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C. Loring Brace, professor of Anthropology at the University of Michigan and Curator of Biological Anthropology at the University's Museum of Anthropology. Known for extensive field research on cranial and dental material of hominid remains all over the world, particularly in Asia, to study human evolution. He has done considerable research on how structural reduction can result from Probable Mutation Effect, as well as on the development and application of the 'race' concept.

The papers of anthropologist and professor C. Loring Brace document his research, publications and teaching. Material includes extensive correspondence, research material including visual material illustrating crania, bones, teeth, and mandibles, also topical files and material Kennewick Man case. The papers are arranged in ten series: Biographical and Personal, Correspondence, 1966-2002, Correspondence, 1986-2009, Professional Service and Activities, Publications, Research, Teaching Materials, Topical Files, Kennewick, and Visual Materials.

University of Michigan professor of anthropology; professor of botany; curator of ethnology; and former director of the University of Michigan Museum of Anthropology. Well-known for his innovative research in archaeology, ethnobotany, and paleoethnobotany, as well as a long and distinguished teaching career and dedication to public and professional service.

The Richard I. Ford Papers document the professional and personal life of one of the country's most prominent paleoethnobotanists, curator and former director of the University of Michigan Museum of Anthropology, and longtime University of Michigan professor of Anthropology and Botany. The records in this collection measure 27 linear feet, and date from 1968 to 2005, with the majority of the records from the period 1970 to 1990. The Ford papers are primarily comprised of correspondence, legal filings and consulting materials, lectures and conference presentations, publications, committee and service records, administrative materials, teaching files, and mixed media. The records are arranged into seven series: Correspondence, Legal Consultations, Professional Service and Activities, Teaching, University of Michigan Museum of Anthropology, Audio-Visual Materials, and Research, Publications, and Projects.