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Collection

Jersey Shore, Pennsylvania, Boston, and Canada Travel Photograph Album, ca. 1893-1905

approximately 240 photographs in 1 album

The Jersey Shore, Pennsylvania, Boston, and Canada travel photograph album contains approximately 240 photographs of a trip to several locations around the eastern United States and Canada.

The Jersey Shore, Pennsylvania, Boston, and Canada travel photograph album contains approximately 240 photographs documenting a trip to several locations around the eastern United States and Canada.

The album (25.5 x 31.75 cm) is a "Ward's Album for Unmounted Photographs" with green cloth covers. Images of interest include views of a beachside town with palm trees in what appears to be New Jersey; the Elephantine Colossus at Coney Island, New York; a railroad likely near the Delaware Water Gap; John Bartram's House and various other buildings in Philadelphia; the railroad depot at Landsdowne, Pennsylvania; the Longfellow House and Trinity Church in Boston; as well as the interior of what appears to be a summer cabin. Also present are images of Baltimore, Maryland, including views of the Basilica of the National Shrine of the Assumption of the Blessed Virgin Mary; and images from Canadian locations including the Ontario Provincial Legislation Building in Toronto as well as the Château de Ramezay and Market Day at Place Jacques-Cartier in Montreal.

Collection

Jessica Zychowicz Papers, 1992-2019

1 Linear Foot — 1 manuscript box and 1 oversize box

Artwork, ephemera, journals, and underground publications (samizdat) related to protest movements in Ukraine.

Artwork, ephemera, journals, and underground publications (samizdat) related to protest movements in Ukraine, particularly the 2013-2014 Euromaidan protests and the 2010-2013 Feministychna Ofenzyva marches on International Women's Day.

The publications file includes a variety of samizdat publications, including a 2013 script called the "October Project," a book of poems by Vasyl Lozynsky coupled with a samizdat poetry chapbook cut from a National Geographic cover, cover art for the zine Freaker Unltd., and 13 issues of Lystok, an underground poetry publication produced in Kyiv. The journals file includes two issues of Spilne and "Circling the Square: Maidan and Cultural Insurgency in Ukraine," a literary journal special issue about Maidan.

The art exhibitions series includes exhibition guides and catalogues from nearly 30 years of art exhibitions in Ukraine. The exhibitions feature a range of Ukrainian artists and cover subjects like feminism, censorship, and the history of Ukraine's artistic movements.

The conference proceedings are from a 2017 conference held in Zaporizhzhia, Ukraine to address the movement to preserve Soviet-era modernist architecture in the face of decommunization laws.

The ephemera folders include stickers, artwork, and pamphlets created by Ukrainian artists. The majority of these are from the 2011 Feminist Offensive on International Women's Day.

The artwork series includes a protest poster meant to accompany the exhibit guide in Box 2, Folder 1, signed and printed posters collected by the Izolyatsia Cultural Center, and a calendar featuring contrasting photos of Kyiv past and present.

Finally, the inventory series contains the detailed item-level inventory Zychowicz sent with the materials, as well as an inventory created by the processing archivist to show where the numbered items in Zychowicz's inventory have been placed in the collection.

Collection

Jim Cohn Papers, 1953-2019

15.5 Linear Feet — 19 manuscript boxes, 2 record boxes, 4 oversize boxes

Correspondence, manuscripts, A/V materials, journals, artwork, and realia from the life and works of Postbeat poet Jim Cohn.

The correspondence series is made up of letters Cohn sent and received throughout his career. Cohn sorted the correspondence according to the person he was corresponding with, making special room for his two primary correspondents, fellow poets David Cope and Randy Roark.

The ASL Poetry and Poetics, Beat and Postbeat Studies, and Disability series contain records of Cohn's research, writings, and work related to each subject. Similarly, the Research Notebooks contain materials related to Cohn's archival research about poets Paul Blackburn and Ezra Pound.

The Audio Files and Books in Print files series are papers relating to Cohn's recordings and publications, respectively. Related A/V materials were placed in the A/V series, while published books were separated for cataloging.

The Education, Juvenilia, and Photographs series contain papers, photography, and artifacts from Cohn's personal life from childhood through the 2000s.

The Editor/Co-editor and Publisher series consist of magazines that Cohn helped edit or publish, as well as files related to the same.

The Manuscripts series contains Cohn's manuscripts, organized by genre.

Fine Arts includes two of Cohn's art projects, making paper and printing poetry on Tibetan prayer flags.

The Promotional Materials series includes papers relating to Cohn's public career and self-promotion, as well as performance reviews from a former job. The Interviews series contains both interviews of Cohn and interviews with other poets conducted by Cohn.

The Teaching Guides series are papers related to poetry workshops Cohn has taught.

The Museum of American Poetics series consists of printouts of various sections and updates to the website over the years.

Finally, the A/V materials series largely consists of CD and tape recordings of Cohn's spoken word music poetry. Also included are CD backups of the MAP website, recordings of Allen Ginsberg, and Ann Waldman's 2003 film, "Makeup on Empty Space." Please reach out to the Special Collections Research Center for information about accessing these materials.

Collection

Jim Dunne papers, 1969-2011 (majority within 1974-1996)

2 linear feet (in 4 boxes) — 7.3 GB (online)

Online
Jim Dunne is known for his work as a pioneer in automotive spy photography. He is also an established journalist and author, and conducted automotive performance tests and reviews of new vehicles for many years. The collection, spanning 1969-2011, includes his book Car Spy: Secret Cars Exposed by the Industry's Most Notorious Photographer, magazines containing his photographic work, articles written by him, and awards and recognitions. A large portion of the collection is made up of visual materials, which consists of photographs, slides, negatives, digital materials containing images of automobiles he included in his book, and a digital slideshow presentation featuring his work.

The Jim Dunne collection mostly consists of publications and visual materials from across his career, including articles written by and about him, photographs, negatives, and some digital materials. The series in this collection are: Publications, Visual Materials, Recognitions, and Miscellaneous.

Collection

Jimmie Howard Reynolds diary, 1970-1971

1 GB (online)

Online
Jimmie Howard Reynolds (1925-2013) was a band director from Louisiana who taught and directed music programs at the high school and collegiate level. During the 1970/1971 academic year, Reynolds took a sabbatical leave from his position as Director of Bands at Louisiana Polytechnic University to serve as a graduate assistant under Dr. William D. Revelli during his final year as Director of Bands at the University of Michigan. Reynolds kept a journal of rehearsals and performances from that time and wrote extensively about the pedagogical practices Revelli employed as Director. This diary is a digital transcription of the entire diary as written, prepared by Reynolds' son, Dr. Patrick Allen Reynolds, in 2021.

The Jimmie Howard Reynolds diary, titled "Rehearsals with WRD", was maintained by Reynolds during the 1970-1971 academic year at the University of Michigan. Reynolds was a graduate student assistant for William D. Revelli during his last year as Director of Bands. The diary held by the Bentley Historical Library is a transcription, prepared and edited by Reynold's son, Dr. Patrick Reynolds, in 2021. Dr. Reynolds transcribed the diary as written, with minor changes to punctuation and grammar to aid in clarity. Dr. Reynolds also added some additional information to the text, usually to clarify names, dates, or events as written about by his father; these additions are added in brackets.

While Reynolds and Revelli maintained a close professional relationship for forty years, the diary documents criticisms Reynolds had of Revelli's conducting and pedagogy. In some entries, names have been removed by Dr. Reynolds to avoid embarrassment on behalf of the performers. A full note regarding Dr. Reynolds' transcription work is included in the digital file.

Collection

John and Godfrey Malbone collection, 1779-1787

10 items

This collection is made up of correspondence and financial records pertaining to John and Godfrey Malbone's claims against the British government for damages to their property during the Revolutionary War. The Malbone brothers complained that a British garrison had been responsible for destruction to and thefts from their farm near Newport, Rhode Island, between 1776 and 1779.

This collection (10 items) is made up of letters, documents, and financial records pertaining to John and Godfrey Malbone's claims against the British government for damages to and theft of their property during the British occupation of Newport, Rhode Island, from 1776-1779. The letters, including one item from John Malbone to General Henry Clinton (April 10, 1779), pertain to the brothers' efforts to receive compensation for their losses, which are further described in several detailed financial documents; the Malbone brothers believed that British soldiers and sailors had been responsible for the losses. A brief note to John Malbone indicates that the claim had not been settled before August 18, 1787. The collection also includes a document granting John Malbone power of attorney for Godfrey Malbone, then residing in Pomfret, Connecticut (May 5-6, 1783).

Collection

John and Leni Sinclair papers, 1957-2003

66.5 linear feet (in 82 boxes) — 1 oversize folder (UAl) — 1 oversize volume — 33 open reel videotapes — 727.7 GB (online)

Online
John and Leni Sinclair were leaders of the counterculture movement in Michigan, organizers of radical social, political, and cultural endeavors primarily in the areas of music, poetry, graphic design, and community welfare projects. Papers and photographs (1957-1979) relating to all phases of their careers, including participation in the Artists' Workshop in Detroit, the Rainbow Multi-Media Corporation, the White Panther Party and its offshoot, the Rainbow Peoples Party; also materials concerning the legalization of marijuana, radical politics, and prison reform. Also material, 1979-2000, relating to John Sinclair's work as a writer, performer, radio show host and music promoter.

The John Sinclair papers came to the library in 1979. Jointly donated by John and Leni Sinclair, this initial accession, covering the period 1957-1979, included textual material, sound recordings, and photographs relating to all phases of their careers, including participation in the Artists' Workshop in Detroit, the Rainbow Multi-Media Corporation, the White Panther Party and its offshoot, the Rainbow Peoples Party; also materials concerning the legalization of marijuana, radical politics, prison reform, and rock and jazz music.

The Sinclair papers provide a rich and unique source for the study of America's radical movement in the nineteen sixties and seventies. Beginning with a remarkable series of correspondence that includes letters from Abbie Hoffman, Allen Ginsberg, Timothy Leary, and Jerry Rubin, and continuing on through extensive subject files, the collection details the cultural, political and business activities of a man whose energy and charisma made him a local and national leader of the counterculture. In addition, the collection documents the support and creativity of his wife and partner, who as writer, photographer and publicist helped to showcase the lifestyle which he symbolized.

Throughout the 1980s and 1990s, John Sinclair added to his papers with materials relating to his career as a writer and performer. In the winter of 2000, he donated a second large accession relating mainly to the period since leaving Detroit for New Orleans.

The Sinclair collection has been divided into four subgroups: Textual Files, Printed Material, Sound Recordings, and Visual Material.

Collection

John C. Pollie Papers, 1910-1969, and undated

17.5 cubic feet (in 35 boxes)

Papers include personal and business correspondence and accounts of a Grand Rapids concessionaire.

From the time of the Romans until the Great Depression, circuses were a major form of entertainment in the world. Much has been written about the more important circuses and their various owners and acts, such as Ringling Brothers of P.T. Barnum, but little has been written about smaller circuses and their cousins, traveling shows. In Michigan, the only major surviving collection in a historical research institution documenting a Michigan-based circus or carnival, or its owners, is this collection, the Pollie Family Papers. The collection documents the life and work of Henry J. Pollie, circus and showman, and his son, John C. Pollie, who began life working in his Dad’s circuses and eventually evolved from traveling showman to concessionaire. The collection documents them and their business associates and family members, and life for circus and carnival show people in Michigan during the 20th century. This is a fabulous collection for documenting the lives of show people during the early teens through the 1930s in Michigan. The collection is divided into the following series: Pollie Family Photographs and Obituaries (copies), 2 folders; Pollie, Henry J. Business Correspondence, 4 folders; Pollie, Janice, Correspondence (typed by John for her), 1 folder; Pollie, John C.-Account Books, 17 v. (in 10 folders); Accounts, 7 folders; Biographical [high school autographs], 1 folder; Business Correspondence, 3.5 cubic feet (in 7 boxes); Miscellaneous, 1 folder; Personal Correspondence, 8 cubic feet (in 16 boxes); and Subject Files, 5.5 cubic feet (in 11 boxes).

The Pollie Family Photographs (1 folder) and Obituaries (copies) (1 folder) includes what may be Henry and Elvira’s wedding photograph. It is unidentified, but the image of the man is very much like one of Henry in the ads for the Zeidman and Pollie circus. He is wearing a celluloid collar which would likely date it to the early 1900s. The obituaries from Grand Rapids newspapers (copies) are of 1937 (Henry J.); 1943 (Henry); 1957 (K. Bea); 1969 (John C.); and 1937 (Mrs. Maatje Pollie).

Henry J. Pollie’s Business Correspondence consists of 1 folder each from 1925 and 1927, and 1932-1933 (2 folders). The later folders include letters from many show people in the Cetlan and Wilson Shows, Inc. who had recently lost their jobs. In these folders are letters from two Hermaphrodites, “freaks”, palm readers, and members of various acts all desperately seeking employment. The Hermaphrodites are particularly interesting because the one is hired and then notifies a friend Hermaphrodite who also writes asking for employment, again demonstrating how show people, particularly those in the same type of work, stuck together. Some of these letters are to/from Ray M. Brydon, who was the Advance Man for Henry and John. Advance men went to a town before a circus or traveling show arrived and smoothed the way for the show by making sure the contracts were okay and, if necessary, bribing public officials. There is no documentation Henry and John ran a “dirty show” and resorted to bribery, but most show people apparently did. The letters in the series are those specifically addressed to Henry. It is apparent by other correspondence in both the Business and Personal Correspondence series that John typed and composed all of the letters for Henry when the two worked together. This is apparent when one compares letters typed and composed after Henry’s death by John. They are exactly the same as the typed ones Henry signed. This indicates either John typed and composed all the letters in the collection, or he adopted Henry’s style for his own. Since it appears John was the accounts man, it is more likely that he did all the typing and composition of correspondence for both his Dad and himself.

John C. Pollie’s Account Books (17 v.), include Business Accounts, 1926-1929, 1931-1932, 1941, 1950 1955, General Accounts, 1944, 1946, and Personal Accounts, 1942, 1958. The 1926-1927 Account Book is titled “Winter Quarters, Season 1926-1927, Savannah, Georgia” This v. dates to the Henry J. Pollie and Zeidman association. The Pollies, Zeidman, and E.C. Hall are all listed as receiving and holding cash. Cash received and paid is noted daily from Nov. 11, 1926 through April 24, 1927, including to whom, for what, and total amount. Food, equipment, travel, telegrams, fair fees, and other items are listed. This volume proves that the circus wintered down south, as did many circuses in the 1920s. The 1927-1929 volumes (7) are divided by type of activities, ball game, bingo, concessions, truck, trailer, etc. The 1931-1932 v. (2) document Concessions only, showing a huge shift in record keeping and business activity by John since the 1926-1927 volume.

The next series is John C. Pollie, Accounts. These are loose paper accounts of Carnival Games, April-October 1950. They are different in style and have an excessive amount of detail compared to the business accounts he kept for the I.R.S.(7 folders). They are organized by each day in each town of John’s circuit for 1950. He notes the weather, time they opened, free games, the number of games played, the number and types of prizes won, the total amount of money the prizes were worth, and amount of money his employees earned. Examples of prizes won include whistling teakettles, liquor dispenser, cardtable, coldpack canner, blanket, and a large glass lamp.

There is one John C. Pollie Biographical folder for John C. Pollie. It includes seven loose autograph pages entitled “Johnny Pollie’s Book.” It includes autographs and notes from senior high school students who graduated between 1920 and 1925. It probably dates from 1920.

John C. Pollie’s Business Correspondence is the third largest of the series in the collection, 3.5 cubic feet (in 7 boxes). It includes correspondence from the 1920s-1960s. Materials are filed alphabetically by the name of the company or institution (or person) with whom John conducted business. Whichever name John used for filing purposes has been used here. Those people or businesses with whom he corresponded once or a few times are filed alphabetically in the general folders “A”, “B”, etc. The majority of his business correspondence was with people and companies concerning his concession business and chance games. From these companies he ordered supplies for him, his workers, and concessions trailer, or prizes, such as the many he ordered from Wisconsin “Deluxe” Company (Ned Tortni), or with fairs and shows officials and organizations, such as the V.F.W. or Sigma Phi Gamma (Bluffton, Ind.), and the men who booked him with various fairs, such as John Mulder. Some of the correspondence is with people who regularly worked for John in some capacity, often as bingo operators. A small part of the correspondence is related to his car and trailer, and getting them repaired, licensed, or insured, and dealing with accidents, A small amount of the correspondence relates to family physicians, Grand Rapids organizations with whom John was associated, and other companies, like paint and hardware stores where John bought supplies, and advertising from the magazines Bill Board and Big Eli News. Two of the largest subseries in this series are Wisconsin “Deluxe” Company, 1936-1961 (1.5 cubic ft.), and the Fairs/Shows and V.F.W. folders, 1938-1960 [bulk after 1940] (.75 cubic foot). A number of the Business Correspondence folders include catalogs, samples, drawings, orders or receipts for items John needed to operate, such as awnings or painted signs. The folders note the company’s name, name of John’s main contact, what the company sold if it related to the carnival business, and names of his contact’s spouse and children. John maintained close correspondence with virtually all of his business associates, particularly Net Tortni, his booking agents, such as John Mulder, and his contacts for fairs. John regularly received birth announcements from his contacts and maintained a regular holiday card exchange with them and their families. With the Kardell family (Eaton County Fair, Mich.), with whom he and Bea maintained correspondence from 1939 through 1956, it is clear that they were much more than business associates: they were friends. It was to Mrs. Kardell (Karen) that Bea Pollie confided that her Father (Frank Culver) had left and returned to her Mother (letter from Karen to Bea, in Kardell folder, Dec. 16, 1952 (from Banglaore, India). This is not noted in any other correspondence. Mulder and Tortni also were devastated when Bea died, as noted in the biographical section, and sent gifts and food to John and his children for their first, terrible Christmas without her. Yet, they could still threaten John when he fell too far behind with his bills. Also of note is a 1949 thank you from then Representative Jerry Ford, thanking John for signing his nominating petition.

The Miscellaneous includes Bingo Numbers Set Up Diagram and Rules for Drivers, both undated (1 folder).

The largest series is the Personal Correspondence, 1910-1964, which totals 8 cubic feet (in 16 boxes). The Personal Correspondence is filed in alphabetical order by surname, then first name of correspondent. The names of spouses and children follow that of the correspondent. Relatives are noted and multiple surnames for those who married, or remarried multiple times, are also noted, as well as the dates of the correspondence, and their occupation or business if it relates to the circus or carnival business. Those with whom John had only a page or two of correspondence are filed alphabetically by surname in the general folders ‘A’, ‘B’, etc.

This series includes correspondence with John’s immediate family, parents, wife and children, grandparents, cousins, aunts and uncles, as well as many of his friends. Some of these friends were obviously retired from the circus or carnie world, some even had worked for John and Henry in the past, but their correspondence is mainly of a familiar type now, interested in John’s work, but not dependent on him for employment. Also in this series are the letters of the LaVardo, Evans, and Ritter families, with whom John was very close, Elfie Ramsay, and his girlfriends before he married Bea, Phyllis Rae Comrie, and Marie Ritter, as well as two male friends of John’s who served time in the Jackson State Penitentiary, Harry C. Hart, and Al S. Wiser. John wrote to people of all ages. Some of the letters are clearly between him and young children, both cousins and children of friends.

Of special interest is the correspondence between John and his parents. He was obviously close to both of his parents and wrote them often, usually weekly. With his Dad he discusses business often. With his Mother, John noted his schedule, the activities and health of their family and friends, and inquired always about her health, which was never good, and her finances. His mother’s handwriting is quite difficult to read. Her letters always started with “My Dear Son” until he married and they were address to “My Dear Children”. It is easier to understand her writing when you read John’s response to her letters.

When apart, John and Bea wrote almost daily, sometimes several times a day. Bea often sent handwritten postcards detailing where they went, what they did, how the children and her parents were feeling, and what errands she had run, and prizes or equipment she had ordered, shipped, or picked up for John. It is very obvious how important she was to him both in caring for the children and in keeping his business going when he was on the road. The children, Bea, and her parents (Mother) always remembered John on his birthday and for Father’s Day. There are many sweet, adorable handmade cards from the children to their Daddy which are just precious. It is very obvious that John, Bea and the children loved each other very much.

The strength of the collection is the correspondence. John C. Pollie typed voluminous letters almost daily to many show friends and business associates. He appears to have typed these letters both as a necessity to keep in touch with business associates and friends and as a form of stress relief and communication. In one letter he noted that it was 3 a.m. and he was finishing at least his second letter while a third needed to be typed before he could even consider going to sleep. In his correspondence, he writes personally to the recipient of their life and his, mentioning people, events, acts, and places they know in common, the status of his current show, including its location, bills, problems, and acts, his and the show’s finances, debt, the breakdown of vehicles, holidays, and his emotions, family, and dreams. They are full of interesting reading topics, particularly regarding show life and show people. Often he talks about where the show has been, where it is going next, the weather, local people, and any problems they have experienced.

John saved virtually all the business and personal correspondence he received and copies of all the correspondence he typed, as well as receipts, bills, account books, promotional materials and supply catalogs related to his business interests. Some of the correspondence has beautiful letterhead and photographs or illustrations of various shows and show acts. There are also samples of paint colors, tent materials, designs for tents and vehicles, as well as related catalogs of business supplies, particularly prizes for people who won carnival games.

Physically, about half of the collection, mostly his copies of correspondence, in the collection is quite acidic and fragile. Materials that were falling apart or greatly damaged have been photocopied. John usually typed his correspondence on acidic paper, so while it is nicely legible, it is brittle and very brown. The physical state of the correspondence he received varies, but overall, aside from part of it being acidic, most of it is in good physical condition, on various types of paper, with the penmanship, vocabularies, and spelling abilities varying among the writers. Some of the letters and accounts written in pencil instead of ink have smeared.

Processing Notes: The following materials were removed from the collection during processing: miscellaneous Greeting Cards (5 cubic feet); Duplicates and Miscellaneous Materials such as empty envelopes, instructions to complete tax forms, miscellaneous receipts, undated financial notes, and very generic correspondence (3 cubic feet); and Out-of-state periodicals (1 cubic feet). Non-duplicate Michigan publications were added to the Clarke’s collections and individually cataloged (approximately 1 cubic foot). The eighteen letters, 1931-1932, of Accession #78038 were interfiled into existing correspondence folders.

Collection

John Cumming Collection, 1822, 2010, and undated

8.5 cubic foot (in 17 boxes, 1 Oversized folder)

The collection reflects Cumming’s many interests and activities as Director of the Clarke, historian, author, researcher, bibliophile, printer, and collector.

The collection reflects Cumming’s many interests and activities as Director of the Clarke, historian, author, researcher, bibliophile, printer, and collector. The collection documents Mount Pleasant, Isabella County, Auburn, and Oakland County (Mich.) history, as well as his special interests, including Abel Bingham, the Gold Rush, and (Strangite) Mormons. There are drafts of his books and articles, speeches, and biographical materials. Photographic materials are also included. Most of the material in the collection is undated

Materials were processed mostly by Acc# as per the donor’s wishes. Boxes 1-6, Oversized folder, Acc#5261, 52991, 71-41. Boxes 7-8, Acc# 53561. Boxes 9-10, Acc#67488 and 67600. Box 11, unaccessioned materials from January 2007. Boxes 12-16, Acc#72398. Box 17, Acc#77785 1 box of slides.

Box 17 has four small slide boxes of Michigan slides, 1958-1978, and undated, documenting John’s travels. They are organized alphabetically by location, except for a trip that is dated August 15-16, 1969 which included Leland, Sleep Bear Dunes, Cross Village, and Mackinac Island.

Researchers may be interested in materials generated in his capacity as Director of the Clarke are found in the Clarke Historical Library Organizational Records. Additional Cumming slides are separately housed and inventoried.

Processing Note: Duplicates were removed from the collection. A list of items merged into other, existing collections, where they were more apt to be used by researchers, is in the donor’s file. Published items were separately cataloged and housed in the Clarke.

Collection

John D. Dingell, Jr. papers, 1922-2017 (majority within 1955-2014)

511 linear feet (in 511 boxes) — 136.4 GB (online) — 2 oversize items (framed)

Online
John Dingell, Jr. was Democratic member of the U.S. House of Representatives from Michigan and longest-serving member in congressional history, 1955-2015. Dingell was the son of John Dingell, Sr. (Democratic congressman from Michigan's 15th district, 1933-1955), and husband of Debbie Dingell, who succeeded him as Representative of Michigan's 12th district in 2015. The collection documents John Dingell, Jr.'s election campaigns and his 59-year tenure in Congress. Records include legislative files, correspondence, speeches, scrapbooks, press clippings, photographs, and audiovisual materials.

The collection documents John D. Dingell, Jr.'s political career including his 59 years in the United States House of Representatives (1955-2015). The papers include campaign materials documenting Dingell's 29 elections, Democratic National Committee and Michigan Democratic Party materials, and redistricting in Michigan.

The bulk of the papers document Dingell's tenure in the U.S. House of Representatives including legislative files on topics such as civil rights, healthcare, insurance, Social Security, Medicare, environmental issues, endangered species, the auto industry, agriculture, taxes, and trade; administrative office files including correspondence, schedules, voting records, and legislative planning; and photographs, press clippings, scrapbooks, and speeches.

The collection includes born-digital records, as well as 254 pieces of audiovisual material, described in the Container Listing at the item level. Dingell's member website, campaign website, as well as his personal Twitter account are cataloged separately.