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The Smith family travel photograph albums consist of two volumes containing photographs, chromolithographs, die-cut scrapbook pieces, and pressed flower designs accumulated during a trip to Europe, Egypt, Syria, and Palestine.

The Smith family travel photograph albums consist of two volumes containing photographs, chromolithographs, die-cut scrapbook pieces, and pressed flower designs accumulated during a trip to Europe, Egypt, Syria, and Palestine.

The albums chronicle the journey of siblings “J. M. Smith" and “M. H. Smith.” Each album bears the name of its respective owner on the front cover. The Smiths left New York City on May 20th 1874 on the Cunard Line Steamer Abyssinia, before disembarking in Queenstown, Ireland, on May 29th. After spending time in Ireland, England, and Scotland they visited several locations in mainland Europe including Paris, Switzerland, southern Germany, Brussels, the Netherlands, Italy, Prussia, and Austria. After exploring Europe, the Smiths ventured to the Middle East where they toured Egypt, Christian holy sites in Palestine (present-day Israel), Turkey, and Syria. They subsequently traveled back through Italy and France before boarding the steamer Bothnia in Liverpool and returning to Pittsburgh, Pennsylvania.

Volume one (25 x 19.5 cm) has purple covers with “J. M. Smith” stamped in gold on the front and contains 47 photographs, 19 printed items, 1 drawing, and numerous dried pressed vegetation arrangements. Several images found in this album are also found in volume two including commercial photographic reproductions of engraved portraits, Italian Renaissance artwork, and other 19th century paintings. A handwritten itinerary outlining the course of the trip can be found inside the front cover and suggests the albums were finished being compiled by August 20th 1875. Items of interest include several portraits of various individuals including Julia Anderson, Jinnie Miller, Lula Miller, Nannie Anderson, and Reverend Christopher Newman Hall; numerous dried floral compositions; a pen and ink drawing of the “arms & crest of ‘Darsie’”; a photograph of two leaning towers in Bologna; a printed memorial card for Elizabeth Maria Thompson, founder of the British Syrian Schools Mission in Beirut and Damascus; and an image of blind children likely from one of Thompson’s schools.

Volume two (25 x 19.5 cm) has purple covers with "M. H. Smith" stamped in gold on the front and contains 64 photographs, 70 printed items, and numerous dried pressed vegetation arrangements. A handwritten itinerary outlining the course of the trip that is nearly identical to one found at the beginning of volume one is located inside the front cover. Items of interest include a photograph of a painting of Queen Victoria’s family; die-cut scrapbook pieces depicting different manner of dress in nations including the United States, China, and Italy; and numerous photographs and photographic reproductions of portraits of European royalty, rulers, and people wearing traditional ethnic clothing (mainly Swiss, Germans, Italians, and Greeks). Also of note are pressed vegetation and flower designs including moss samples spelling out “Italy” and “Egypt”; photographic and lithographic portraits of Prussian leaders Wilhelm I, Crown Prince Frederick William, Prince Carl, and Otto von Bismarck; a collection of materials from Marie Antoinette’s prison cell along with flowers from around Paris; a photograph of a female professor at the University of Bologna, Italy who was said to be too beautiful to be seen teaching (also found in volume two); a lengthy description of religious sites in Jaffa, Palestine; a reward of merit in Arabic given to M. H. Smith by an Arab guide (also found in volume two); and photographs of the King and Queen of Greece. Numerous photographs have been colored by hand.

The William A. Lewis photograph collection consists of approximately 1,530 items pertaining to a wide range of visual subjects that are represented across a variety of photographic formats including daguerreotypes, cartes de visite, stereographs (which form the bulk of the collection), and glass plate negatives as well as modern slides, film strips, snapshots, and postcards.

The William A. Lewis photograph collection consists of approximately 1,530 items pertaining to a wide range of visual subjects that are represented across a variety of photographic formats including daguerreotypes, cartes de visite, stereographs (which form the bulk of the collection), and glass plate negatives as well as modern slides, film strips, snapshots, and postcards.

The subject matter of this collection is thematically and chronologically diverse and reflects the broad interests of the collector, with the U.S. Civil War and 19th-century views of American and European cities being particularly well-represented topics. The collection is organized into four main series according to subject matter and is further divided into specific subject groupings within each series. In most cases, multi-item sets have been kept together and placed within the most generally appropriate subject grouping. An extensive number of photographers and publishers are represented throughout the collection including the likes of H. H. Bennett, C. B. Brubaker, John Carbutt, Centennial Photographic Company, B. F. Childs, E. & H. T. Anthony & Company, Alexander Gardner, T. W. Ingersoll, International Stereoscopic View Company, Keystone View Company, William Notman, Timothy O'Sullivan, William Rau, Strohmeyer & Wyman, Underwood & Underwood, and F. G. Weller.

The following list provides a breakdown of every topical subsection of the collection and includes item counts for each grouping:

• Airships (11)
• Bridges (69)
• Civil War I--stereographs (91)
• Civil War II--cartes de visite, Kodachrome slides, negative film strip copies of stereographs held at the Library of Congress, postcards (48)
• Disasters (49)
• Expositions (24)
• Industry & Labor (89)
• Miscellaneous (23)
• Portraits (109)
• Railroads (62)
• Ships (80)
• War (30)

• Alaska (47)
• Arizona (3)
• California (20)
• Colorado (2)
• Dakota (4)
• District of Columbia (50)
• Florida (2)
• Hawaii (1)
• Illinois (17)
• Iowa (2)
• Maine (8)
• Maryland (27)
• Massachusetts (20)
• Michigan (31)
• Missouri (3)
• New Hampshire (10)
• New York (116)
• Ohio (2)
• Oregon (2)
• Pennsylvania (16)
• Tennessee (1)
• Texas (1)
• Vermont (3)
• Utah (3)
• Virginia (6)
• Washington (1)
• West Virginia (1)
• Wisconsin (2)
• Wyoming (2)
• Unidentified locations (35)

• Austria (5)
• Belgium (6)
• Brazil (1)
• Canada (3)
• Cuba (5)
• Czechoslovakia (1)
• Egypt (5)
• England (21)
• France (43)
• Germany (14)
• Greece (1)
• India (2)
• Ireland (4)
• Italy (22)
• Japan (3)
• Mexico (1)
• Miscellaneous (31)
• Monaco (4)
• Netherlands (1)
• Norway (3)
• Palestine (5)
• Panama (41)
• Puerto Rico (3)
• Scotland (10)
• Spain (2)
• Sweden (2)
• Switzerland (9)
• Turkey (1)

• Keystone Alaska and Panama views, set box (1)
• Stereoscope (1)

• Post-WWI Keystone views of German and American zeppelins and one real photo postcard showing pre-WWI aircraft (Series I, Box 1, Airships)
• Numerous views of the Brooklyn Bridge under construction and after completion, and the Niagara Falls suspension bridge (Series I, Box 1, Bridges)
• Views of Civil War battle sites, encampments, and leaders on contemporary mounts as well as numerous reproductions of stereographs showing important battlefield sites and troops (Series I, Boxes 1-2, Civil War)
• Stereographs, real photo postcards, and other images documenting the aftermath of the 1906 San Francisco Earthquake, 1871 Chicago Fire, 1889 Johnstown Flood, 1900 Galveston Hurricane, and other calamities (Series I, Box 3, Disasters)
• Images showing scenes from various American and European events, with an emphasis on the 1876 Centennial Exhibition in Philadelphia (Series I, Box 3, Expositions)
• Images showing mills, factories and people engaged in various occupations, including a boxed set of 50 images related Sears, Roebuck operations produced around 1906 (Series I, Box 3, Industry & Labor)
• Hand-colored early groupings of French theatrical tableaux (Series I, Box 3, Miscellaneous)
• Approximately 109 portrait photographs in different formats of various individuals, including William Jennings Bryan; a boxed set of 50 cartes de visite depicting Danish actors and actresses; cartes de visite of Emperor Napoleon III and the Mikado of Japan; and numerous unidentified subjects represented in real photo postcards (1), tintypes (17), framed/cased ambrotypes, and daguerreotypes (13) (Series I, Box 4, Portraits)
• Approximately 62 images of railroads, mostly in the U.S., including photographs from an 1866 expedition to the 100th meridian on the Union Pacific Railroad while under construction (Series I, Box 5, Railroads)
• Approximately 80 images of ships including warships, freighters, riverboats, passenger ships, shipwrecks (including of the USS Maine), and shipyards mostly in the U.S. with the notable exception of a photo of the 1858 launch of the SS Great Eastern, with Isambard Kingdom Brunel possibly in the crowd. Also of interest are 8 photos and postcards showing ships in World War I-era "dazzle" camouflage (Series I, Box 5, Ships)
• A Keystone View Co. series of images related to World War I (Series I, Box 5, Wars)
• A number of images produced by Keystone View Co. and other stereograph purveyors that focus on major cities such as Boston, New York, Paris, Constantinople, and Jerusalem (throughout Series II & Series III)
• Views from geological expeditions to the American frontier in the 1860s and 1870s (Series II, Unidentified Locations)