Collections

An unnamed parent or caregiver kept notes about children in a partially used Teachers' Institute Note Book, 1886. The volume was printed in Chicago and Maquoketa, Iowa, by Donohue & Henneberry and W. M. Welch, respectively, and includes advertisements on the inside covers for educational texts and forms. Two pages of manuscript notes define musical intervals. An additional nine pages of text sporadically document the words and actions of at least two children, Harry and Inez, between the ages of 1.5 and 5.5 years old. The writer notes the ages at which children were singing, the type of art they created, the humorous questions, observations, and comments they made, and religious thoughts they vocalized.

An unnamed parent or caregiver kept notes about children in a partially used Teachers' Institute Note Book, 1886. The volume was printed in Chicago and Maquoketa, Iowa, by Donohue & Henneberry and W. M. Welch, respectively, and includes advertisements on the inside covers for educational texts and forms. Two pages of manuscript notes define musical intervals. An additional nine pages of text sporadically document the words and actions of at least two children, Harry and Inez, between the ages of 1.5 and 5.5 years old. The writer notes the ages at which children were singing, the type of art they created, the humorous questions, observations, and comments they made, and religious thoughts they vocalized.

The childhood observations about death, spirits, and God reflect a religious upbringing and household, including one entry about how Harry "was drawing a picture of a deathbed scene where angels were coming to carry the man's spirit to God in accordance with what he had been told on the subject. He said 'Mama I guess one angel holds the man's mouth open while the other takes his spirit out of him.' " Comments about dogs, toys, and imaginative games speak to youthful entertainment and play, and others are more suggestive about the conditions in the children's environment that caught their attention. Questions like "what color is the moon on the other side," or observations that a dead mouse "is kind of wilted isn't it," provide insights into what the children were seeing and wondering about.

One entry at the back of the volume reads, "J. D. McAuliff (Heals by rubbing) St. Louis, Mo."

In 1899 an unidentified artist created 21 pages of watercolor paintings of different North American birds accompanied by manuscript descriptions detailing the birds' habitat, size, coloration, distinctions between males and females, and the scale used to render the image. An additional two pages consist of a numbered diagram of a bird identifying various physiological components, with a close-up view of the beak.

In 1899 an unidentified artist created 21 pages of watercolor paintings of different North American birds accompanied by manuscript descriptions detailing the birds' habitat, size, coloration, distinctions between males and females, and the scale used to render the image. An additional two pages consist of a numbered diagram of a bird identifying various physiological components, with a close-up view of the beak.

• Horned Grebe
• Partridges
• Screech Owls
• Bee or King Birds
• Red Bird or Bobolink
• Red-Winged Blackbird
• Baltimore Oriole or Hang-Nest
• Crimson or Purple Finch
• Goldfinch or Salad Bird
• Chipping Sparrow
• Song Sparrow
• Vesper Sparrow
• Yellow Winged Sparrow
• English Sparrow
• Snow Bird
• Cardinal Bird
• Rose Breasted Grosbeak
• Indigo Bunting
• Scarlet Tanager
• Cedar Bird
• American Redstart
• Common Blue Bird
• Maryland Yellow Warbler
• Blue Jay

The pages were previously bound into a volume and most contain page numbers in the top left corner, revealing the loss of a number of pages.

The Polly C. Bishop Mansfield Collection contains poetry and sewing produced by Mansfield while a young woman during the mid-nineteenth century. Four poems entitled "Remembrance," "Nevermore," "Friendship," and "Persevere" are written on both sides of a slim sheet of paper. Mansfield hand-sewed a stuffed fabric fish, drawing scales, gills, and eyes on it with ink. The fish is affixed with thread to a manuscript note that reads, "Sarah Heaton Stiles and Polly Bishop Mansfield had a bet on and Polly was to give Sarah a shad, in payment. And she (Polly) made this shad, perhaps about 1850-2. They were young women."

The Polly C. Bishop Mansfield Collection contains poetry and sewing produced by Mansfield while a young woman during the mid-nineteenth century. Four poems entitled "Remembrance," "Nevermore," "Friendship," and "Persevere" are written on both sides of a slim sheet of paper. Mansfield hand-sewed a stuffed fabric fish, drawing scales, gills, and eyes on it with ink. The fish is affixed with thread to a manuscript note that reads, "Sarah Heaton Stiles and Polly Bishop Mansfield had a bet on and Polly was to give Sarah a shad, in payment. And she (Polly) made this shad, perhaps about 1850-2. They were young women."

Ann Arbor, Michigan artist, invited to curate show on pornography and prostitution in conjunction with University of Michigan Law School on the subject. Speakers, including Catherine MacKinnon and Andrea Dworkin, generally opposed pornography and prostitution while artists argued for freedom of expression legalization and legalization of prostitution. Removal of a videotape from the exhibit resulted in controversy and legal action. Includes materials from the exhibit, correspondence, conference files, photos and videotapes.

The records in the Carol Jacobsen Collection are compromised of materials documenting the "Porn I'mage'ry" exhibit, the controversy and negotiations surrounding the exhibit, and materials concerning the issues of prostitution, pornography, sex work, and censorship. The records are organized into six series: Correspondence Files, Press Clippings and Published Material Files, Original Conference Files, Photographs, Protest and Reinstallation Material, and Videotapes.

The collection includes posters Central Michigan University events, departments, offices, speakers, workshops, conferences, and other topics.

This is a collection of posters mostly generated by Central Michigan University (CMU)’s Public Relations and Marketing Department. The posters promoted a wide variety of CMU events, departments, offices, speakers, workshops, conferences, etc. The size, color, and composition of the posters vary greatly. The poster designs range from basically enlarged photographs of university buildings, to stark words, to very artistic theatrical posters. Dated posters range 1968-2006, but the majority of the posters are undated. About half of the undated posters have a month and day but no year, for example, “An evening with Muhammad Ali. January 28.”

More than 600 posters are organized into CMU (more than 570) and non-CMU topics (more than 40). Each topic has its own folder. Additional posters have been added periodically so the alphabetical/ numerical order of folder listing is no longer in strict order. For ease of filing, new additions are added to the top of each folder. There are 570 CMU posters and 41 non-CMU posters. In the Folder Listing, the title or Description of the poster, date of poster, and size of poster, in inches, is given. Many posters have multiple dates on them, such as, for example, “Register for Classes, Mon. Dec. 1, 8-5, Tues. Dec. 2, 9-4, Weds…” Any posters that are damaged by rips or holes are also noted.

The collection is ongoing with poster coming from various sources.

Here are the topics of the posters in alphabetical order, which does not follow the folder order because of later, ongoing additions: CMU topics (folders), 570 posters total: Folder 5: CMU Admissions, 26 posters, 1983, 1986-1989, 1991, 1999, and undated; Folder 6: CMU and You Day, 19 posters, 1980-1989, 1991, 1993-1994, 1996-2000; Folder 1: CMU Art Festivals, 4 posters, 1994, and undated; Folder 7: CMU Art Gallery, 5 posters, 1983-1984, 1986-1987, and undated; Folder 8: CMU Artists Course [musicians], 27 posters, 1975, 1979-1980, and undated; Folder 9: CMU Athletics, 20 posters, 1978, 1980-1983, 1986-1988, 1990-1994, and Undated; Folder 2: CMU Beaver Island, 15 posters, 1991-1993, 1998-2003, 2005, and undated; Folder 3: CMU Career Day, 5 posters, 198-1985, 1993, undated; Folder 4: CMU Charles Anspach Platform Series, 7 posters, 1980-1981, 1985, and Undated; Folder 30: CMU Clarke Historical Library, 2 posters, 1985, undated; Folder 20: CMU Conferences / Visiting Artist/ Artist Speakers Course [not musicians], 11 posters, 1976, 1979, 1982-1983, 1988, 1990-1991, and Undated; Folder 21: CMU Departments, 15 posters, 1980-1984, and undated; Folder 10: CMU Development Fund/ Campus Campaigns, 11 posters, 1974-1975, 1983, 1985-1989-1991, 1993, and undated; Folder 23: CMU Faculty Conferences/ Programs, 6 posters, 1980, 1986-1987, 2002, and undated; Folder 24: CMU Film Festivals, 15 posters, 1972, undated [1970s]; Folder 11: CMU Foreign Language Day, 18 posters, 1976-1979, 1981-1984, 1986-1995; Folder 8: CMU Front Row Central, 2 posters, 1995; Folder 25: CMU Graduate Studies/ Extended Degree Programs, 23 posters, undated; Folder 26: CMU Greater Michigan Instructional Materials Exhibits, 13 posters, 1975, 1977-1979, 1981-1982, 1984-1989, 1991; Folder 27: CMU Greek/ Fraternities / Sororities, 7 posters, 1989-1990, and undated; Folder 39: CMU Health Services, 6 posters, undated; Folder 28: CMU IPCD (Institute for Personal and Career Development) Distinguished Lecturer Series, 6 posters, undated; Folder 12: CMU Library, 10 posters, 1991, and undated; Folder 29: CMU Minority Affairs, 9 posters, [1974], 1977, 1982-1983, 1985, 1993, 1995, 2005, and undated; Folder 30: CMU Miscellaneous CMU, 7 posters, 1973, [1976], 1976, 1981, undated; Folder 30: CMU Museum, 5 posters, undated; Folder 31: CMU Musical Performances [no notation they are Artist Course-related], 55 posters, 1972, 1975, 1985-1997, 1999, 2001, and undated; Folder 32: CMU Office of Career Development of Handicapped Persons, 1 poster, 1976; Folder 33: CMU Other Speakers Sponsored by, 9 posters, 1975, 1981-1982, 1988, 1994, 1998, 2000-2001, and undated; Folder 13: CMU Percussion Workshops, 5 posters, 1992-1995, 1998; Folder 14: CMU Program Board/ Speaker Series, 34 posters, 1974-1975, 1977, 1979-1981, 1984-1987, 1989, 1992-1994, 1998-1999, and undated; Folder 34: CMU Racism, 2 posters, undated; Folder 15: CMU Scholarship, 15 posters, 1990-1991, 1993-1995, 1999-2000, 2002, 2004, 2006, and undated; Folder 16: CMU School of Music, 26 posters, 1977-1978, 1980-1981, 1988, 1990-1993, 1995-1997, 2000-2001, 2003-2005, and undated; Folder 35: CMU Sexual Assault/ Sexual Harassment, 9 posters, undated; Folder 17: CMU Student Art Exhibits, 19 posters, 1977-1982, 1984-1985, and Undated; Folder 18: CMU Student Services, 19 posters, 1978-1980, 1983-1984, 1991, 2002, and undated; Folder 36: CMU Study Abroad Poster, 1 poster, undated; Folder 37: CMU Summer Classes/ Programs, 15 posters, 1982-1987, 1989-1992, and Undated; Folder 40: CMU University Theater, 84 posters, 1968, 1971-1972, 1976, 1981-1996, 2003-2005, and undated; Non-CMU topics (folders), 41 posters total: Folder 19: Community Events, 11 posters, 1978, 1981, 1986, 1989, 2005, and undated; Folder 22: Energy/ Conservation, 13 posters, 1978, and undated; Folder 4l: Miscellaneous, 5 posters, undated; Folder 38: Theater (not CMU), 12 posters, 1982-1984, 1986-1988, and undated.

Each folder is described in the following order in the Folder Listing: Poster Description. Date (if given) - size (any remarks)

This 18-page volume has a wallpaper cover, and it contains a variety of practical, household, and medicinal recipes. The entries pertain to printing on fabric, sheet music engraving, improvements in photography, several types of matches, adhesives, different kinds and colors of ink, hair removal, removal of freckles, soaps, pomatum and hair oil, wart salve, rouge, prevention of hair falling out, a pimple cure, blacking, white gunpowder, and more. The currently unidentified compiler drew a few entries from 1840s to 1860s published books and serials, such as Scientific American, James Booth's Encyclopedia of Chemistry, The Homestead, The Golden Rule, The Dollar Newspaper, and others. While the purpose of the volume is not explicitly clear, a few entries are for large quantities and others have notes on the difference between costs of raw materials versus sales revenue, suggesting that the compiler may (or may not) have been a huckster, peddler, or perhaps a manufacturer or wholesaler of these products.

This 18-page volume has a wallpaper cover, and it contains a variety of practical, household, and medicinal recipes. The entries pertain to printing on fabric, sheet music engraving, improvements in photography, several types of matches, adhesives, different kinds and colors of ink, hair removal, removal of freckles, soaps, pomatum and hair oil, wart salve, rouge, prevention of hair falling out, a pimple cure, blacking, white gunpowder, and more. The currently unidentified compiler drew a few entries from 1840s to 1860s published books and serials, such as Scientific American, James Booth's Encyclopedia of Chemistry, The Homestead, The Golden Rule, The Dollar Newspaper, and others.

The purpose of the volume is not explicitly clear, though a few entries are for large quantities and others have notes on the difference between costs of raw materials versus sales revenue, suggesting that the compiler may (or may not) have been a huckster, peddler, or perhaps a manufacturer or wholesaler of these products.

Please see the box and folder listing below for a table of contents for the volume.

This atlas compiled by R. A. L. Robinson features small maps of the nations of the world, with descriptions of different societies (education, government, etc.) and comparisons to the United States.

This atlas compiled by R. A. L. Robinson features small maps of the nations of the world, with descriptions of different societies (education, government, etc.) and comparisons to the United States.

The majority of the regions represented in the volume are within Africa, Asia, and Europe. The descriptions of regions and countries include disparaging and condescending language.

Collection of auction catalogs and books, some of which are self-published, catalogs, bibliographies, facsimiles including reprints, a photograph album, and a scrapbook of clippings, all on the topic of angling.

Collection of auction catalogs and books, some of which are self-published, catalogs, bibliographies, facsimiles including reprints, a photograph album, and a scrapbook of clippings, all on the topic of angling. Materials are from or focused on Michigan as well as national and international angling. Authors include individuals, organizations, and government units. Original inventories compiled by Kohrman and inventories annotated by processing students are in the first folder of Box 1. Materials not in the boxes or not in the inventory that were found in the boxes were noted by the processing students. All catalog publishers are listed in the subject headings. These published materials are part of the Robert E Kohrman Angling Collection, but did not have an OCLC record at the time of processing in 2024, and thus were processed together as a manuscript collection to speed accessibility by researchers. For more detail please see the finding aid and inventories. The catalogs are organized in original order. The remainder of the collection is in alphabetical order by author or creator’s name. Some of the materials are still under copyright.

Collection of auction catalogs and books, some of which are self-published, catalogs, bibliographies, facsimiles including reprints, a photograph album, and a scrapbook of clippings, all on the topic of angling.

Collection of auction catalogs and books, some of which are self-published, catalogs, bibliographies, facsimiles including reprints, a photograph album, and a scrapbook of clippings, all on the topic of angling. Materials are from or focused on Michigan as well as national and international angling. Authors include individuals, organizations, and government units. Original inventories compiled by Kohrman and inventories annotated by processing students are in the first folder of Box 1. Materials not in the boxes or not in the inventory that were found in the boxes were noted by the processing students. All catalog publishers are listed in the subject headings. These published materials are part of the Robert E Kohrman Angling Collection, but did not have an OCLC record at the time of processing in 2024, and thus were processed together as a manuscript collection to speed accessibility by researchers. For more detail please see the finding aid and inventories. The catalogs are organized in original order. The remainder of the collection is in alphabetical order by author or creator’s name. Some of the materials are still under copyright.

This collection consists of two variations of a 1912 yearbook for members of the 1915 co-ed class of Rochester High School in Rochester, Pennsylvania.

This collection consists of two variations of a 1912 yearbook for members of the 1915 co-ed class of Rochester High school in Rochester, Pennsylvania. These yearbooks include pencil and pen-and-ink portraits of students, faculty, and sports teams, as well as caricatures, cartoons, and humorous drawings. Several poems are also included. Their content touches on humor, social affairs, class members' personalities, curriculum, athletics, and gender. The content is very similar between the two volumes, with some variations of student descriptions and introductory matter.

The first volume, titled "The Nightmare," includes an introduction stating that "the only excuse for publishing this book is because the rest of the bunch have one apiece . . . [and] merely aids one in passing some idle hours in school . . . this book is strictly 'Entre Nous,' so don't tell anybody outside of America." One page, headed "Familiar Quotations" quotes Bunny Amos Rex as having said, "Aw fellows let's git together and do some devilment." On the opposite page of the "Quotations" section is a drawing of the Rochester High School with the label "Agony Building." Accompanying the student portraits are humorous descriptions of said students: Armin Barner is described as an elegant musician, politician, electrician and magician of the lowest rank.

The second volume, titled "Freshmen Class Book 1911," includes a preface claiming the book "touches on such topics as Elementary Science, Natural Science, Natural Phylosophy, Orthography, Uranography, Geodasy and Wireless Telegraphy" to emulate "when all writters chiseled out dedications for a book thereby showing their originality." It further states that the class has attempted the same "because of our first class solid ivory domes." Many pages feature illustrations or descriptions of the school's sports teams. It also contains croquet scores for the women's team, who apparently gave the class "the thing we need to brag over," as they "mopped the valley clean" in their season.