Collections

The A. Alfred Taubman College of Architecture and Urban Planning (TC; also referred to as Taubman College) was established in 1931 as the College of Architecture. However, courses in architecture have been offered at the University of Michigan since 1876, and a department of architecture, formed in 1913, preceded the creation of the college. Since its formation, TC has offered courses and programs in several areas, including landscape architecture, urban planning, urban design, real estate, and, of course, architecture. The record group includes dean's administrative files and correspondence, other administrator files, meeting minutes, department and program files, materials from the National Architectural Accrediting Board (NAAB), lectures and other documentation on the Raoul Wallenberg lecture hosted by the college, and several photographs and negatives of the college and TC-related events.

The A. Alfred Taubman College of Architecture and Urban Planning (University of Michigan), records document the teaching of architecture and design at the University of Michigan beginning in 1878. The records include administrative files, correspondence committee minutes, reports, photographs and architectural drawings. The records have been received in a number of separate accessions which may include material that continues or complements record series from a previous accession or may overlap chronologically with previous accessions. This finding aid reflects the intellectual structure of the records by bringing like material together across accessions. As a consequence, in the container listing box numbers will not necessarily be in consecutive order.

The records are organized in the following principal series:

1. Minutes of Meetings
2. Dean's Administrative Files
3. National Architectural Accrediting Board
4. Miscellaneous (correspondence and select files)
5. Raoul. G. Wallenberg
6. Dean's Correspondence
7. Doctoral Program Files
8. Topical Files
9. Administrative Files
10. Architectural Drawings
11. Photographs and Negatives
12. Art and Architecture Building Renovations
13. Department of Urban Planning
14. Audio-Visual Material
15. Articles, Reports and Speeches
16. Artifacts
17. Archived School of Architecture Website

The Abraham Bell papers contain correspondence and financial documents related to Abraham Bell & Co., an early 19th-century New York City shipping firm owned by Abraham Bell.

The Abraham Bell papers contain correspondence and financial documents related to Abraham Bell & Co., an early 19th-century New York City shipping firm owned by Abraham Bell. The majority of material in the Correspondence series is addressed to either Abraham Bell or to his company, and relates to various business affairs, often concerning payment or delivery of goods. Many of the letters originated from European firms, including a letter from Collman, Lambert & Co. in Liverpool, written on stationery that includes a printed list of current prices for cotton and related goods (February 8, 1837).

The Receipts and financial papers series consists of non-correspondence items related to the operation of Abraham Bell & Co. throughout the early and mid-1800s. These include records of payment and lists of cargo carried aboard Bell's ships, as well as several documents relating to loads of street manure in 1839. Several early items within this series pertain to the ship Josephine.

Fifteen Account and receipt books provide information about Bell's financial endeavors throughout the period in explicit detail, covering the years 1840-1868. A letter book contains copies of letters written by Abraham Bell between October 16, 1833, and August 15, 1834.

Miscellaneous items in the collection include an indenture for land in New Jersey belonging to the Budd family (December 25, 1812), and a record of fiscal accounts between Abraham Bell & Co. and [Malionson] Bell & Co. (June 30, 1836).

Spiritualist medium and writer Achsa W. Sprague maintained this diary between 1855 and 1857 while touring on a lecture circuit around Connecticut, Vermont, New Hampshire, Massachusetts, Maine, Rhode Island, Pennsylvania, and New York. She recorded her daily experiences, travels, and work lecturing and conducting medium trances. The latter portion of the volume was used by Lloyd N. Josselyn as an account book between 1880 and 1908, likely while farming in the Plymouth, Vermont, area.

Spiritualist medium and writer Achsa W. Sprague maintained this diary between 1855 and 1857 while touring on a lecture circuit around Connecticut, Vermont, New Hampshire, Massachusetts, Maine, Rhode Island, Pennsylvania, and New York. She recorded her daily experiences, travels, and work lecturing and conducting medium trances.

Sprague began writing in Hartford, Connecticut, with commentary about her decision to keep the diary and brief reflections about being healed by "Spirit Agency" and taking up the work of "a Public Speaking Medium" (pages 1-2). She referenced her former confinement due to poor health several times in the volume (pages 8-9; 59; 76-77; 128). Sprague expressed gratitude about spirits' intervention and her ability to convene with them. For example, she wrote, "This is the most beautiful part of my mediumship, that which others do not see, that which is never spoken, but which is felt in every fibre of my soul giving a richness to life which it never had before, & a tinge of Heaven to light my path where all before was dim & shadowy. A blessing to me physically, mentally, morally, intellectually & spiritually have been these Spirits Manifestations." (pages 14-15).

Throughout the diary, Sprague noted the locations of her lectures, attendance, and the crowd's reception. She visited major cities, such as Hartford, Boston, Troy, and Philadelphia, but principally travelled between mid-sized and smaller locales. Occasionally Sprague remarked on the influence of the spirit upon her during her public meetings (pages 6-7). She attended smaller events, too, like a gathering of some twenty people, including Samuel Colt and William H. Burleigh, who met at 11:30 p.m. (page 11), or a private examination of Gerrit Smith's wife (page 14). She noted meeting one-on-one with other mediums to manifest spirits together (page 16) and included thoughts on other "Public Mediums" (page 23).

While touring, Sprague noted anti-Spiritualist lecturers and sentiments (pages 67-66; 83; 116; 149-50; 168-169), but she also wrote of preachers from Christian denominations who were open to Spiritualism or invited her to join them in their churches (page 145). Sprague recorded logistical details of her work, such as travel, housing, and securing sites for her lectures.

Sprague commented on social and professional visits with individuals active in Spiritualist circles, including Sementha Mettler (page 4); Lottie Beebe, a woman who "is said while under the Influence to give beautiful specimens of poetry & sometimes has other manifestations" (page 11); and "Sleeping Lucy" Cooke (page 54), among others. She described other mediums' techniques, like Mettler's "psychometriz[ation]," where she read people's characters based on their handwriting (page 17), or a detailed description of a "physical manifestation" (pages 109-111). Sprague referenced other mediums who used spirit influence to produce poetry, paintings, and drawings (pages 87; 107-108; 162), and she attended a Spiritualist convention at South Royalton, Vermont (pages 146-147).

At times her entries provide insight into some of her critiques about Spiritualism. She referred several times to her support for "practical Spiritualism" (page 79), and she took issue with "the thoroughly scientific or business men who become believers & advocates of this Philosophy; with all their knowledge, make not half as good actors, either as Lecturers or as practical doers, as many who have been less known in the world" (page 23). In another entry she rejected arguments connecting Spiritualism and Free Love (page 100).

Sprague wrote about being invited to funerals (pages 33-36; 114-115), attending to the dying (pages 85-86; 154-155), and speaking with the bereaved (pages 72-73). She also reflected on the death of her own family members and her belief in their role as Guardian Angels (pages 62-63). She recorded her feelings about the impact her mediumship could effect on those facing death and grief, writing, "I have been with the wretched & suffering, but I have tried to sooth their agony, I have heard many a tale of a broken heart, but I have striven to bind them, & give them the balm of consolation, I have stood by the bedside of the dying, & have watched when the breath went out & left even the forms I loved so well cold, still & silent, but I knew they did not die, that they only bloomed for a higher Sphere..." (page 158)

Several passages reflect her authorship, such as working on an article for the New England Spiritualist, decisions to write under a pen-name for a local Vermont newspaper, noticing some of her pieces were being reprinted, meeting with individuals active in Spiritualist publishing networks, and other mentions of publication (pages 53-55; 64; 74; 87; 92-93; 98-99; 102; 106; 140). Periodically, Sprague noted texts she was reading, both works of literature and those relating to Spiritualism, and she was particularly delighted while staying with a family who appreciated reading "Shelley, Tennyson, Lowell &c... But now that the weather is pleasant again I find that I am public property, & shall be obliged in a great degree to bid good bye to the quiet happiness of listening to the poets & enter into the realities of life. Well it is right to mingle in lifes realities. I Thank God for the beautiful inspirations I have listened to, but more still, for the beautiful inspirations that come to me at morn, at noon, at night from unsung poets & philosophers, even the Angel Messengers He sends. And more, still more, that it is given me to mingle with the realities of life & give them forth to the suffering children of humanity. And as far as my imperfect nature will allow me, to carry the teachings out in my own every day life, & bring them into its practicalities" (page 174). Throughout the diary she wrote introspectively about being of service, using her time profitably, and living up to her higher purpose.

Sprague's interest in social reform is also documented in the volume, in visits to the Hartford "Asylum for educating the Deaf & Dumb" (page 3), concern for the poor (pages 18-21; 49; 55; 79; 119; 140; 162; 164-7; 169-70), women's rights (pages 37-39), and prisons (pages 104-105; 170-1; 176-8). She met Lucretia Mott at a women's antislavery meeting (page 175).

Descriptions of daily life include commentary on weather and nature as well as her health and that of her family, revealing Sprague's interest in various medicinal practices such as magnetism (pages 4 and 162) and healing mediums (pages 28 and 160). While at home with her parents in Vermont, she wrote of social visits, her parents' living situation, and local requests for her to speak, including at a wedding where "A song through me from the Spirit Land concluded the services" (page 43). While on her lecture circuit, she also commented on cities she visited. For example, in Hartford she visited the "Charter Oak" and Lydia H. Sigourney's former residence (pages 4-6); in Salem, Massachusetts, she commented on how the history of the witch trials was handled in the community (page 121). She wrote of meeting a Shaker woman in Cambridge, Massachusetts, (page 122) and seeing Edwin Forrest perform in Providence (page 173). While in Philadelphia, she toured local landmarks, attended Quaker meetings and Catholic services, and visited the Academy of Fine Arts with Samuel Sartain (135). After trying to see Benjamin Franklin's burial spot, she lamented the high walls surrounding it and concluded, "There is too great a tendency in the human mind to seek the grave of the mighty dead & follow them no further" (page 138).

The diary bears pencil marks of a later hand, possibly that of Leonard Twynham indicating passages for publication. The latter portion of the volume was used by Lloyd N. Josselyn as an account book between 1880 and 1908, likely while farming in the Plymouth, Vermont, area. He documented expenditures mostly for household goods and clothing, animal care, foodstuffs, agricultural labor, taxes, digging graves and purchase of headstone, house and vehicle upkeep, etc.

The Adelle Webber Gray photograph album contains 75 photographs and 14 photo-reproductions of scenes from Watkins Glen in New York, Yosemite, and Colorado as well as 13 newspaper clippings and two advertisements regarding travel in the western United States.

The album (21.5 x 26.5 cm) has read leather covers. Inside of the front cover are two of Gray's bookplates and a loose clipping from 1906 regarding the purchase of Watkins Glen. The album begins with a series of views of Watkins Glen (including some showing the stairs built around the waterfalls). Pages are mostly blank from pgs. 17 to 113 except for pg. 107 which includes 10 loose clippings about camping and traveling in the western United States mostly from Christian Life magazine. Other images of interest after pg. 113 include views of a man standing inside a tree in California's Redwood Forest; waterfalls at Yosemite; Denver, Colorado, scenes such as the train depot and Stout Street; Silver Plume, Colorado; the Loop between Manitou Springs and Georgetown; an 1884 photographic reproduction print by W. H. Bagley; a railroad going through Clear Creek canyon; Pikes Peak; Helen Hunt Jackson's grave in Colorado Springs; the Garden of the Gods; Manitou Springs; Williams Canyon; Ute Pass; and pictures of men and cows taken by W. H. Allen and William Henry Jackson. Also of note are advertisements for a print of Mount Holy Cross by Thomas Moran and for the caves at Manitou Springs, two photographic reproductions of views of Marshall Pass, and photographs of the peak of Sierra Blanca, taxidermy coyotes and a mountain lion, and a train snowplow in Ivanhoe, Colorado.

The African American and African Diaspora Collection is comprised largely of individual letters, documents, and other manuscript items relating to slavery, abolition movements, and aspects of African American life, largely dating between 1781 and 1865.

The African American and African Diaspora Collection is comprised largely of individual letters, documents, and other manuscript items relating to slavery, abolition movements, and aspects of African American life, largely dating between 1781 and 1865. Topics addressed in the letters and documents include the experiences and work of enslaved persons in the North and South; the buying and selling of enslaved men, women, and children; participation in the French and Indian War, American Revolution, and Civil War of African descended persons; abolitionists and abolition societies; the American Colonization Society; the lives of formerly enslaved persons; African American education; and many other subjects. For details on each document, see the inventory located under "Detailed Box and Folder Listing"

Albert Kahn was a Detroit-based architect, active from 1896 to 1942. He founded the firm, Albert Kahn Associated Architects & Engineers, which is today known as Albert Kahn Associates, Inc. He was best known for his industrial design work, including the Ford Motor Company's Highland Park and River Rouge plants; numerous commercial buildings in Detroit such as the Fisher Building, Detroit Athletic Club, and General Motors Building; and much of the University of Michigan's Central Campus, including Angell Hall, the Clements Library, and Hill Auditorium, as well as the Willow Run Bomber Plant near Ann Arbor, Michigan. After Kahn's death in 1942, his architectural firm, Albert Kahn Associates, Inc., has continued to be a worldwide leader in the design of factory buildings that enhance the manufacturing process. The Albert Kahn Associates records are composed of materials produced by Albert Kahn the architect, as well as materials produced by his firm, Albert Kahn Associates, Inc., and include correspondence, company files, photographs, published materials, and architectural drawings.

The Albert Kahn Associates records offer researchers the opportunity to study the correspondence, transcripts of speeches, photographs, and architectural drawings of the preeminent, American, industrial architect, Albert Kahn, and his firm, Albert Kahn Associates, Inc. On March 21, 2003 (the 134th anniversary of Albert Kahn's birthday), Albert Kahn Associates, Inc. (AKA) donated this collection to the Bentley Historical Library at the University of Michigan to ensure the conservation and accessibility of these records. Through this gift, AKA has shown its commitment to preserving the legacy of Kahn, whose factories on five continents influenced the development of industrial architecture and whose commercial, residential and institutional buildings define the character of Detroit and the University of Michigan today. The collection encompasses 166 linear feet (in 180 boxes) of correspondence, transcripts of speeches, newspaper and journal articles, company files, audiovisual materials, photographs and slides, as well as 90 leather portfolios containing photographs of completed buildings, 22 albums of sample architectural materials, 131 books, and 12,731 architectural drawings in 45 flat-file drawers and 114 oversize tubes.

The narrative and visual materials in the collection illuminate the breadth of Kahn's career and highlight the work of his architectural firm, Albert Kahn Associates, Inc., which continued to develop projects after his death, and remains a living institution. In pairing the textual materials with the photographs and architectural drawings associated with Kahn's projects, this collection offers a rich perspective on the master architect himself, illuminating his personal views on his own architecture and its place in a changing and often tumultuous world.

The Alexander T. Stewart collection contains around 300 letters that Stewart received from strangers requesting financial assistance, employment, and other means of support. Many commented on the Civil War's negative economic impact on their lives, particularly in the South.

The Alexander T. Stewart collection contains around 300 letters that Stewart received from strangers requesting financial assistance, employment, and other means of support. Many commented on the Civil War's negative economic impact on their lives, particularly in the South.

The majority of the letters are dated 1865-1876, including a large group (around 215 items) dated 1869-1870. Stewart's correspondents requested loans, donations, or employment; some wrote more than once. Writers include war widows, former soldiers, and others who had been affected by the war, particularly in the South. Many provided details of recent financial hardships, such as spouses' or parents' deaths, unemployment, and the effects of the Civil War, and some provided character witnesses or references. A soldier requested money for a camp stove (January 6, 1865); another man requested help after having difficulty collecting loans from southern borrowers (February 27, 1862); and a third writer mentioned displaced persons in South Carolina (March 9, 1867). Correspondents occasionally enclosed carte-de-visite portraits or newspaper clippings, and some pasted return postage onto their letters. The letters reveal the authors' views on wealth, social status, employment, and philanthropy in the Reconstruction-era United States.

Stewart received letters from correspondents in states including Alabama, California, Connecticut, Delaware, Georgia, Illinois, Indiana, Iowa, Kentucky, Louisiana, Maine, Maryland, Massachusetts, Michigan, Minnesota, Mississippi, Missouri, New Hampshire, New Jersey, New York, North Carolina, Ohio, Pennsylvania, Rhode Island, South Carolina, Texas, Utah, Vermont, Virginia, and Wisconsin. The few items that are not begging letters include a letter that Alexander T. Stewart wrote about his business affairs with P. Whitin & Sons (September 30, 1861) and a letter offering Stewart medical advice (April 7, 1873).

The collection contains 4 printed items: a ticket to a charity festival at the Astor House (February 22, 1855), 2 newspaper articles relating to Alexander T. Stewart, and a printed advertisement for A.T. Stewart & Co.'s store (September 23, 1871).

Professor of political science at Michigan State University and at the University of Michigan; director of the U-M Center for Russian and Eastern European Studies; specialist in communist ideology and the Soviet political system. The collection is composed of four series. The personal series consists of biographical information including autobiography detailing flight of his family from Nazi Germany, his education, and his academic career; the series also contains files relating to his education and to the history of his family; including extensive family correspondence, partially in German, primarily in the period of 1924-1945. The other, smaller, series in the collection pertain to his career and to his writings.

The Alfred G. Meyer Papers richly document both Meyer's personal and family history and his professional career, while providing considerable insight into the effects of Nazism and World War II on a German-Jewish family. The collection is arranged into four series: Personal (ca. 1860-1998); Professional (1956-1997); Writings (1952-1998); and Audio-Visual (1998).

The Al Parker collection includes three envelopes of photographs, sheet music, and newspaper clippings as well as a scrapbook relating to the professional and personal life of Philadelphia-based photographer and photographic supplies salesman Alfred Parker.

The Al Parker collection includes three envelopes of photographs, sheet music, and newspaper clippings as well as a scrapbook relating to the professional and personal life of Philadelphia-based photographer and photographic supplies salesman Alfred Parker.

Envelope A (photographs): includes unmounted oval portraits of Parker’s children Eda and Ray from the early 1900s; studio portraits of Eda and his wife Alice from the 1910s, two of them from the Philadelphia studio of Gilbert and Bacon; an mounted school class photo (ca. 1890s?)

Envelope B (sheet music): includes three examples of World War I songs from the Eagle Publishing Company of Philadelphia with "music by Geo. L. Robertson and lyrics by Al. Parker."

Envelope C (letters, clippings, etc.): includes a letter appointing Dr. Ray Parker head of plastic surgery at a hospital in Johnstown, PA; a magazine article on “Flood Free Johnstown”; letters and clippings about Dr. Ray Parker; article on World War II factory workers; newspaper article on Theodore Roosevelt urging U.S. entry into World War I; and a note from Christmas 1926 from Parker’s grandson Donald addressed to “Ganco."

Scrapbook: The volume (37 x 28) is cloth-bound and has 66 pages total. Materials are not arranged in any chronological or thematic order and so unrelated items often appear together on the same page.

The album begins with photographs of Parker’s family members while the next few pages focus on scenes from his professional life, including a magazine cover from April 1900 and documentation of his break with Willis & Clements in 1910. Portraits of Parker at every stage of his life appear throughout the scrapbook, though not in any chronological order. The earliest is a tintype from the 1850s that shows him as a young boy with his brothers. Many portraits and casual snapshots of Parker's daughter Eda and son Ray from their early childhood into adulthood are included, while a collection of clippings reflects Parker’s pride in Ray's success as a doctor. His delight in playing the doting grandfather is clear from the drawings Parker made for Eda’s son Donald and in the notes that Donald wrote to Parker using the nickname “Ganco.”

A handful of portraits that were taken by Parker show that he was a capable studio photographer in addition to being a successful promoter of platinum photography products while working for Willis & Clements. Requests for his opinions from Eastman Kodak Company, Photo Era magazine, and the Photographers’ Association of New England testify to his recognized expertise. Numerous portraits of Parker in the company of other well-regarded photographers of the day confirm his acceptance in that professional circle.

Many ephemeral items also help illuminate the arc of Parker's career including programs from his minstrel show days; an advertisement for his Australian window blind company; the initial offer of employment from Willis and Clements; business cards from various stages of his career; and an ad for a new camera shutter he invented. Interspersed amongst these items are letters and photographs from various colleagues and employers along with miscellaneous poems, cartoons, programs, drawings, song lyrics, newspaper clippings, and so on.

The Alumni Association of the University of Michigan was established in 1897 following a consolidation of the Society of Alumni with the alumni societies of the professional schools. The Michigan Alumnus became the association's official organ. As the organization grew, local chapters were established and provided greater structure. The records include files pertaining to the Alumni Association's administrative office and various chapters and interests groups. This includes national and international U-M alumni and alumnae clubs, the Alumnae Council, the Society of Alumni, the University of Michigan Black Alumni (UMBA-formerly the African American Alumni Council (AAC)), and the Reunion of Black Graduates (RBG). The records include but are not limited to correspondence, minutes, reports, and survey responses, audiovisual materials, digital files, photographs, and publications.

The collection spans 1845-2001. The textual records of the Alumni Association (boxes 1-133) are largely unprocessed, and are described in only general terms in this finding aid. Exceptions include files maintained by Marjorie Williams who served as the vice chair and chair of the Alumnae Council from 1960 to 1962, Class Reunion files, and Topical Files.

Additions to the collection (boxes 168-171) incorporate records, audiovisual materials, photographs, and publications pertaining to the University of Michigan Black Alumni (UMBA). To note are materials specifically related to the African American Alumni Council (AAAC)-formerly the UMBA, and the Reunion of Black Graduates (RBG). This includes information about the Dr. Leonard F. Sain Award, the Dr. Martin Luther King, Jr. scholarship and symposium, the Camp Michigania retreat, and annual reunion for black graduates photographs, planning materials, and souvenir books.