Collections

The Finvola Drury papers consist of correspondence, publications, writings, printed ephemera, photographs, and audiovisual materials created or collected by Finvola Drury, a poet, teacher, , and activist.

The Finvola Drury papers are organized into eight series: correspondence, publications, writings, professional, personal, photographs, clippings, and A/V materials.

The correspondence series is sorted alphabetically by surname or institution name, except in cases where the correspondent's full name was not included in the correspondence or a single letter was addressed to multiple recipients. The bulk of correspondence is between Finvola Drury and her son, George S. Drury, and his wife Kathy. Other notable correspondents include Flo Kennedy, Sohnya Sayres, Jim Cohn, and David Cope.

A note on names: Finvola's daughter, Finvola, is often referred to by her nickname "Finny," or sometimes "Finvola II," while Finvola herself uses the nickname "Fin."

The publications series is sorted between poetry and prose and arranged alphabetically by title. Also included are various ephemera with Drury's poetry or prose printed on them, as well as a published review of Drury's book, Burning the Snow.

The writings series contains four subseries: poetry drafts, prose drafts, notes, and notebooks and journals. Both the poetry and prose draft subseries include files created and named by Drury and/or the donor, denoted in the finding aid and folder titles as "poetry draft files" or "prose draft files." Loose/unsorted poetry and prose drafts were organized alphabetically by name by the processing archivist and placed into folders labeled "alphabetized poetry drafts," denoted in the finding aid like "poetry drafts, A-Z." The notes subseries consists of pages of Drury's handwritten notes about literature, writing, ideas for poems or prose, and other subjects of interest. The "subject notes" files were ordered and labeled by Drury and/or the donor. Other notes were loose and/or unsorted and brought together in processing. Finally, the notebooks and journals subseries comprises notebooks and journals Drury kept throughout her life, as well as a handful of notebooks that belonged to her daughter, Finvola.

The professional series is made up of materials from Drury's career, sorted primarily by institution, followed by announcements for Drury's poetry readings, a copy of Drury's resume, and the draft of a memoir a student wrote under Drury's tutelage.

The personal series consists of biographical sketches written about Drury, notes and records from Drury's undergraduate and graduate education, personal ephemera, and a book given to Drury by Detroit artists.

The photographs series is organized chronologically.

The clippings series consists of newspapers and clippings Drury kept in her files, as well as a handful of collages Drury and her friend, Kathy Rose, made from news clippings.

The A/V series contains two LP music records, three tapes, and three CDs.

Church established in 1858; its name was later changed to First Congregational United Church of Christ. Parish record books, minutes of board of trustees and congregational society, and records of church women's organizations.

The congregation's papers have been divided into two series: the records of the church itself and the records of groups within the church. Most important within the first category are parish record books which contain membership information, financial data and minutes taken at meetings of various boards and at the annual meeting of the entire congregation. The second category includes records of the Woman's Missionary Society, the Woman's Union, and the Daughters of the Covenant.

Session minute books, 1831-2014; record books of women's and youth organizations; collected historical records, 1831-2022; and photographs.

The record group consists of meeting and session records, 1831-2014; a church register, dating approximately from 1940 to 1987; records of church women's societies and other church organizations; historical and church anniversary materials, 1831-2022; and financial records.

In the "anniversaries and historical materials'' series, the 100th, 125th, 150th, and 175th anniversary are covered. Additionally, "church historical materials" within this series includes a history of the church's founding, including correspondence, a church history timeline, information about the history of the property and sanctuary and Cook cemetery, and renovations. Lastly, "organizational records" includes directories, board, pastor, and ministry information, cookbooks, as well as a folder about the Saline Underground Railroad.

Founded in 1865, the First Unitarian Universalist Church of Ann Arbor has a history of social activism and involvement with the University of Michigan community. The records contain church files and annual reports, sermons and correspondence of church ministers, and church publications--including the weekly newsletter. The papers also include materials of minister Kenneth Phifer regarding his views on assisted suicide and Jack Kevorkian, and also the issue of racial justice with the Ku Klux Klan rallies in Michigan.

The records of the First Unitarian-Universalist Church of Ann Arbor have been divided into seven series: Church History, Record Books; Church Reports; Yearly Files; Church Publications; Topical Files; and Ministers' Files.

This collection is mostly made up of letters written by United States politician Fisher Ames from the 1780s to early 1800s. He discussed political topics such as the first United States Congress, Congressional disagreements, sectarianism in Congress, the United States presidential election of 1796, and several prominent politicians. Two printed portraits of Ames are also included.

This collection (23 items) contains 21 letters by United States politician Fisher Ames, including 17 letters pertaining directly to United States politics. From March 4, 1789, to June 3, 1805, he wrote to multiple correspondents about his experiences in the United States House of Representatives. Ames commented in depth on issues such as poor attendance during the legislature's inaugural session, the location of the national capital, sectarian disagreements between congressmen from the North and South, the presidential election of 1796, the First Bank of the United States, and the role and members of the federal judiciary. He mentioned prominent politicians such as Benjamin Lincoln, Alexander Hamilton, Thomas Jefferson, John Adams, William Branch Giles, and James Madison. In one undated letter, Ames advised the recipient to avoid a political career and commented briefly on the Embargo and the possibility of war with England and France.

The collection's other manuscripts include a financial document between Ames and Eli Pond, regarding board for a colt (May 30, 1783), correspondence concerning the Episcopal Church in Boston, Massachusetts (August 14, 1797), an invitation to speak to a charitable organization (February 22, 1803), and the construction of a wall (October 22, 1804). Two portraits, housed in the Graphics Division, are engravings based on paintings by Gilbert Stuart and Alonzo Chappel.

The Flathead Indian Reservation photograph album contains 65 photographs of Native American men, women, and children on the Flathead Indian Reservation and in Missoula, Montana.

The Flathead Indian Reservation photograph album contains 65 photographs of Native American men, women, and children on the Flathead Indian Reservation and in Missoula, Montana.

The album (30 x 26 cm) is a modern three-ring binder with brown faux leather covers. All the album’s images are unmounted snapshots that have been arranged inside plastic album sleeves. The snapshots are mostly either 10 x 7 cm or 10.5 x 16 cm.

The album begins with portraits of Native American individuals taken in the Higgins Block of downtown Missoula, Montana, including two portraits of a Native American man posing with his infant child in a cradleboard as well as an unidentified white man, and four portraits taken outside of “Al Green’s Shaving Parlor.” Other images likely taken in and around Missoula show up elsewhere throughout the album, including several group portraits with a white fence in the background that may possibly have been taken outside the residence of the photographer, Dr. C. W. Lombard. Many photographs also appear to have been taken at the Flathead Indian Reservation.

Images of particular interest include photographs showing Native American individuals and groups (including many families) wearing western and/or traditional clothing, infants in cradleboards, encampment and reservation scenes, and landscape views. While many portraits appear to be quite casual and relatively unscripted, several clearly staged photographs are present including a man and older woman posing with sheep heads, two women (one holding a mirror) combing their hair by a river, and two men playing cards in front of a tipi.

While none of the subjects photographed in this album are identified by captions, an older man appearing in two photographs (one posing with a child on a hobby horse and another posing with a group in downtown Missoula with a child in a hand-pulled wagon) has been identified through research as Baptiste Kakashee, also known as Judge Phte and Kil-Ki-Chee.

University of Michigan faculty water polo team. Administrative and background information; also photographs, videotape and video recordings of Flounders events; and digital content of Flounders images and documents.

The collection is comprised of two series; Administration and Background Information, and Other Media. The bulk of the records are in the Administration series, which contains information pertaining to the history of the organization, fundraising efforts by the Flounders for a score board, memorials, and bills for annual charges for supplies and rental of space. The Other Media series primarily documents random weekly games, team pictures, and the planting of a memorial tree in 1983 for deceased Flounder member John Slocum. There are also digital materials that contain images of members, miscellaneous clippings, and the 75th anniversary of the founding of the Flounders in 2003. The paper records accumulated during the making of the anniversary video recordings, which include typed captions for images, are within the administration series. A VHS Tape is also included as part of the collection that contains material documented in 2002.

This collection is made up of seven letters to Dr. Francis T. Stribling, in his capacity as director of the Western Lunatic Asylum in Staunton, Virginia. They include inquiries about patients at the institution, queries about admissions, and an 1855 printed circular request by the Commission on Lunacy, Massachusetts, for patient information to include in their census/report.

This collection is made up of seven letters to Dr. Francis T. Stribling, in his capacity as director of the Western Lunatic Asylum in Staunton, Virginia. They include inquiries about patients at the institution, queries about admissions, and an 1855 printed circular request by the Commission on Lunacy, Massachusetts, for patient information to include in their census/report.

See the box and folder listing in this document for more information about each item in this collection.

Frank and Peggy Bach were involved with the counterculture in Detroit and Ann Arbor beginning in the 1960s as musicians, performers, graphic designers, promoters, and activists for area jazz, blues, and pop acts. Frank Bach was also involved in community organizations supporting housing and economic development activities in Detroit. The collection documents the Bach's numerous professional activities and organizations, groups, and individuals with whom they were associated, including Rainbow Corporation and Rainbow Multi-media, Allied Artists Association of America, Strata Associates, Detroit Jazz Center, Grande Graphics, Morda-Sinclair & Associates, and John Sinclair. Detroit community organizations documented in the collection include the Creekside Community Development Corporation, the Jefferson-Chalmers Citizens' District Council, and the Jefferson East Business Association.

The Frank and Peggy Bach collection consists of six series including Professional Ventures, Detroit Redevelopment, Arts and Culture, Newspaper Clippings, Visual Materials, and Audio Materials. These are in alphabetical order except for the Professional Ventures series, which follows its original chronological organization according to the Bachs' careers. The majority of the collection includes finished products of their graphic design and advertising careers and photographs of jazz musicians. Another substantial portion of the collection includes materials documenting the inner workings of Detroit community development organizations.

The Bachs are long-standing friends and business colleagues of John and Leni Sinclair. Therefore, the Bach collection closely compliments the John and Leni Sinclair Papers at the Bentley Historical Library, both containing extensive material regarding the 1960s and 1970s youth movement and later business ventures. Additional material about many topics within the Bach collection may be found with the Sinclair papers. Frank Bach was a journalist for the Sun, Fifth Estate, and Creem. Each of these publications is available for research at the Bentley Historical Library. Additional information about many topics within the Bach collection may be found with the Sinclair papers.

This collection consists of manuscripts of articles submitted to Fraye Arbeter Shtime, a Jewish Anarchist journal, during the 1920s and 30s.

The Fraye Arbeter Shtime papers consist of manuscripts submitted for publication during the editorships of Joseph Cohen (1923-32) and Mark Mrachnyi (1934-40).