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The USS New Jersey journal and postcard album collection consists of a log book kept by a crew member of the USS New Jersey battleship during its participation in the Great White Fleet from 1907 to 1909 as well as an album of postcards collected from locations visited during the voyage.

The USS New Jersey journal and postcard album collection consists of a logbook kept by a crew member of the USS New Jersey battleship during its participation in the Great White Fleet from 1907 to 1909 as well as an album of postcards collected from locations visited during the voyage.

Volume one (21.5 x 13.5 cm) is a sailor's personal logbook kept aboard the USS New Jersey from December 16th, 1907, to February 22nd, 1909. Joseph J. [Sulinski], one of 812 crew members, is listed as the author. Detailed entries describe speeches, daily life, notable events, and various aspects of the places visited over the course of the voyage. The logbook has line breaks whenever a new location is being discussed, and clippings and souvenirs associated with each location have been added in throughout. The entries made at locations where the USS New Jersey was anchored for extended periods of time are the most detailed, yet there are also thorough descriptions of day-long visits to places such as Valparaiso, Chile. Entries of note include a description of a “Crossing of the Equator” ceremony held on January 2nd 1908, remarks on the currency exchange process in Rio di Janeiro, a description of the return back across the equator, an account of a boxing match between crewmembers of rival ships in Los Angeles in April 1908, and a passage regarding an act of vengeance undertaken by crew members after they felt they were overcharged for supplies in Santa Barbara. Also of interest are entries regarding the death of Commander-In-Chief of the U.S. Atlantic Fleet Admiral Charles M. Thomas, the deaths of two crewmembers in Melbourne, and the deaths of one crewmember who was lost at sea in a storm near Manila and another who was lost near Singapore. Notes about the voyage end on page 62 and are followed by a series of clippings that range from images of battleships to Philadelphia history, news about the Great White Fleet, and cartoons.

Volume two (26 x 20.25 cm) contains approximately 300 color postcards collected over the course of the Great White Fleet’s voyage around the world. The postcards begin with Trinidad and progress through various locations such as Rio de Janeiro, Marseille, Lima, Mexico City, California, Hawaii, Sydney, Melbourne, Manila, Yokohama, Tokyo, Badulla, Egypt, Sheffield, Cherbourg, and Messina. Also present are postcards depicting the USS Kansas, the overall course of the entire voyage up until July 1908, views of the Great White Fleet on Japanese postcards, and commemorative postcards involving the crew. While most of the postcards are blank, there are a few sentimental ones addressed to a Joseph Schlegel who seems to have resided in a number of U.S. military bases as well as Almont, Pennsylvania.

The William A. Lewis photograph collection consists of approximately 1,530 items pertaining to a wide range of visual subjects that are represented across a variety of photographic formats including daguerreotypes, cartes de visite, stereographs (which form the bulk of the collection), and glass plate negatives as well as modern slides, film strips, snapshots, and postcards.

The William A. Lewis photograph collection consists of approximately 1,530 items pertaining to a wide range of visual subjects that are represented across a variety of photographic formats including daguerreotypes, cartes de visite, stereographs (which form the bulk of the collection), and glass plate negatives as well as modern slides, film strips, snapshots, and postcards.

The subject matter of this collection is thematically and chronologically diverse and reflects the broad interests of the collector, with the U.S. Civil War and 19th-century views of American and European cities being particularly well-represented topics. The collection is organized into four main series according to subject matter and is further divided into specific subject groupings within each series. In most cases, multi-item sets have been kept together and placed within the most generally appropriate subject grouping. An extensive number of photographers and publishers are represented throughout the collection including the likes of H. H. Bennett, C. B. Brubaker, John Carbutt, Centennial Photographic Company, B. F. Childs, E. & H. T. Anthony & Company, Alexander Gardner, T. W. Ingersoll, International Stereoscopic View Company, Keystone View Company, William Notman, Timothy O'Sullivan, William Rau, Strohmeyer & Wyman, Underwood & Underwood, and F. G. Weller.

The following list provides a breakdown of every topical subsection of the collection and includes item counts for each grouping:

• Airships (11)
• Bridges (69)
• Civil War I--stereographs (91)
• Civil War II--cartes de visite, Kodachrome slides, negative film strip copies of stereographs held at the Library of Congress, postcards (48)
• Disasters (49)
• Expositions (24)
• Industry & Labor (89)
• Miscellaneous (23)
• Portraits (109)
• Railroads (62)
• Ships (80)
• War (30)

• Alaska (47)
• Arizona (3)
• California (20)
• Colorado (2)
• Dakota (4)
• District of Columbia (50)
• Florida (2)
• Hawaii (1)
• Illinois (17)
• Iowa (2)
• Maine (8)
• Maryland (27)
• Massachusetts (20)
• Michigan (31)
• Missouri (3)
• New Hampshire (10)
• New York (116)
• Ohio (2)
• Oregon (2)
• Pennsylvania (16)
• Tennessee (1)
• Texas (1)
• Vermont (3)
• Utah (3)
• Virginia (6)
• Washington (1)
• West Virginia (1)
• Wisconsin (2)
• Wyoming (2)
• Unidentified locations (35)

• Austria (5)
• Belgium (6)
• Brazil (1)
• Canada (3)
• Cuba (5)
• Czechoslovakia (1)
• Egypt (5)
• England (21)
• France (43)
• Germany (14)
• Greece (1)
• India (2)
• Ireland (4)
• Italy (22)
• Japan (3)
• Mexico (1)
• Miscellaneous (31)
• Monaco (4)
• Netherlands (1)
• Norway (3)
• Palestine (5)
• Panama (41)
• Puerto Rico (3)
• Scotland (10)
• Spain (2)
• Sweden (2)
• Switzerland (9)
• Turkey (1)

• Keystone Alaska and Panama views, set box (1)
• Stereoscope (1)

• Post-WWI Keystone views of German and American zeppelins and one real photo postcard showing pre-WWI aircraft (Series I, Box 1, Airships)
• Numerous views of the Brooklyn Bridge under construction and after completion, and the Niagara Falls suspension bridge (Series I, Box 1, Bridges)
• Views of Civil War battle sites, encampments, and leaders on contemporary mounts as well as numerous reproductions of stereographs showing important battlefield sites and troops (Series I, Boxes 1-2, Civil War)
• Stereographs, real photo postcards, and other images documenting the aftermath of the 1906 San Francisco Earthquake, 1871 Chicago Fire, 1889 Johnstown Flood, 1900 Galveston Hurricane, and other calamities (Series I, Box 3, Disasters)
• Images showing scenes from various American and European events, with an emphasis on the 1876 Centennial Exhibition in Philadelphia (Series I, Box 3, Expositions)
• Images showing mills, factories and people engaged in various occupations, including a boxed set of 50 images related Sears, Roebuck operations produced around 1906 (Series I, Box 3, Industry & Labor)
• Hand-colored early groupings of French theatrical tableaux (Series I, Box 3, Miscellaneous)
• Approximately 109 portrait photographs in different formats of various individuals, including William Jennings Bryan; a boxed set of 50 cartes de visite depicting Danish actors and actresses; cartes de visite of Emperor Napoleon III and the Mikado of Japan; and numerous unidentified subjects represented in real photo postcards (1), tintypes (17), framed/cased ambrotypes, and daguerreotypes (13) (Series I, Box 4, Portraits)
• Approximately 62 images of railroads, mostly in the U.S., including photographs from an 1866 expedition to the 100th meridian on the Union Pacific Railroad while under construction (Series I, Box 5, Railroads)
• Approximately 80 images of ships including warships, freighters, riverboats, passenger ships, shipwrecks (including of the USS Maine), and shipyards mostly in the U.S. with the notable exception of a photo of the 1858 launch of the SS Great Eastern, with Isambard Kingdom Brunel possibly in the crowd. Also of interest are 8 photos and postcards showing ships in World War I-era "dazzle" camouflage (Series I, Box 5, Ships)
• A Keystone View Co. series of images related to World War I (Series I, Box 5, Wars)
• A number of images produced by Keystone View Co. and other stereograph purveyors that focus on major cities such as Boston, New York, Paris, Constantinople, and Jerusalem (throughout Series II & Series III)
• Views from geological expeditions to the American frontier in the 1860s and 1870s (Series II, Unidentified Locations)