Collections

The Painted Bulletin Advertising Association book was assembled in 1924 by the Detroit-based Painted Bulletin Advertising Association and contains 70 photographs of a wide range of commercial and public service billboards as well as typescript text regarding strategies for increasing sales with billboard advertising.

The Painted Bulletin Advertising Association book was assembled in 1924 by the Detroit-based Painted Bulletin Advertising Association and contains 70 photographs of a wide range of commercial and public service billboards as well as typescript text regarding strategies for increasing sales with billboard advertising.

The volume (28.5 x 25 cm) has black leather covers and serves as a comprehensive primer on the advantages of using "painted bulletins" to increase sales for companies with products as diverse as building supplies, dairy products, furniture sales, and men's clothing. Likely distributed to advertising agencies across the country to bolster the Painted Bulletin Advertising Association’s efforts in increasing the use of billboards by local businesses, the volume provides case studies and testimonials as well as detailed analyses drawing on the latest census data and consumer psychology. Specific talking points and strategies are offered to convince business owners that billboard advertising will increase their sales. A brief section is also included describing how billboards can be employed for drawing attention to important community issues.

All 70 photographs included in the volume are canvas-backed, stamped "Smith Brothers, Commercial Photographers, …Detroit, Mich.," and depict billboard designs or actual billboards in situ. Several images provide detailed descriptions of the colors used in various elements of each design, and many are mounted on cloth backing.

The volume includes the following sections:

• "Building Boom" - Eight pages on successful outdoor advertising by construction companies with examples from around the country.
• 18 pages of photographs with detailed description of colors used in billboard designs for various products.
• "Promotion Literature on Furniture Accounts" – 12-page case study of advertising strategies of 15 companies with 13 photographs of billboard designs.
• Two-page October 1923 association newsletter with a case study of a department store's use of billboards.
• "Dairy Products" – 12 pages of case studies on dairy companies' use of billboards including 13 photographs.
• "How the Painted Bulletin Can Serve the Community" – Five pages (and five photographs) on how billboards can be used to highlight local issues.
• "Economy of Outdoor Advertising" – One-page testimonial letter from the head of a New York advertising firm.
• "Information and Data on Painted Bulletin Advertising Campaigns by Manufacturers of Building Materials" – 10-page comparative study of various companies plus 10 photographs.
• "Outdoor Advertising Campaigns" – Eight pages of examples of usage by department stores around the country with six photographs.

The papers consist mostly of Louise Parkhill MacGillivray's family correspondence, and family diaries, a journal of vacations at Lake Superior, legal papers, examples of necrophotography, and other materials. Also included is a scrapbook about the affair of King Edward VIII and Wallis Simpson, 1936. Oversized folders include Mount Pleasant High School diploma of Louise E. Parkhill, 1918, and sixteen pages from Louise E. Parkhill MacGillivray’s photograph album, 1913, 1918-1920, undated [1913-1919, 1923] with one page containing the 1960 obituary of Eleanor Parkhill, Louise’s mother.

The collection consists mostly of family correspondence to and from Louise, concerning family news and social or business matters, 1879-1979 and undated; diaries of Louise and other relatives, 1875-1960 (scattered); a journal of vacations at Lake Superior, 1971-1974; legal papers; genealogical materials; photographs, some of which document dead relatives in their coffins (necrophotography); and miscellaneous. The Letterbook of Burt L. Parkhill, 1894, was later made into a scrapbook of information about the affair between King Edward VIII and Wallis Simpson in 1936. Oversized folders include Oversized Folder 1 Mount Pleasant High School diploma of Louise E. Parkhill, 1918, measures 16 x 21 inches on paper, signed by George E. Ganiard, Hannah S. Vowles and C.S. Larzelere, among others. The lower left edge is damaged. Oversized folder #2 includes sixteen pages from Louise E. Parkhill MacGillivray’s photograph album, 1913, 1918-1920, undated [1913-1919, 1923] with one page containing the 1960 obituary of Eleanor Parkhill, Louise’s mother.

The scrapbook pages are in chronological order. Each page measures approximately 12x16 inches. All pages have edge damage and some acidification. Each page has numerous black and white photographs glued on and handwritten notes. Some people, locations, and dates are identified. Undated photographs were dated from CMU publications. The 1913 photographs include identified members of the all-girl MGG Club, including Louise. Two pages of Spring-Summer 1918 photographs she titled “Up the Chippewa” are of friends, and family, including her identified sister, Vera, canoeing and enjoying the Chippewa River and each other’s company. There is one page of photographs of family and friends dated March 29, 1919. There is one page of photographs of family and friends dated April 3, 1919 titled “Down on the Farm,” meaning at home. No farm specific photographs are included. There is one page titled The [Ice] Storm of April 23, [1919] which refers to a well-documented local area ice storm. There is only one photograph of the ice, while the rest on the page are of family and friends. One photograph is titled “Mama and Bunty (the rooster), showing a woman holding a rooster. There is one page of the CNS Operetta “Little Snow White”, in which Louisa starred as Little Snow White, feature portraits of the cast in full costume, with several individual identified individual portraits, all identified. Louise was described as having “endeared herself to all with her pleasing voice and manner” (Central Normal Bulletin, May 1919). There are two pages of August 27, 1919 photographs showing Louise and friends, or family, visiting and swimming at Epworth Heights, a private Methodist summer community located near Ludington. There is one page of the Normalonians, a CSN performance group, presenting “A Night in Romany” with Louise and company in costume. This performance was announced in Central Normal Life, January 29, 1920 with Louise noted as a returning member, and it was performed on March 5, 1920 (Central Normal Life, March 9, 1920). There is one page of “a Rose” pageant with several of Louise and company in costume. “The Rose Maiden,” in which Louise had a solo role, was announced in Central Normal Life, December 8, 1920.) Based on the summery outside photographs, it was likely performed in late May 1920. There is one page that is a mix of undated photographs. There are several of Louise in mortarboard and gown. She is listed in the CNS commencement program of June 1920, thus dating those photographs. The remaining photographs are of young men and women, some in costumes, who are identified. Their names match those who performed the Music Dept.’s “Chimes of Nomrandy” opera in June 1919, thus dating those photographs (CN Bulletin, June 1919). Three pages of undated [1923] photographs show Louisa in a commencement mortarboard, gown, and academic robe in Ann Arbor. There are photographs of the Washtenaw County Court House and the University of Michigan’s Hill Auditorium and Angel Hall. There is one photograph of Woodward Avenue, Detroit, Michigan. The obituary is for Louise’s mother, Mrs. Eleanor Parkhill who died at age 97 in Mount Pleasant in July 1960. The widow of the late Burt L. Parkhill, Eleanor was survived by her children: George B., Louise P.[arkhill] MacGillivray, and Miriam P. Affeldt.

The Paul A. Meunier photograph albums consist of three large volumes documenting the experiences of the U.S. Army 941st Engineering Aviation Topographical Battalion during World War II including basic training in the United States in 1942, assignments in Tunisia and Italy, and the journey home via the Pacific following the conclusion of the war.

The Paul A. Meunier photograph albums consist of three large volumes documenting the experiences of the U.S. Army 941st Engineering Aviation Topographical Battalion during World War II including basic training in the United States in 1942, assignments in Tunisia and Italy, and the journey home via the Pacific following the conclusion of the war.

All three albums in the collection are 46 x 57 cm in size and have black covers and black paper pages. Each album contains approximately 1,000 photographs. Being a professional artist, Meunier’s attention to detail and exactness is evidenced by the presence of faint framing lines an inch from page margins, with photos carefully arranged within the frames. Numerous captions are present in white ink and neatly printed in appropriate size. Since the three albums present in this collection are titled “Volume 3,” “Volume 4,” and “Volume 5,” it is presumed that Meunier likely produced at least five albums total. Both official photographs as well as personal snapshots taken by Meunier himself are included.

Album A ("Volume 3"): This album documents Meunier’s military service starting from June 1942 when he departed Cleveland for basic training, initial U.S. deployments, his assignment to Tunisia, and his unit’s journey across the Mediterranean Sea to Italy in December 1943. Many snapshot views of street scenes in Tunis and other places in North African Meunier explored while on leave as well as copies of official U.S. Army photographs recording visits to Tunis in 1943 by high-ranking U.S. officials (including Secretary of War Henry Stimson and Generals Eisenhower and Spaatz) are present.

Album B ("Volume 4"): This album documents the transfer of Meunier’s unit to San Severo, Italy. Images of particular interest show the unit working on the production of large-scale lithographically produced bird’s-eye view maps with designated bombing targets charted out. Visits while on leave to Naples, Capri, and Amalfi are also thoroughly represented. Also present is a hand-drawn map of the streets of San Severo and an annotated aerial view of Capri.

Album C ("Volume 5"): This album includes official photos of airborne fighter planes and bombers, aerial views of target sites, and artwork by a fellow soldier. Meunier’s snapshots show soldiers at work as well as on tourist visits to famous Italian sites such as Rome, Florence, Pisa, and Pompeii. Although materials are not arranged in strict chronological order, this volume covers a period of time from when Meunier’s company was headquartered in Bari in mid-1944 to his journey home by ship through the Panama Canal in mid-1945. Also present are a handful of views of the eruption of Mt. Vesuvius in 1944.

Professor of law at the University of Michigan. Papers include correspondence, course materials, and professional files reflecting his interest in constitutional law, university affairs, and legal questions of religious liberty and church-state relations; and manuscripts of writings, speech and conference files, reprints and copies of articles, and photographs.

The Paul G. Kauper his teaching and research as a member of the Law School faculty, professional activities and community service on various commission and committees. Basic biographical information can be found in the Topical File in box 17.

The papers include correspondence, course materials, and professional files reflecting his interest in constitutional law, university affairs, and legal questions of religious liberty and church-state relations; and manuscripts of writings, speech and conference files, reprints and copies of articles, and photographs.

This collection consists of a small bound volume of pre-printed burial removal permits filled out for Pennsylvania undertakers O. M. Bennett, J. L. Vann, W. S. Clarke & Son, H. S. Cosher, John Henderson, and J. G. Luther. The forms document the deceased's name, age, date of death, cause of death, residence, place of burial, and the location where the body was to be removed.

This collection consists of a small bound volume of pre-printed burial removal permits filled out for Pennsylvania undertakers O. M. Bennett, J. L. Vann, W. S. Clarke & Son, H. S. Cosher, John Henderson, and J. G. Luther. The forms document the deceased's name, age, date of death, cause of death, residence, place of burial, and the location where the body was to be removed. Causes of death include apoplexy, pneumonia, tuberculosis, cancer, cholera, gastritis, meningitis, accidents, drowning, heart failure and disease, still birth and injuries sustained during birth, senility and old age, and various other medical conditions. At least 21 deaths were related to railroad and train accidents.

The People photographed while reading photograph album contains 82 portraits of people reading as well as three newspaper clippings regarding the accidental death of railroad fireman Joseph Ronk in Wooster, Ohio.

The People photographed while reading photograph album contains 82 portraits of people reading as well as three newspaper clippings regarding the death of a railroad fireman.

The album (26.5 x 21.5 cm) has red velvet covers and a metal clasp. While the album itself and all the photographs in it date to the 19th/early 20th century, these materials were compiled by a noncontemporary individual with an interest in historic images of people reading. Also present are three newspaper clippings related to the accidental death of railroad fireman Joseph Ronk (1865-1888) following a train derailment in Wooster, Ohio, in July 1888.

Peter A. Sickal, a teacher and farmer from Banner, Kansas, maintained this pocket diary between January 1884 and August 1886. He held teaching positions at Abilene, Prairie Union, and Banner, Kansas. While teaching, Sickal noted school attendance, his students' progress and disobedience, examinations, and occasionally distributing prizes and candy. He frequently commented on weather, his agricultural work, construction on his home, attendance at Sunday School, and management of his military pension and hernia. He was politically involved, commenting on local elections and attending Republican gatherings. The diary includes several references to receiving letters from relatives in Italy and San Francisco.

Peter A. Sickal, a teacher and farmer from Banner, Kansas, maintained this pocket diary between January 1884 and August 1886. He held teaching positions at Abilene, Prairie Union, and Banner, Kansas. While teaching, Sickal noted school attendance, his students' progress and disobedience, examinations, and occasionally distributing prizes and candy. He frequently commented on weather, his agricultural work, construction on his home, attendance at Sunday School, and managements of his military pension and hernia. Sickal commented on notable events, like the development of railways, attending the play "Spy of Atlanta" (February 16, 1884), and a coroner's inquiry (February 7, 1885). He was politically involved, commenting on local elections and attending Republican gatherings (July 12, 1884; October 4, 1884; August 29, 1885), but made few comments about broader state or national affairs beyond some anxiety about the 1884 Kansas election (November 8, 1884) and the funeral of Ulysses S. Grant (August 8, 1855). The diary includes several references to receiving letters from relatives in Italy and San Francisco, and a number of addresses are written at the back of the volume.

This collection is made up of correspondence, research notes and extracts, bibliographies, financial records, and other items related to printer, publisher, and historian Peter Force. Most of the items pertain to Force's interest in early American history and to the source materials he gathered for publication in American Archives, his multivolume documentary history of the Revolutionary War era.

This collection is made up of correspondence, research notes and extracts, bibliographies, financial records, and other items related to printer, publisher, and historian Peter Force. Most of the items relate to Force's interest in early American history and to the source materials he gathered for publication in American Archives, a documentary history of the Revolutionary War era.

The Correspondence series (approximately 1 linear foot) largely consists of incoming and outgoing letters regarding Peter Force. The earliest group of items is copied and original manuscripts dated between August 17, 1774, and February 26, 1793. They concern the Boston Port Act (August 17, 1774), George Measam's desire to leave the bulk of his estate to the United States Treasury in support of the war against Great Britain (June 20, 1781), Kentucky residents' efforts to form a state (January 2, 1784), early efforts to collect primary sources related to American history, and other subjects.

The bulk of the material (April 18, 1820-December 25, 1867) pertains directly to Peter Force, and frequently concerns his efforts to collect and publish primary source materials regarding the history of North America (particularly the United States). Force's correspondents asked about and otherwise discussed letters, documents, pamphlets, and other materials from the 18th century (and, rarely, earlier), including some owned by Force and others held in state historical societies and similar repositories. The letters concern many aspects of early American history, including relations between Native American tribes and the government, and the years leading up to the Revolution. Charles Fenton Mercer wrote at length about the Chesapeake and Ohio Canal (August 2, 1827).

Many items concern Force's publishing career, including a group of letters from William Thompson, who wished to work for Force (May 1825-July 1825), and items exchanged by Force and Matthew St. Clair Clarke, his collaborator on American Archives. Force, Clarke, and other writers discussed the project and similar efforts, such as a documentary history of Parliament. A significant group of letters and financial documents relate to a dispute between Force and John Cook Rives, another collaborator onAmerican Archives. Two letters from April 1861 mention the Civil War; Charles B. Norton offered to store Force's large library of Americana on account of the possibility of an attack on Washington, D.C., but Force refused the offer. Other items include a copyright document for Tracts & other Papers, relating principally to the Origin, Settlement, & Progress of the Colonies in North America, from the Discovery of the Country to the year 1776, Volume 1 (March 26, 1836). A small number of letters postdate Force's death; these concern historical manuscripts and related publications.

The Notes, Extracts, and Bibliographies series (approximately 1.75 linear feet) contains materials related to Peter Force's interest in early American history. Much of the series is comprised of lists of and extracts from historical manuscripts and publications, most frequently related to the American Revolution. The bulk of the series concerns the period from 1763 to around 1780, including commentary on the Stamp Act and economic relations between Great Britain and the North American colonies, the Continental Congresses, the Articles of Confederation, and the Revolutionary War. Items of note include a daily timeline of the mid-1770s, a 42-page bibliography of works on American history and travel published between 1742 and 1788, and an essay about the history of the United States flag. Some of the materials relate to slaves and to Native Americans, and many are arranged into bundles centered around topics such as the Declaration of Independence. A group of Revolutionary War songs is also present.

Additional subjects include disputes about the United States-Mexico border (April 5, 1853), a proposed history of Kent County, Maryland (April 5, 1852), and Force's book reviews and newspaper articles. A bound volume contains a list of publications printed at his shop between April 1826 and October 1839. The series includes a document by Force about his progress on American Archives and a few items respecting Congressional debate over funding for the project. A large group of materials relates to the early history of European printing and the evolution of standardized typography, including notes and extensive lists of early printed works.

The Financial Records (approximately 0.25 linear feet) pertain to Peter Force's professional interests, particularly with regard to the compilation and publication of American Archives. Accounts, agreements, receipts, and other items reflect the costs of printing, illustrating, binding, and publishing the work. Other items concern Force's attempts to defend the value of his work to Congress and Congress's role in funding the project. Many relate to Force's business relationships with Matthew St. Clair Clarke and John C. Rives. Personal records, such as an account of expenses during a trip to North Carolina, Virginia, Pennsylvania, and New Jersey, are also present.

The Printed Items series (approximately 0.25 linear feet) consists of newspapers, newspaper clippings, and pamphlets. Peter Force and others wrote articles about the disputed United States-Mexico border, the possible discovery of the Northwest Passage, Force's personal library, and the founding of the United States. The series includes a number of pamphlets (housed in the Book Division) and whole issues of periodicals such as the Army and Navy Chronicle, Daily National Intelligencer, Daily National Republican, and other newspapers. The pamphlets concern the Revolutionary War, United States and Maryland politics between the 1830s and 1850s, and a panorama by "Sinclair" about the life of Napoléon Bonaparte after 1815. "Epeögraphy," a pamphlet by Joseph B. Manning, is a proposal for a phonetic writing system.

Peter Sparling is Professor of Dance at the University of Michigan School of Music. Well known as both performer and choreographer, he has danced with Martha Graham and Jose Limon. Papers consist of materials relating to Sparling's dance training, performance, and teaching including background materials; choreography notes and sketches; correspondence; clippings and publicity from dance companies with whom he was associated; programs and reviews; photographs, video and film of performances; and posters.

The Peter Sparling Papers include materials relating to Sparling's dance training, performance, and teaching. The papers are divided into eight series: Background Materials, Choreography, Correspondence, Dance Companies, Programs, Reviews, Photographs, Performance, Audition, and Rehearsal Videos, and Posters.

Phil Cushway was a student activist at the University of Michigan in the early 1970s. His involvement in the various student protests (Vietnam War, Attica lockdown) of that time, as well as his work with the Michigan Daily, led to this collection of materials which document some of his activities during that time. Cushway was active in the Indochina Peace Campaign, and much of the collection is made up of materials from that organization.

The bulk of materials document Cushway's activities at the University of Michigan during the early 1970s. The Series have been divided thus: Indochina Peace Campaign, Peoples Bicentennial Commission, Attica Brigade, Impeach Nixon Campaign, Radical Student Union, and Student Activities Committee.