brown's circus; Brown's marriage license (March 20, 1841); a pencil sketch of Brown; two passports; and three fragments of an Arabic-language scroll, offering protection to the bearer. Later material includes newspaper clippings from 1879, 1880, and 1931, on Brown's life and career, as well as an audio tape of an interview with his grandson, Benjamin Brown.

• Kapitein Dick Op Zijne Shetland Poney: Op Verzoek Van Verscheidene Heeren En Dames, Zal Den Heer Broun Op Zaturdag Den 23 October 1830, Van 's Middags 1 Tot 's Avonds 10 Uren, Aan Het Geëerd Pupliek Ten Toon Stellen... Paramaribo: Ter drukkerij van de erven C.J. Fuchs, [1830].
• Royal Gazette of the United Colony of Demerary & Essequebo: Saturday, January 8, 1831. [Georgetown, Guyana: W. Baker, 1831].
• Royal Pavilion Circus in the Temple Yard: by Permission of His Excellency the Governor : On Thursday Evening Next the 22d Instant Mr. Brown and His Corps of Equestrians Will Have the Honor to Present to the Public a Splendid Performance, When He and His Company Will Endeavour to Gratify the Ladies And Gentlemen of the Island by Representing Various Extraordinary Feats of Horsemanship. [c. 1830?].

Box 2 of the collection includes correspondence, documents, printed items, photographs, and audio recordings related to the history of Benjamin Brown, the circus, and Somers, New York. Principally organized around the career and research of Carrie Brown Rorer (1903-1969), President of the Somers Historical Society and Benjamin F. Brown's great-grandaughter, the material provides insight into public history, memory, and research on the circus. Included is a typed document, "Circus History: Recollections by Benjamin Brown (1877-1962) as told to Carrie Brown Roher, (1903-1969), who was one of his three daughters," which details memories of Benjamin F. Brown and family stories about him.

• Two shoes, [1800s]
• Burnoose, [1800s]
• Black circus jacket, [1800s]
• Pipe stem and bowl
• Two rocks
• Fragments from an ostrich eggshell
• Canopic jar lid
• Two small boxes
• Ushabti figure
• Harpocrates figure

The Egyptian figures may date to around 600 BCE.

This collection is made up of letters by Bernard Baruch and Mark Sullivan regarding United States foreign policy, financial policy, national politics, and personal matters.

This collection is made up of 60 letters between Bernard M. Baruch and Mark Sullivan, a testimony and several pamphlets by Baruch, and a signed, dedicated portrait photograph of Baruch. The majority of the collection consists of Baruch's letters to Sullivan. The correspondence addresses United States politics, beginning in the early 1920s with foreign policy, farm policy, and the long term outcomes of the Paris Peace Conference. Later letters contain Baruch's critiques of U.S. fiscal policy, foreign policy, and military preparedness, as well as general thoughts about the U.S. economy and the political environment following the Wilson administration.

Baruch and Sullivan discussed their writings and other works, offering critiques, recommendations, and congratulations. They discussed Sullivan's journalism and historic works, and Baruch's political career and treatment in the media. In one letter, Baruch gave a narrative account of his early education in South Carolina (January 21, 1927). The letters also contain discussions of more personal matters, holiday greetings, and invitations for Sullivan to vacation at the Hobcaw House. At various points in the correspondence Baruch expressed his perception of anti-Semitism in U.S. politics and education. The collection includes one photograph portrait of Bernard M. Baruch, signed and dedicated to Duane Norman Diedrich. See the Detailed Box and Folder Listing for more information.