Collections

Ann Arbor, Michigan, apartment building for senior citizens of modest means; records of Senior Citizens Housing of Ann Arbor, the organization administering Lurie Terrace, including board minutes, office files, newsletters, and photograph albums and scrapbooks.

The Lurie Terrace records include documentation from Senior Citizens Housing of Ann Arbor, the organization responsible for the building, funding, and administration of the apartment building. Most important of these records are minute books of the organization's board of directors. The Office Topical Files are materials of Shata Ling who was instrumental in the building and operation and management of Lurie Terrace. These files include history and background information, biographical information about Ling, and documentation of Lurie Terrace's various anniversary celebrations. The Newsletters provide a complete perspective on the life and activities of the residents of the building. Within the scrapbooks, most them compiled by individual residents, the researcher will find photographs of group activities, holiday events, and individual informal photos of residents.

The Lydia Maria Child papers consist of ninety mostly personal letters by Lydia Child; the bulk of them were written to her wealthy abolitionist and philanthropic friends in Boston, the Lorings.

The collection consists of ninety mostly personal and often playfully provocative letters dating from approximately 1835 to 1877. Most of them are from Lydia Maria Child to her wealthy Boston abolitionist and philanthropic friends, the Lorings, and date from 1839 to 1859. They thus concentrate on the period of Maria Child's distress with the institutional politics of antislavery, her editorship of the Standard, her growing attachment to New York Bohemia, and the publication of Letters From New York. Many of the letters deal simply with her day to day finances, friends, and family.

These letters chart Maria Child's loss of "pleasure" in "anti Slavery" until the martyrdom of John Brown renewed her "youth and strength." They witness her antagonism to the aggressive tactics of elements of the American Anti-Slavery Society and her defense of the "Old Organization." It is in terms of intra-organizational criticism that she justifies her job at the Standard despite reservations. Later, however, the letters witness her declining commitment to pacifism. They describe a remarkable fearlessness to the danger of the mobs in New York, and they note the challenges that the Standard faced. They speak of Maria Child's withdrawal from cliques of reformers and antislavery organizations, though clearly her hermitage was constantly broken by meetings with the likes of Catherine Beecher and Margaret Fuller. Throughout, she declares a radical social egalitarianism while demonstrating a contemporary racial paternalism and liberalism. Of particular interest concerning antislavery and race are:

• (1) To George Kimball, Jan 1835, on Texas and the freemen plantation in Mexico
• (3) To Louisa L., April 1839, concerning the discord within the movement
• (6) To "Nonny", Dec 1840, of a story about "our colored man... our retainers"
• (8) To Ellis L., May 1841, about guilt for accepting money for editing the Standard
• (9) To Ellis L., June 1841, where she insinuates the A.A.S.S. with proslavery form
• (13) To Ellis L., May 1842, about the Boston and Philadelphia cliques and N.Y. mobs
• (17) To Louisa L., May 1843, about the New York Letters and Angelina Grimké
• (48) To Ellis L., December 1852, with reference to Charles Sumner and Catherine Beecher
• (57) To Louisa L., October 1856, about Kansas and Frémont
• (69) To Oliver Johnson (A.A.S.), Dec. 1859, on John Brown's execution
• (70) To William Cutler, July 1862, on the questions of wage slavery and social equality
• (72) To Anna L., Oct (1871?), on a "mulatto girl" asking for handouts.

More peripherally the letters are witness to the homosocial support networks of Victorian America despite their author's exceptional ability to transcend the limitations imposed on her sex. Of the latter she was painfully aware, complaining here of the impropriety of a "young lady" staying at the Globe Hotel, determining to "always avoid belonging to any association of men" because of her "experience," noting how her critics preferred to attack her as a woman rather than deal with the facts, how some were shocked to meet a woman like her, and complaining about her gendered financial liabilities despite her disfranchisement. Indeed, she detaches gender stereotypes from biological sex as she writes repeatedly of the "small female minds of both sexes." Writing domestic guides for women and attending Emerson's lectures on domestic life never reconciled Maria Child to domestic work, of which she often complains here. On the other hand, she seemed to relish romance and also writes of her caring for a "wild Irish girl," and her poor niece Maria, and her taking in of Dolores, a poor Spanish woman, as her companion. Particularly relevant are her letters: (67) To Louisa L., December 1857, a story of two babies engaged in the struggle of the sexes; (71) To Anna L., July 1871, on suffrage for societal efficiency and female education.

Lydia Maria Child's letters also chart her critical attitude to religious and social injustice in general. This is born out in accounts of specific incidents of charity to orphans abandoned in the Tombs. Calling Angelina Grimké a "flaming Millerite," Maria Child also makes fun of her patron Isaac T. Hopper's Quakerism, claims to prefer the "Lord Pope" to the "Lord Presbyters," and "shocked... Christian piety by saying if Mendelssohn were a Jew, I hoped I should get into the Jew's Quarter in heaven." Her "dislike to respectable Puritanical character" crops up repeatedly in these letters. In one letter she jokingly claims her "right to be damned." She praises Plato as a forefather of "modern socialists" and writes of the world of the spirits and of her "bigotted Swedenborgian[ism]." In terms of her pacifism she recounts an argument she had with Samuel Colt over "his battery." Her letters moreover present a consistent picture of her preference for the soul-inspired music of the underdog against anything machine-like, or tainted by the "diseased ambition of wealth and show... and respectability." She criticizes the "ruffianly Forrest" and the Astor Place Riots for demagoguery and violence while repeatedly noting the blindness of aristocracy and arguing for a world in which "all ranks, and sexes, and sects, and barriers of all sorts," would be ignored. In an elusive search for freedom she claims pleasure in acting "contrary to statutes made and provided."

The Macomb family papers chronicle the lives of an important family in southeast Michigan over a period of ninety-one years, from 1806 until 1897. The collection contains information pertaining to Major General Alexander Macomb's personal life and military career. This includes biographical information, Macomb's Last Will and Testament, poetry, and letters pertaining to military promotions, battles, legal claims, and public events. The collection also contains family letters authored by or addressed to Macomb's first wife Catherine, his sister Jane Macomb, daughter Jane Octavia (Macomb) Miller, Maria Bleecker Miller (Mother-in-law to Jane Octavia (Macomb)) Miller, associates, and later generations of the family. The majority of these family letters focus on genealogy and everyday life events.

This collection highlights a small portion of the Macomb family's history between 1806 and 1897. The collection is composed primarily of family letters, however a large portion of the collection comprises of letters and documents pertaining to Major General Alexander Macomb's military career and personal life. This includes but is not limited to a letter of intent addressed to President John Quincy Adams seeking a position as Major General. The letter also mentions the likes of Army Commander Winfield Scott, Statesman John C. Calhoun, and General Andrew Jackson. Another of Macomb's letters serves as permission and instructions to Captain Benjamin Bonneville regarding Bonneville's request to further explore the western portion of the United States, specifically the Oregon Trail. This expedition would eventually broaden the path for westward expansion. Additional materials include General Macomb's Last Will and Testament, a typed summary of his life and career, a letter to General Johnathan Williams describing the events leading up to the Battle of Plattsburgh and the battle itself, and a letter to the United States Court of Claims from attorney's acting on behalf of Harriet Macomb, second wife and widow of General Macomb.

The Catherine Macomb series contains letters written by Catherine Macomb, Alexander Macomb's first wife. The series includes six letters written to various friends and family members over a period of fifteen years between 1806 and 1821. This includes a December 10, 1814 letter written by Catherine to Maria Bleecker Miller describing her intentions to reunite with her husband, General Macomb, shortly after his September 11, 1814 victory at Plattsburgh (also known as the Battle of Lake Champlain). This victory was a defining moment in the War of 1812 as it led to the signing of the Treaty of Ghent which ended the war on December 24, 1814. The series also contains letters addressed to Elizabeth Spencer (Eliza or Mrs. Cass), wife of Lewis Cass, first governor of the Michigan Territory. Catherine also authored a letter in which she mentions Commodore Isaac Chauncey. The remainder of the collection is comprised of letters authored by or addressed to various associates and family members including family friend Henry Authon, General Macomb's sister Jane Macomb, his daughter Jane Octavia (Macomb) Miller, Maria Bleecker (Mother-in-law to Jane Octavia (Macomb) Miller)),and later generations of the family. These letters chiefly discuss family ties and contain general well-wishes and goings on.

Magdalena Nees produced these two notebooks around 1912 while enrolled at the Kerns School in Portland, Oregon. Each volume contains 16 handmade "models" of the sewing technique that were stitched to the page and accompanied by manuscript notes detailing the model number and instructor, the type of project, the materials used, and directions followed.

Magdalena Nees produced these two notebooks around 1912 while enrolled at the Kerns School in Portland, Oregon, under the tutelage of Grace Mackenzie, Christine Bergsvick, and Pearl Ellis, following the course of study outlined in the Report of the Public Schools of the City of Portland. Each volume contains 16 handmade "models" of the sewing technique that were stitched to the page and accompanied by manuscript notes detailing the model number and instructor, the type of project, the materials used, and directions.

The projects include various stitch types, seams and hems, and patches and types of darning. A number of sewing techniques are also included, such as gathering and gauging; making plackets, buttonholes, fastenings, running tucks, gussets, and ruffles; and attaching lace. Several of the projects were for clothing and household articles made in miniature, like an apron, a towel, a doll skirt, a pillow case, and a marguerite bodice.

This blank book contains penmanship exercises in German by Magdalene Minsing. Some of the letters have elements reminiscent of Pennsylvania Dutch fraktur style, some include colored ink, and striped design.

This blank book contains penmanship exercises in German by Magdalene Minsing. Some of the letters have elements reminiscent of Pennsylvania Dutch fraktur style, some include colored ink, and striped design. In addition to practice with individual letters, several phrases appear including "Pater und Mutter" [Father and Mother], "Bruder Friedrich" [Brother Friedrich], and "Was Gott thut das ist wohlgethan" [From what God ordains is always good].

Photographs, correspondence, ephemera, and trophies relating to the Thompson family of Detroit. While most of the material relates to the elder Thompsons (Mamie L. and W.A.) and their work with the NAACP, there is also a scrapbook highlighting the accomplishments of their son, Arthur L. Thompson, the first black medical officer in the Navy. Highlights include both formal portraits and informal family snapshots, correspondence related to the NAACP (including a signed letter from Walter White), and trophies the elder Thompsons received in recognition of their service. Most material dates from the 1920s-40s, with smaller amounts of material up to the 1960s.

The collection is approximately 2.25 linear feet. The bulk of the collection is photographs, both in albums and loose, totaling more than 400 photos. Some are posed, formal shots and others are informal snapshots or Polaroids taken between the 1920s and the late 1960s. A small number of photos (presumably of the Thomspsons' ancestors) predate the 1920s. The photos mostly depict the home lives and recreation of the Thompsons and friends. Awards recognize the Thompsons' contributions to the NAACP and fundraising efforts. Correspondence and newspaper clippings are limited to one sparse folder apiece, and again mainly concern the activities of the Detroit branch of the NAACP. Also included is the guest book for an "Interracial Fellowship party" hosted by the Thompsons in December of 1950 and a scrapbook documenting their son's military career.

Mamie P. Schultz of Worcester, Pennsylvania, kept this notebook while a student at "Metz's School" in Worcester, Pennsylvania, in 1891. It contains notes pertaining to American and English literature, providing biographical information about various poets and authors and details of their published works. The volume also contains a list of twenty-four English and American writers and a poem entitled "History" detailing the progression of American presidents.

Mamie P. Schultz of Worcester, Pennsylvania, kept this notebook while a student at "Metz's School" in Worcester, Pennsylvania. It contains notes pertaining to American and English literature, providing biographical information about various poets and authors and details of their published works, distinguished between prose, poetry, and novels.

Schultz included content on figures such as William Cullen Bryant, Henry Wadsworth Longfellow, John G. Whittier, James Russel Lowell, Edgar Allan Poe, Benjamin Franklin, Oliver Wendell Holmes, Bayard Taylor, Washington Irving, Alice Cary, George Bancroft, Ralph Waldo Emerson, Geoffrey Chaucer, William Shakespeare, and Oliver Goldsmith. The volume also contains a list of twenty-four English and American writers and a poem entitled "History" detailing the progression of American presidents. Schultz's examination marks for all her school subjects are recorded near the end of the volume, with her highest mark of 100 being received in literature. The inside front cover and title page bear three colored stamps of butterflies and two male laborers.

This collection comprises 28 American manuscript recipe books dated from 1793 to 1959 with the bulk dating from the nineteenth century. One of the books contains portions in German, while the rest are in English. Most regions of the United States are present, with the Northeast and Southern States best represented. Desserts represent the bulk of the recipes, cakes being the most popular. Some recipes include attributes to friends, family, or cookbooks, and some contain notes on quality of the dish. Directions for making medicinal remedies and practical household needs (such as cleaning product recipes or advice on fabric care) may also be included. Many volumes contain handwritten or printed inserts.

This collection comprises 28 American manuscript recipe books dated from 1793 to 1959 with the bulk dating from the nineteenth century. One of the books contains portions in German, while the rest are in English. Most regions of the United States are present, with the Northeast and Southern States best represented. Desserts represent the bulk of the recipes cakes being the most popular. Some recipes include attributes to friends, family, or cookbooks, and some contain notes on quality of the dish. Directions for making medicinal remedies and practical household needs (such as cleaning product recipes or advice on fabric care) may also be included. Many volumes contain handwritten or printed inserts.

All or most of the known authors of these recipe books appear to be by women. A man, James Campbell, authored the accounting portion of the Campbell receipt book and a male writer may have created the Manuscript Recipe Book, [1838]. Emma Hinricks Hilken is the only one known to have resided outside the United States when writing her recipe book (she resided in Frankfurt, Germany, for several years following her marriage). The women range in age from teenagers to the elderly and represent a variety of social backgrounds. Most of the recipe books were written or compiled in the second half of the nineteenth century, with some extending into the early twentieth. Approximately one-fifth of them were written in the first half of the nineteenth century or earlier.

See the box and folder listing below for a complete descriptive list of the recipe books present in this collection.

The Maples family photograph album contains 44 photographs and 18 clippings related to a group of families most likely from Michigan.

The Maples family photograph album contains 44 photographs and 18 clippings related to a group of families most likely from Michigan.

The album (26.25 x 20 cm) has embossed leather covers and contains 15 tintypes, 13 cartes de visite, and 16 snapshots overall as well as 18 clippings. The majority of the photographs are studio portraits of men, women, and children while the clippings range in substance from poetry and professional updates to obituaries. The people represented in this album may possibly be members of the Maples-Keller-McFarlane families.

The Mirisola Mirisola Papers collection consists of 5 boxes and comprises materials produced during the first 15 years of his career (1989 – 2004). An inventory of the collection was made available by the author.