Collections

The Western America collection is a group of miscellaneous individual items relating to the settlement of the western United States, including present-day Wisconsin, California, Oregon, and Missouri.

The Western America collection contains miscellaneous individual items relating to the settlement of the western part of the United States, including present-day Wisconsin, Missouri, Oregon, California, Iowa, Minnesota, Nevada, North Dakota, and Wyoming. The items span 1797 to ca. 1898, with the bulk of materials concentrated around the 1840s and 1850s. They pertain to numerous topics related to western expansion, and include descriptions of growing towns, discussions of economic opportunities and hardships, references to social customs and mores on the frontier, and scattered mentions of relations with Native Americans.

• A letter of May 20, 1832, discussing the Black Hawk War, murder by a prostitute and community backlash against her, and the tarring and feathering of an African American man.
• A description of the Oregon Territory by a recent female settler [ca. 1838].
• A frustrated miner's description of his bad luck in Placerville, California [ca. 1851].
• A letter from Santa Clara, California, concerning the love affair of a miner's wife, and the husband's subsequent abandonment of her and their child with the remark that "such is life in Cal." (June 26-28, 1854)
• A July 15, 1876, description of Geneva, Minnesota, including its ethnic mix, farming prospects, and food.
• A May 21, 1889, letter from a woman to her husband describing the cable-cars and schools of San Francisco, California.

The Weston family World War II photograph albums consist of four volumes containing approximately 374 images as well as one box of ephemera documenting the camp life and leisure time of married couple Lawrence and Elizabeth Weston. Lawrence served in the United States Army in France during World War II while Elizabeth worked as a nurse.

The Weston family World War II photograph albums consist of four volumes containing approximately 374 images as well as one box of ephemera documenting the camp life and leisure time of married couple Lawrence and Elizabeth Weston. Lawrence served in the United States Army in France during World War II while Elizabeth worked as a nurse.

Volume one (27.25 x 16.5 cm) contains approximately 88 snapshots and one holiday card. The album is constructed like a graduated flipbook, with images loaded into plastic sleeves bound with metal pins. Many images have typewritten notes on the back written by Lawrence Weston. The photographs primarily depict Lawrence's time at Fort Dix in 1940 and 1941, showing soldiers at rest and camp life scenes. Also present are photographs taken in Trenton, New Jersey.

Volume two (27.25 x 16.5 cm) contains approximately 98 snapshots and three negatives. The album is constructed in the same flipbook style as volumes one and three. The images chronicle leisure time in France in Reims and Ancerville around 1945. Of note are several pictures of French civilians standing next to men in uniform, images of Lawrence at a plane crash site, and a cardigan knit from a parachute.

Volume three (27.25 x 16.5 cm) contains approximately 96 snapshots. This album is also constructed in the same flipbook style as volumes one and two and continues where the second volume leaves off. The first half of the album contains more images from France leading up to Lawrence Weston’s departure from Le Havre and Camp Lucky Strike in August of 1945 while the latter half concerns his return to the United States with his arrival in Boston Harbor in January of 1946. Several identified images of Elizabeth Weston are present, and some of the inscriptions on these photographs may be in her hand. The album concludes with views of Detroit, Michigan.

Volume four (30.5 x 24.25 cm) contains approximately 92 snapshots that detail Elizabeth Weston's life from her time in nursing school until 1942. Many images feature her siblings and coworkers while a 1942 trip to Canada is also represented. The album is blue with a ship design on the front cover and is spiral bound.

Also present is one box of ephemera containing three card photographs, 10 tickets and identifications cards, three "letters on record" envelopes, a memo book, two Bond Drive advertisements, a pamphlet on Camp Maxey, four event pamphlets, a copy of a Formula for Peace, a map of Fort Dix, seven documents relating to Lawrence's candidacy to Officer's Candidate School, a certificate, two 1920 letters regarding the location of Lawrence's father, Elizabeth's certificate as a registered nurse, a large map of Germany, and four 1945 copies of The Stars and Stripes.

On January 24, 1844, W. H. Gibbs, a "practical phrenologist," performed a phrenological reading of Thomas Mayhew and documented his findings in his Brief View of Phrenology and Chart... (Springfield: Wood & Rupp, 1842). Principally, Gibbs recorded a number between 1 and 7 to note the size of Mayhew's "organs," with one additional comment regarding Mayhew's "Very Small" Constructiveness organ, proclaiming him a "poor mechanic." The printed volume includes one illustration of a phrenological chart, showing the human head from three directions to identify thirty-seven labelled regions.

On January 24, 1844, W. H. Gibbs, a "practical phrenologist," performed a phrenological reading of Thomas Mayhew and documented his findings in his stab-sewn Brief View of Phrenology and Chart, Giving a Description of the Phenomena of the Human Mind, Designed to Assist Man in Obtaining a Knowledge of His Intellectual Faculties, Moral Sentiments, and Animal Propensities - How to Improve His Virtues and Remedy His Defects. Sixth Edition (Springfield: Wood & Rupp, 1842). Principally, Gibbs recorded a number between 1 and 7 to note the size of Mayhew's "organs," with one additional comment regarding Mayhew's "Very Small" Constructiveness organ, proclaiming him a "poor mechanic." The printed volume includes one illustration of a phrenological chart, showing the human head from three directions to identify thirty-seven labelled regions.

The Wilbur Wright Airfield photograph album contains 250 images taken by Corporal J. O. McDonnell that mainly document military activities at Wilbur Wright Airfield in Ohio during World War I.

The album (18 x 28.5 cm) is string-bound and has black leather covers with "Photographs" stamped in gold on the front and black paper pages. Images are sequentially numbered in white pencil. Contents primarily cover a range of aviation training activities and other operational aspects of Wilbur Wright Airfield. Various training aircraft are documented in detail; the majority were Curtiss JN-4s, known as “Jennys,” but the base also had some DeHaviland DH-4s. Numerous views of planes are included, showing them on the ground, in the air, and operating in all seasonal conditions. Several crash landings are also documented, with most of the wrecks appearing to be “nose-overs” (planes flipping forward upon landing) rather than high-speed crashes into the ground.

In addition to pilot training, Cpl. McDonnell also documented aspects of daily life at the base including hangars, mechanics shops, fabrication areas, and barracks. Photographs include shots of military personnel working on planes, lounging in barracks, and searching for wreckage. Also present are photographs of visitors to the base (including actress Pearl White and possibly other cast members of Pearl of the Army), the New York Times airplane, experimental plane designs (such as a dual engine biplane and innovative wing shapes), and two images showcasing the newly developed Brock Automatic Aeroplane Camera designed for aerial surveillance. Cpl. McDonnell himself may possibly appear in photograph no. 69 posing with a young woman in front of an airplane.

Other locations besides Wilbur Wright Airfield are represented in the album, including storefront views and street scenes in Mineola, New York, which may possibly have been McDonnell’s hometown. Also present are four portraits of Theodore Roosevelt giving a speech in 1917 at a racetrack in Mineola, seven images of Washington, D.C., landmarks (including four directional views taken from the top of the Washington Monument), a view of the Tijuana Fair, the Horton Plaza fountain at the Panama-California Exposition in San Diego, and six aerial photographs showing an unidentified coastal city (likely San Diego) and several ships.

Other photographs produced by Cpl. McDonnell for official U.S. Army purposes differ from those found in this album in terms of their size, content, quality of composition, and attention to staging. It is likely that he took photographs for official (and sometimes classified) purposes in his role as base photographer while also taking his own personal snapshots, the latter of which are what appears to be compiled in this album.

The Willard Cundiff scrapbook contains 64 photographs as well as poems, cartoons, illustrations, and inscriptions compiled by a young man visiting El Paso, Texas, and other western locales while being preoccupied with unrequited love.

The Willard Cundiff scrapbook contains 64 photographs as well as poems, cartoons, illustrations, and inscriptions compiled by a young man visiting El Paso, Texas, and other western locales while being preoccupied with unrequited love.

Sometime between 1905 and 1908, Willard Cundiff became enamored with a young woman in El Paso named Argyra White. Both were teenagers at the time and while they may have seen each other on a few occasions the infatuation was clearly not mutual as Argyra was apparently more interested in a young man named Eldon Burns. By 1909 she had married a doctor and moved to Chicago. Various captions in the scrapbook suggest that the volume was mostly compiled in the aftermath of Cundiff’s rejection.

The scrapbook (26 x 33 cm) has green cloth covers and is framed as a personal tribute from Cundiff to Argyra White. Photographs of El Paso and other towns in the southwestern United States and Mexico (including Cloudcroft and Mesilla Valley in New Mexico and Tucson, Arizona) taken by Cundiff may have started out as potential postcard material for his employer at the time, Humphries and Co., yet Cundiff compiled and reimagined these scenes as places he might have enjoyed with Argyra. Small illustrations and verses he included with the photos express both his devotion to her and his disappointment at being rejected. Nearly every drawing includes a small image of a bleeding heart with an arrow driven through it. Some illustrations are of scenes near Antwerp and Innsbruck, suggesting that Cundiff also may have traveled to Europe. A few of the drawings seem to record actual encounters that Cundiff had with Argyra on a street, at a theater, and at a skating rink. The album ends with a picture of a cemetery captioned “we go to the last long sleep, the end of all disappointment.”

Cundiff appears to have recovered from his ill-fated romantic endeavors eventually. By 1908 he had relocated to southern California and became a successful illustrator. In that same year he published a cartoon version of Who’s Who in Riverside California, and in 1914 he came out with an innovative book of road maps envisioned from the air, The Panoramic Automobile Road Map and Tourist Guide of Southern California, published by The Cadmus Press in Los Angeles.

This collection consists of case reports and the professional correspondence of Willard Parker, a successful surgeon in New York City in the late 19th century.

The bulk of the Willard Parker papers concern his activity as a consultant. The collection has been divided into two parts: Case Reports and Correspondence. The Case Reports document surgical practice, and include some postmortem reports (1855 November 20; 1857 December 23; 1864 March 14). The Correspondence Series is comprised of letters from patients describing their cases and letters from colleagues requesting Parker's professional opinion. The most interesting item in the latter category is a letter from Dr. Sylvester Willard of Albany (1855 November 21) describing the final hours of a distinguished colleague, T. Romeyn Beck, the American expert on medical jurisprudence. The cause of Beck's death was apparently a mystery, and Willard asks for Parker's thoughts on the matter, since Parker had been involved in the case of Beck's younger brother some years before.

The saddest and most personal letter is one from a Mrs. Ludlow, a friend and perhaps distant relative of Parker's, who writes concerning the death of her daughter Minnie (1875 April 2) asking: "Do you think each individual's health is ordered by God, or that we are free agents, or that death often occurs from errors of judgment, etc.?" Parker had intended a career in the ministry before his conversion to medicine as a Harvard freshman.

The William A. Lewis photograph collection consists of approximately 1,530 items pertaining to a wide range of visual subjects that are represented across a variety of photographic formats including daguerreotypes, cartes de visite, stereographs (which form the bulk of the collection), and glass plate negatives as well as modern slides, film strips, snapshots, and postcards.

The William A. Lewis photograph collection consists of approximately 1,530 items pertaining to a wide range of visual subjects that are represented across a variety of photographic formats including daguerreotypes, cartes de visite, stereographs (which form the bulk of the collection), and glass plate negatives as well as modern slides, film strips, snapshots, and postcards.

The subject matter of this collection is thematically and chronologically diverse and reflects the broad interests of the collector, with the U.S. Civil War and 19th-century views of American and European cities being particularly well-represented topics. The collection is organized into four main series according to subject matter and is further divided into specific subject groupings within each series. In most cases, multi-item sets have been kept together and placed within the most generally appropriate subject grouping. An extensive number of photographers and publishers are represented throughout the collection including the likes of H. H. Bennett, C. B. Brubaker, John Carbutt, Centennial Photographic Company, B. F. Childs, E. & H. T. Anthony & Company, Alexander Gardner, T. W. Ingersoll, International Stereoscopic View Company, Keystone View Company, William Notman, Timothy O'Sullivan, William Rau, Strohmeyer & Wyman, Underwood & Underwood, and F. G. Weller.

The following list provides a breakdown of every topical subsection of the collection and includes item counts for each grouping:

• Airships (11)
• Bridges (69)
• Civil War I--stereographs (91)
• Civil War II--cartes de visite, Kodachrome slides, negative film strip copies of stereographs held at the Library of Congress, postcards (48)
• Disasters (49)
• Expositions (24)
• Industry & Labor (89)
• Miscellaneous (23)
• Portraits (109)
• Railroads (62)
• Ships (80)
• War (30)

• Alaska (47)
• Arizona (3)
• California (20)
• Colorado (2)
• Dakota (4)
• District of Columbia (50)
• Florida (2)
• Hawaii (1)
• Illinois (17)
• Iowa (2)
• Maine (8)
• Maryland (27)
• Massachusetts (20)
• Michigan (31)
• Missouri (3)
• New Hampshire (10)
• New York (116)
• Ohio (2)
• Oregon (2)
• Pennsylvania (16)
• Tennessee (1)
• Texas (1)
• Vermont (3)
• Utah (3)
• Virginia (6)
• Washington (1)
• West Virginia (1)
• Wisconsin (2)
• Wyoming (2)
• Unidentified locations (35)

• Austria (5)
• Belgium (6)
• Brazil (1)
• Canada (3)
• Cuba (5)
• Czechoslovakia (1)
• Egypt (5)
• England (21)
• France (43)
• Germany (14)
• Greece (1)
• India (2)
• Ireland (4)
• Italy (22)
• Japan (3)
• Mexico (1)
• Miscellaneous (31)
• Monaco (4)
• Netherlands (1)
• Norway (3)
• Palestine (5)
• Panama (41)
• Puerto Rico (3)
• Scotland (10)
• Spain (2)
• Sweden (2)
• Switzerland (9)
• Turkey (1)

• Keystone Alaska and Panama views, set box (1)
• Stereoscope (1)

• Post-WWI Keystone views of German and American zeppelins and one real photo postcard showing pre-WWI aircraft (Series I, Box 1, Airships)
• Numerous views of the Brooklyn Bridge under construction and after completion, and the Niagara Falls suspension bridge (Series I, Box 1, Bridges)
• Views of Civil War battle sites, encampments, and leaders on contemporary mounts as well as numerous reproductions of stereographs showing important battlefield sites and troops (Series I, Boxes 1-2, Civil War)
• Stereographs, real photo postcards, and other images documenting the aftermath of the 1906 San Francisco Earthquake, 1871 Chicago Fire, 1889 Johnstown Flood, 1900 Galveston Hurricane, and other calamities (Series I, Box 3, Disasters)
• Images showing scenes from various American and European events, with an emphasis on the 1876 Centennial Exhibition in Philadelphia (Series I, Box 3, Expositions)
• Images showing mills, factories and people engaged in various occupations, including a boxed set of 50 images related Sears, Roebuck operations produced around 1906 (Series I, Box 3, Industry & Labor)
• Hand-colored early groupings of French theatrical tableaux (Series I, Box 3, Miscellaneous)
• Approximately 109 portrait photographs in different formats of various individuals, including William Jennings Bryan; a boxed set of 50 cartes de visite depicting Danish actors and actresses; cartes de visite of Emperor Napoleon III and the Mikado of Japan; and numerous unidentified subjects represented in real photo postcards (1), tintypes (17), framed/cased ambrotypes, and daguerreotypes (13) (Series I, Box 4, Portraits)
• Approximately 62 images of railroads, mostly in the U.S., including photographs from an 1866 expedition to the 100th meridian on the Union Pacific Railroad while under construction (Series I, Box 5, Railroads)
• Approximately 80 images of ships including warships, freighters, riverboats, passenger ships, shipwrecks (including of the USS Maine), and shipyards mostly in the U.S. with the notable exception of a photo of the 1858 launch of the SS Great Eastern, with Isambard Kingdom Brunel possibly in the crowd. Also of interest are 8 photos and postcards showing ships in World War I-era "dazzle" camouflage (Series I, Box 5, Ships)
• A Keystone View Co. series of images related to World War I (Series I, Box 5, Wars)
• A number of images produced by Keystone View Co. and other stereograph purveyors that focus on major cities such as Boston, New York, Paris, Constantinople, and Jerusalem (throughout Series II & Series III)
• Views from geological expeditions to the American frontier in the 1860s and 1870s (Series II, Unidentified Locations)

William Bolcom (born 1938) is a composer and pianist. Joan Morris (born 1943) is a mezzo-soprano. They were both members of the University of Michigan School of Music faculty. Bolcom and Morris have given numerous performances since 1973. They have also recorded albums of classical and popular songs. Performance files include programs, itineraries, newspaper articles and reviews of each performance, and contracts. There are also files relating to the University of Michigan student production of Mina & Colossus as well as Barnum's Nightingale; original scores to Bolcom's compositions, including McTeague, Casino Paradise, and A View from the Bridge; topical files relating to awards, competitions, and other activities and interests; and physical and digital audiovisual materials.

The papers of William Bolcom and Joan Morris document Bolcom's work as a composer and performer as well as Bolcom's and Morris's collaboration in performing and recording American popular songs and classical music. There is also some material relating to their academic work at the University of Michigan, notably a 1988 production of a student opera, Mina & Colossus. The papers include programs, itineraries, and correspondence relating to performances, manuscript and published scores, topical files, audio and visual material (including sound recordings), and photographs.

The William Bosson family scrapbook and genealogical papers pertain to Revolutionary War veteran and Roxbury, Massachusetts, and Cincinnati, Ohio, merchant William Bosson (1753-1823 or 1824); his son William Bosson (1806-1887) and daughter-in-law Julia Burnett; his son Charles T. Bosson (1791-1864); and other family members. The collection includes original manuscripts, ephemeral items, publications, transcriptions, and copies of letters, documents, notes, and other items, largely dated between 1789 and 1899. In addition to this finding aid, the Clements Library has created a comprehensive writer index: Bosson Family Scrapbook Contributor Index.

The William Bosson family scrapbook and genealogical papers pertain to Revolutionary War veteran and merchant William Bosson (1753-1823 or 1824); his son William Bosson (1806-1887) and daughter-in-law Julia Burnett; his son Charles T. Bosson (1791-1864); and other family members. The collection includes original manuscripts, ephemeral items, publications, transcriptions, and copies of letters, documents, notes, and other items, largely dated between 1789 and 1899.

The William Bosson Scrapbook includes approximately 140 manuscript and printed items largely dating from 1789 to 1899, including biographical sketches, reminiscences, reflections, correspondences, courtship and family letters, documents, an autobiography, pamphlets, newspaper clippings, engravings, railroad passes, and convention tickets. Of particular note are 10 documents signed by W. G. Brownlow and D. W. Senter; five letters sent by William Bosson to W. G. Brownlow; five biographical sketches and reminiscences related to the reception of the Declaration of Independence in New York, Thomas Hickey's betrayal of General Howe, General Joseph Warren, General Knox, and General George Henry Thomas; nine letters George H. Thomas sent to William Bosson between 1864 and 1868; four letters between Edward Everett and William and Charles Bosson; three letters of introduction for Charles Bosson exchanged between W. Heath and Elbridge Gerry, Elbridge Gerry and Henry Clay, and Josiah Quincy and John Rowan in 1813; one letter from Amos Kendall to Charles Bosson; one letter from Samuel Gilman to Charles Bosson; and one manuscript addressed to the Tennessee Teacher's State Association by W. G. Brownlow.

The scrapbook contains content pertinent to many subjects, including the Revolutionary War; the War of 1812; the Civil War; the rise of the Ku Klux Klan in Tennessee; Tennessee reconstruction; and Tennessee mining, cotton manufacture, railroads, government, and education (particularly the development of Common Schools) following the Civil War.

The Genealogical Papers series includes Colonial Dames applications, a Middlesex County genealogy, two transcriptions of William Bosson's autobiography for his sons, two transcribed copies of Thomas Mayo Bosson's "Genealogy of the Bosson Family," transcribed copies and photocopies of genealogical records, and genealogical notes and materials related to the Ushers, Hills, Denisons, Terrells, Powers, Newnans, and Bossons. The genealogical papers also contain two books of compiled information on the Bosson, Usher, and Hill families from items contained in the William Bosson Scrapbook and Genealogical Papers: a book Henry Loring Newnan refers to as the "Bosson-Usher-Hill book" in his letters, and two copies of "William Bosson 1630-1887 Seven Generations."

The genealogical papers include notable content on the Civil War, the First World War (in Richard Bosson's account of service in the Rainbow Division), and World War II (William Loring Newnan and Henry Loring Newnan Jr.).

The William Bosson family scrapbook and genealogical papers is a heterogeneous collection, spanning many years and pertaining to many individuals and events. Please see the box and folder listing below for details about individual items in the collection.

In addition to this finding aid, the Clements Library has created a comprehensive writer index: Bosson Family Scrapbook Contributor Index.

The William B. Sprague and Joseph H. Hedges collection is made up of 134 letters, notes, and fragments largely dating between 1842 and 1899. The correspondence, largely outgoing letters from W. B. Sprague and J. H. Hedges, concerns the autograph and other collecting activities of William B. Sprague of Albany, New York; Eliza H. A. Allen of Providence, Rhode Island; Eliza's cousin Elizabeth Rotch Arnold of New Bedford, Massachusetts; and Joseph H. Hedges of Philadelphia, Pennsylvania.

The William B. Sprague and Joseph H. Hedges collection is made up of 133 letters, notes, and fragments largely dating between 1842 and 1899. The correspondence, largely outgoing letters from W. B. Sprague and J. H. Hedges, concerns the autograph and other collecting activities of William B. Sprague of Albany, New York; Eliza H. A. Allen of Providence, Rhode Island; Eliza's cousin Elizabeth Rotch Arnold of New Bedford, Massachusetts; and Joseph H. Hedges of Philadelphia, Pennsylvania.

The papers are arranged in three groups: letters by William B. Sprague; correspondence of Joseph H. Hedges; and other correspondence, notes, and fragments. William B. Sprague's primary recipients were Eliza H. A. Allen (80 letters) and her cousin Elizabeth Rotch Arnold (19 letters), with an additional seven letters to other recipients. Joseph Hedges's correspondence includes 19 incoming and outgoing letters. An additional eight miscellaneous letters, notes, and fragments complete the collection.

William Sprague's letters largely related to the contents of his, Allen's, and Arnold's collections, recent acquisitions, desiderata, and trades/gifts of autographs between Sprague and Allen and between Sprague and Arnold. They also touch on other collecting activities. On multiple occasions Eliza Allen and Elizabeth Arnold sent Sprague contributions to his wife Henrietta's collection of shells (see for example W. B. Sprague to Elizabeth R. Arnold, November 2, 1842, and January 21, 1843), which Sprague often reciprocated with gifts of autographs. He also discussed with them his use of the franking privilege of various friends in Congress.

William B. Sprague's 80 letters to Eliza H. A. Allen date from 1840 to 1875 (bulk 1840-1850). They are mostly in his own hand (with the exception of four letters in the hand of an amanuensis), and signed variously "WB Sprague" and "WBS." He sent them largely from Albany, New York; other locations include Boston, Massachusetts; Flushing, New York; and Andover, Connecticut. Toward the end of their correspondence, multiple years passed between letters.

Correspondence with Elizabeth R. Arnold in this collection is comprised of 19 incoming letters from Sprague. They are entirely in his own hand and signed variously "WB Sprague" and "WBS". He sent them from Albany, New York, 1842-1849.

The Sprague miscellaneous correspondence contains eight letters dating from 1828-1862:

• One letter from Sprague to Robert Gilmore, of Baltimore, Maryland, another pioneer of American autograph collecting, regarding an exchange of autograph specimens.
• One letter from Sprague to Joseph B. Boyd of Cincinnati, Ohio, regarding books, autographs, and material relating to William Whipple.
• One letter to Sprague from C. F. Mercer, likely Charles Fenton Mercer, son of Revolutionary politician James Mercer, regarding Mercer's potential gift of autographs to Sprague.
• One letter to Sprague from Isaac Taylor, of Stamford, Essex, another autograph collector, regarding their collections.
• One letter from Sprague to Mrs. David Coffin of New Bedford about her shipment of shells which he is adding to his collection and his efforts to preapre autographs to send in return.
• Three letters from Sprague to unknown recipients, likely other collectors, regarding various exchanges and gifts of autographs.

The incoming and outgoing letters of Joseph Hedges date from 1843 to 1899 and pertain to a variety of subjects. Many of his correspondents were autograph dealers and other autograph collectors, and wrote about the purchase and trade of autographs. Hedges signed his letters variously "JH Hedges" and "JHH."

The collection includes eight additional letters, notes, and fragments. It includes five letters sent by Bangs, Merwin and Co.; John J. Morris; Adrian H. Joline; Charles H. Morse; and Lyman C. Draper. It also includes a list of autograph materials, an autographed note mounted on cardstock, and a cardstock folder fragment bearing fragments of notes.