Collections : [University of Michigan William L. Clements Library]

The Abraham Bell papers contain correspondence and financial documents related to Abraham Bell & Co., an early 19th-century New York City shipping firm owned by Abraham Bell.

The Abraham Bell papers contain correspondence and financial documents related to Abraham Bell & Co., an early 19th-century New York City shipping firm owned by Abraham Bell. The majority of material in the Correspondence series is addressed to either Abraham Bell or to his company, and relates to various business affairs, often concerning payment or delivery of goods. Many of the letters originated from European firms, including a letter from Collman, Lambert & Co. in Liverpool, written on stationery that includes a printed list of current prices for cotton and related goods (February 8, 1837).

The Receipts and financial papers series consists of non-correspondence items related to the operation of Abraham Bell & Co. throughout the early and mid-1800s. These include records of payment and lists of cargo carried aboard Bell's ships, as well as several documents relating to loads of street manure in 1839. Several early items within this series pertain to the ship Josephine.

Fifteen Account and receipt books provide information about Bell's financial endeavors throughout the period in explicit detail, covering the years 1840-1868. A letter book contains copies of letters written by Abraham Bell between October 16, 1833, and August 15, 1834.

Miscellaneous items in the collection include an indenture for land in New Jersey belonging to the Budd family (December 25, 1812), and a record of fiscal accounts between Abraham Bell & Co. and [Malionson] Bell & Co. (June 30, 1836).

Spiritualist medium and writer Achsa W. Sprague maintained this diary between 1855 and 1857 while touring on a lecture circuit around Connecticut, Vermont, New Hampshire, Massachusetts, Maine, Rhode Island, Pennsylvania, and New York. She recorded her daily experiences, travels, and work lecturing and conducting medium trances. The latter portion of the volume was used by Lloyd N. Josselyn as an account book between 1880 and 1908, likely while farming in the Plymouth, Vermont, area.

Spiritualist medium and writer Achsa W. Sprague maintained this diary between 1855 and 1857 while touring on a lecture circuit around Connecticut, Vermont, New Hampshire, Massachusetts, Maine, Rhode Island, Pennsylvania, and New York. She recorded her daily experiences, travels, and work lecturing and conducting medium trances.

Sprague began writing in Hartford, Connecticut, with commentary about her decision to keep the diary and brief reflections about being healed by "Spirit Agency" and taking up the work of "a Public Speaking Medium" (pages 1-2). She referenced her former confinement due to poor health several times in the volume (pages 8-9; 59; 76-77; 128). Sprague expressed gratitude about spirits' intervention and her ability to convene with them. For example, she wrote, "This is the most beautiful part of my mediumship, that which others do not see, that which is never spoken, but which is felt in every fibre of my soul giving a richness to life which it never had before, & a tinge of Heaven to light my path where all before was dim & shadowy. A blessing to me physically, mentally, morally, intellectually & spiritually have been these Spirits Manifestations." (pages 14-15).

Throughout the diary, Sprague noted the locations of her lectures, attendance, and the crowd's reception. She visited major cities, such as Hartford, Boston, Troy, and Philadelphia, but principally travelled between mid-sized and smaller locales. Occasionally Sprague remarked on the influence of the spirit upon her during her public meetings (pages 6-7). She attended smaller events, too, like a gathering of some twenty people, including Samuel Colt and William H. Burleigh, who met at 11:30 p.m. (page 11), or a private examination of Gerrit Smith's wife (page 14). She noted meeting one-on-one with other mediums to manifest spirits together (page 16) and included thoughts on other "Public Mediums" (page 23).

While touring, Sprague noted anti-Spiritualist lecturers and sentiments (pages 67-66; 83; 116; 149-50; 168-169), but she also wrote of preachers from Christian denominations who were open to Spiritualism or invited her to join them in their churches (page 145). Sprague recorded logistical details of her work, such as travel, housing, and securing sites for her lectures.

Sprague commented on social and professional visits with individuals active in Spiritualist circles, including Sementha Mettler (page 4); Lottie Beebe, a woman who "is said while under the Influence to give beautiful specimens of poetry & sometimes has other manifestations" (page 11); and "Sleeping Lucy" Cooke (page 54), among others. She described other mediums' techniques, like Mettler's "psychometriz[ation]," where she read people's characters based on their handwriting (page 17), or a detailed description of a "physical manifestation" (pages 109-111). Sprague referenced other mediums who used spirit influence to produce poetry, paintings, and drawings (pages 87; 107-108; 162), and she attended a Spiritualist convention at South Royalton, Vermont (pages 146-147).

At times her entries provide insight into some of her critiques about Spiritualism. She referred several times to her support for "practical Spiritualism" (page 79), and she took issue with "the thoroughly scientific or business men who become believers & advocates of this Philosophy; with all their knowledge, make not half as good actors, either as Lecturers or as practical doers, as many who have been less known in the world" (page 23). In another entry she rejected arguments connecting Spiritualism and Free Love (page 100).

Sprague wrote about being invited to funerals (pages 33-36; 114-115), attending to the dying (pages 85-86; 154-155), and speaking with the bereaved (pages 72-73). She also reflected on the death of her own family members and her belief in their role as Guardian Angels (pages 62-63). She recorded her feelings about the impact her mediumship could effect on those facing death and grief, writing, "I have been with the wretched & suffering, but I have tried to sooth their agony, I have heard many a tale of a broken heart, but I have striven to bind them, & give them the balm of consolation, I have stood by the bedside of the dying, & have watched when the breath went out & left even the forms I loved so well cold, still & silent, but I knew they did not die, that they only bloomed for a higher Sphere..." (page 158)

Several passages reflect her authorship, such as working on an article for the New England Spiritualist, decisions to write under a pen-name for a local Vermont newspaper, noticing some of her pieces were being reprinted, meeting with individuals active in Spiritualist publishing networks, and other mentions of publication (pages 53-55; 64; 74; 87; 92-93; 98-99; 102; 106; 140). Periodically, Sprague noted texts she was reading, both works of literature and those relating to Spiritualism, and she was particularly delighted while staying with a family who appreciated reading "Shelley, Tennyson, Lowell &c... But now that the weather is pleasant again I find that I am public property, & shall be obliged in a great degree to bid good bye to the quiet happiness of listening to the poets & enter into the realities of life. Well it is right to mingle in lifes realities. I Thank God for the beautiful inspirations I have listened to, but more still, for the beautiful inspirations that come to me at morn, at noon, at night from unsung poets & philosophers, even the Angel Messengers He sends. And more, still more, that it is given me to mingle with the realities of life & give them forth to the suffering children of humanity. And as far as my imperfect nature will allow me, to carry the teachings out in my own every day life, & bring them into its practicalities" (page 174). Throughout the diary she wrote introspectively about being of service, using her time profitably, and living up to her higher purpose.

Sprague's interest in social reform is also documented in the volume, in visits to the Hartford "Asylum for educating the Deaf & Dumb" (page 3), concern for the poor (pages 18-21; 49; 55; 79; 119; 140; 162; 164-7; 169-70), women's rights (pages 37-39), and prisons (pages 104-105; 170-1; 176-8). She met Lucretia Mott at a women's antislavery meeting (page 175).

Descriptions of daily life include commentary on weather and nature as well as her health and that of her family, revealing Sprague's interest in various medicinal practices such as magnetism (pages 4 and 162) and healing mediums (pages 28 and 160). While at home with her parents in Vermont, she wrote of social visits, her parents' living situation, and local requests for her to speak, including at a wedding where "A song through me from the Spirit Land concluded the services" (page 43). While on her lecture circuit, she also commented on cities she visited. For example, in Hartford she visited the "Charter Oak" and Lydia H. Sigourney's former residence (pages 4-6); in Salem, Massachusetts, she commented on how the history of the witch trials was handled in the community (page 121). She wrote of meeting a Shaker woman in Cambridge, Massachusetts, (page 122) and seeing Edwin Forrest perform in Providence (page 173). While in Philadelphia, she toured local landmarks, attended Quaker meetings and Catholic services, and visited the Academy of Fine Arts with Samuel Sartain (135). After trying to see Benjamin Franklin's burial spot, she lamented the high walls surrounding it and concluded, "There is too great a tendency in the human mind to seek the grave of the mighty dead & follow them no further" (page 138).

The diary bears pencil marks of a later hand, possibly that of Leonard Twynham indicating passages for publication. The latter portion of the volume was used by Lloyd N. Josselyn as an account book between 1880 and 1908, likely while farming in the Plymouth, Vermont, area. He documented expenditures mostly for household goods and clothing, animal care, foodstuffs, agricultural labor, taxes, digging graves and purchase of headstone, house and vehicle upkeep, etc.

This volume consists of a pre-printed "Outfits for a Whaling Voyage" notebook kept for the whaling schooner Adelia Chase, likely maintained by Michael A. Ferreira, for a voyage out of New Bedford, Massachusetts in 1886.

This volume consists of a pre-printed "Outfits for a Whaling Voyage" notebook kept for the whaling schooner Adelia Chase, likely by Michael A. Ferreira, for a voyage out of New Bedford, Massachusetts in 1886.

The back inside cover of the volume features an advertisement for C. R. Sherman's New Bedford Navigation Store, with "all the various kinds of Nautical, Optical, and Mathematical Instruments. Nautical Books, Stationery, &c. . . . And as complete an assortment of Charts of all parts of the world visited by Whalesmen, as is required to make a complete Navigation Establishment."

The notebook entries record quantities of provisions and stores, tools and hardware, supplies, cordage and sails, clothing, stationery, and more. Several pages of notes at the end of the volume mention stops at Barbados and Fayal or St. Michaels, a list of repairs, and a list of various casks of provisions.

The Adelle Webber Gray photograph album contains 75 photographs and 14 photo-reproductions of scenes from Watkins Glen in New York, Yosemite, and Colorado as well as 13 newspaper clippings and two advertisements regarding travel in the western United States.

The album (21.5 x 26.5 cm) has read leather covers. Inside of the front cover are two of Gray's bookplates and a loose clipping from 1906 regarding the purchase of Watkins Glen. The album begins with a series of views of Watkins Glen (including some showing the stairs built around the waterfalls). Pages are mostly blank from pgs. 17 to 113 except for pg. 107 which includes 10 loose clippings about camping and traveling in the western United States mostly from Christian Life magazine. Other images of interest after pg. 113 include views of a man standing inside a tree in California's Redwood Forest; waterfalls at Yosemite; Denver, Colorado, scenes such as the train depot and Stout Street; Silver Plume, Colorado; the Loop between Manitou Springs and Georgetown; an 1884 photographic reproduction print by W. H. Bagley; a railroad going through Clear Creek canyon; Pikes Peak; Helen Hunt Jackson's grave in Colorado Springs; the Garden of the Gods; Manitou Springs; Williams Canyon; Ute Pass; and pictures of men and cows taken by W. H. Allen and William Henry Jackson. Also of note are advertisements for a print of Mount Holy Cross by Thomas Moran and for the caves at Manitou Springs, two photographic reproductions of views of Marshall Pass, and photographs of the peak of Sierra Blanca, taxidermy coyotes and a mountain lion, and a train snowplow in Ivanhoe, Colorado.

The African American and African Diaspora Collection is comprised largely of individual letters, documents, and other manuscript items relating to slavery, abolition movements, and aspects of African American life, largely dating between 1781 and 1865.

The African American and African Diaspora Collection is comprised largely of individual letters, documents, and other manuscript items relating to slavery, abolition movements, and aspects of African American life, largely dating between 1781 and 1865. Topics addressed in the letters and documents include the experiences and work of enslaved persons in the North and South; the buying and selling of enslaved men, women, and children; participation in the French and Indian War, American Revolution, and Civil War of African descended persons; abolitionists and abolition societies; the American Colonization Society; the lives of formerly enslaved persons; African American education; and many other subjects. For details on each document, see the inventory located under "Detailed Box and Folder Listing"

The Agent’s sample book from Crown Card Co., Columbus, Ohio, contains 34 samples of visiting cards accompanied by prices, design names, and instructions for ordering.

The Agent’s sample book from Crown Card Co., Columbus, Ohio, contains 34 samples of visiting cards accompanied by prices, design names, and instructions for ordering. The volume (12.5 x 18 cm) is bound with blue paper and staples. Sample styles range from simple to intricate, with some including beveling, embossing, or silk borders. Most feature chromolithographic color, floral imagery, and animals. Different type settings available to a customer are also advertised.

The Alexander T. Stewart collection contains around 300 letters that Stewart received from strangers requesting financial assistance, employment, and other means of support. Many commented on the Civil War's negative economic impact on their lives, particularly in the South.

The Alexander T. Stewart collection contains around 300 letters that Stewart received from strangers requesting financial assistance, employment, and other means of support. Many commented on the Civil War's negative economic impact on their lives, particularly in the South.

The majority of the letters are dated 1865-1876, including a large group (around 215 items) dated 1869-1870. Stewart's correspondents requested loans, donations, or employment; some wrote more than once. Writers include war widows, former soldiers, and others who had been affected by the war, particularly in the South. Many provided details of recent financial hardships, such as spouses' or parents' deaths, unemployment, and the effects of the Civil War, and some provided character witnesses or references. A soldier requested money for a camp stove (January 6, 1865); another man requested help after having difficulty collecting loans from southern borrowers (February 27, 1862); and a third writer mentioned displaced persons in South Carolina (March 9, 1867). Correspondents occasionally enclosed carte-de-visite portraits or newspaper clippings, and some pasted return postage onto their letters. The letters reveal the authors' views on wealth, social status, employment, and philanthropy in the Reconstruction-era United States.

Stewart received letters from correspondents in states including Alabama, California, Connecticut, Delaware, Georgia, Illinois, Indiana, Iowa, Kentucky, Louisiana, Maine, Maryland, Massachusetts, Michigan, Minnesota, Mississippi, Missouri, New Hampshire, New Jersey, New York, North Carolina, Ohio, Pennsylvania, Rhode Island, South Carolina, Texas, Utah, Vermont, Virginia, and Wisconsin. The few items that are not begging letters include a letter that Alexander T. Stewart wrote about his business affairs with P. Whitin & Sons (September 30, 1861) and a letter offering Stewart medical advice (April 7, 1873).

The collection contains 4 printed items: a ticket to a charity festival at the Astor House (February 22, 1855), 2 newspaper articles relating to Alexander T. Stewart, and a printed advertisement for A.T. Stewart & Co.'s store (September 23, 1871).

Almon Wheeler of Malone, New York, compiled this volume to detail his experiences while traveling through Vermont and Maine between June 14 and July 19, 1827.

Almon Wheeler of Malone, New York, compiled this volume to detail his experiences while traveling through Vermont and Maine between June 14 and July 19, 1827. Religious and biblical references are interspersed throughout, and Wheeler wrote about his encounter with a Shaker village. He also commented on his personal health and ailments like mosquito bites and stomach pains, and his thoughts on July 4th and the death of President John Adams (1735-1826).

Wheeler's notes include logistical information, such as how many miles he travelled in a day, landmarks or geographical features, or villages and towns he passed through.

The collection includes a typed transcript of the volume.

This collection is made up six volumes pertinent to the Civil War service of Captain later Major Alonzo M. Keeler of the 22nd Michigan Infantry. They include an autograph album kept by Captain Keeler while a Confederate prisoner at Libby Prison in Richmond and at Roper Hospital prison in Charleston between May 1864 and February 1865. Also present is the Book of Common Prayer carried by Keeler during his time as prisoner of war, including marginalia related to Sunday services. The remainder of the collection is a block of wood in a custom case purported to be from the original flooring of Libby Prison, Keeler's copy of Silas Casey's Infantry Tactics (3 vols., 1862-1863), and five South Carolina newspapers from 1864.

This collection is made up six volumes pertinent to the Civil War service of Captain later Major Alonzo M. Keeler of the 22nd Michigan Infantry. They include an autograph album kept by Captain Keeler while a Confederate prisoner at Libby Prison in Richmond and at Roper Hospital prison in Charleston between May 1864 and February 1865. Also present is the Book of Common Prayer carried by Keeler during his time as prisoner of war, including marginalia related to Sunday services. The remainder of the collection is a block of wood in custom case purported to be from the original flooring of Libby Prison, Keeler's copy of Silas Casey's Infantry Tactics (3 vols., 1862-1863), and five South Carolina newspapers from 1864.

Alonzo Keeler kept an autograph album of prisoner of war officers over the course of his imprisonment at Libby Prison, the Charleston Jail Yard, Roper Hospital Prison in Charleston, and the "Asylum Camp" in Columbia. The volume has an illustrated title page bearing multiple forms for calligraphic lettering, and a watercolor illustration of the Libby Prison building with two crossed, furled American flags. The full title is "AUTOGRAPHS. US OFFICERS Prisoners of war" and below, "Libby Prison Richmond Va Capt A M. Keeler." Most pages include 4-5 autographs, and the signatures are variously accompanied by the signer's rank, military unit, and home city or state. The contributors to the album were almost entirely infantrymen, though at least two Navy officers, one Veteran Cavalry officer, and one chaplain signed. Their home States included Connecticut, Massachusetts, Michigan, Maine, Illinois, Ohio, Pennsylvania, New York, Kentucky, Missouri, West Virginia, Wisconsin, Indiana, Rhode Island, Kansas, Iowa, Tennessee, and Vermont. Michigan soldiers in Libby Prison were from Ypsilanti, Kalamazoo, Ann Arbor, Detroit, Jackson, Coldwater, Chelsea, and Mount Clemens; Michigan soldiers in the Roper Prison were from Battle Creek, Marshall, Mount Clemens, Lapeer, Saginaw City, and Adrian.

• Pages 1-73: Contains 343 numbered autographs of prisoners.
• Pages 74-75: A brief history of the movement of 600 officers from Macon, Georgia, July 28; to Charleston City Jail Yard July 29; on August 10, the placement of 177 in prison for "confining convict laborers and runaway neg[ros]"; and movement to Roper Hospital building on August 13, 1864. This is followed by a history of the Roper Hospital copied from a piece of marble at the head of the stairs over the library, on the second story.
• Pages 76-86: Contains prisoner autographs numbered 344-390.
• Pages 81-82: Between autograph entries 368 and 369 is a gap containing tabular election returns headed "Official returns of the Presidential Election held in the U.S. Military Prison near Columbia S.C. among the Federal prisoners, Oct 17th. 1864." The columns are States, Lincoln, Johnson, McClellan, Pendleton, Total for President, L. Maj.; total votes cast are present.
• Unnumbered pages: Twenty-four pages intended to be an index of the autograph album, but not completed. Each page has a state name at the top, but only Connecticut has any index information present.
• Laid into the volume is: A. Martin Keeler ALS to "grand father" with appended L. A. Knight ANS, June 9, [?]; Utica. Respecting the sickness/fever of A. Martin Keeler's father; Dr. Knight described the treatments given, effect, and remarks on family.
• Also laid into the volume is a periodical clipping showing an oval portrait of Major and Mrs. A. M. Keeler; and a The Detroit Journal clipping about the Keelers' 58th wedding anniversary and the 35th year of their wedding tradition of a New Years' Eve family party (January 2, 1908).

The collection includes Alonzo M. Keeler's copy of The Book of Common Prayer, and Administration of the Sacraments; and Other Rites and Ceremonies of the Church . . . Together with the Psalter, or Psalms of David. Philadelphia: King & Baird, 9 Sansom Street, [ca. 1852-1856]. It contains an inscription, "A.M. Keeler Libby Prison Richmond Va, 1864." On many Sundays, Keeler wrote the date or other notes in the margins beside the scripture(s) of the day. For, example, he noted that he was in Macon Prison beside various passages on May 22, June 12, 19, 26, and July 3, 10, 17, and 24, 1864. On pages 294-303, beside Articles of Religion, he wrote "Must buy a Bible containing these" next to list of canonical biblical books; then after the 39th article, "In prison at Macon Ga July 10 1864 – Sunday – How different from home – But since its all for the best it is tolerable." Beside Selections from the Psalms of David (page 58-59) he wrote "A good hymn" (Hymn 10. C.M.) and "I subscribe this" (Hymn 11. III.1).

On July 31 and August 7, he made annotations from the Charleston City Jail Yard. On August 7, 1864, he noted, "Shells flying over," and, marking Selection 55 C.M. "approves my heart" (Selections from the Psalms of David, page 18). By the following Sunday, he attended service in the Roper Hospital Prison, Charleston, and again on August 21, 28, and into September. After his move to Columbia, he wrote from the Asylum Prison (February 12, 1865), "A beautiful day – One wishes to join his congregation in public praise at home – How long shall this separation from home & friends last?" (Selections from the Psalms of David, page 43).

On February 26, 1865, Alonzo Keeler reflected on his impending release from Camp Holmes, Raleigh, North Carolina. "A beautiful sabbath day A prisoner still but on parole for exchange Over anxious to be at home yet trusting fully that He who has kept me so carefully these 17 months while in the hands of my enemies, will soon restore to home & friends" (Selections from the Psalms of David, page 5). The same day, "The mind in high expectation of being released from imprisonment by an unfriendly power is quite illustrative of the soul in anxious hope of final deliverance from the power of Satan – too buoyant to entertain deep study & meditation – too joyful to be dismayed from fear – the future is all powerful to charm, the present is powerless to torture or annoy – All packed up waiting for transportation – paroled ready to pass through the lines – All supplied & stored with Christian graces, waiting to be borne away, name in the book of life" (Selections from the Psalms of David, page 104).

The Keeler collection also includes 5.6 x 6.2 x 1.2 cm block of wood in a modern custom traycase. Pasted onto the wood is an eight-edged printed label with a red border: "This piece of wood is a part of the original floor of Libby Prison Building. Jno. L. Ransom, Manager." Also present is Silas Casey's 3-volume Infantry Tactics, for the Instruction, Exercise, and Manœuvres of the Soldier, a Company, Line of Skirmishers, Battalion, Brigade, or Corps d'Armée. New York, D. Van Nostrand, 1862-63. Each of the volumes has a stenciled owner inscription in the front endpapers, "Alonzo M. Keeler, Capt. Co. B. 22nd. M.I."

• The Charleston Mercury, v. 85, no. 12,150. Charleston, South Carolina. Saturday, August 27, 1864.
• Charleston Daily Courier, v. 63, no. 19,857. Charleston, South Carolina. Thursday Morning, September 1, 1864.
• The Charleston Mercury, v. 85, no. 12,160. Charleston, South Carolina. Friday, September 9, 1864.
• Charleston Daily Courier, v. 63, no. 19,875. Charleston, South Carolina. Thursday Morning, September 22, 1864.
• The Daily South Carolinian, v. 15, no. 250. F. G. DeFontaine & Co., Columbia, South Carolina. Tuesday Morning, October 18, 1864.

The Al Parker collection includes three envelopes of photographs, sheet music, and newspaper clippings as well as a scrapbook relating to the professional and personal life of Philadelphia-based photographer and photographic supplies salesman Alfred Parker.

The Al Parker collection includes three envelopes of photographs, sheet music, and newspaper clippings as well as a scrapbook relating to the professional and personal life of Philadelphia-based photographer and photographic supplies salesman Alfred Parker.

Envelope A (photographs): includes unmounted oval portraits of Parker’s children Eda and Ray from the early 1900s; studio portraits of Eda and his wife Alice from the 1910s, two of them from the Philadelphia studio of Gilbert and Bacon; an mounted school class photo (ca. 1890s?)

Envelope B (sheet music): includes three examples of World War I songs from the Eagle Publishing Company of Philadelphia with "music by Geo. L. Robertson and lyrics by Al. Parker."

Envelope C (letters, clippings, etc.): includes a letter appointing Dr. Ray Parker head of plastic surgery at a hospital in Johnstown, PA; a magazine article on “Flood Free Johnstown”; letters and clippings about Dr. Ray Parker; article on World War II factory workers; newspaper article on Theodore Roosevelt urging U.S. entry into World War I; and a note from Christmas 1926 from Parker’s grandson Donald addressed to “Ganco."

Scrapbook: The volume (37 x 28) is cloth-bound and has 66 pages total. Materials are not arranged in any chronological or thematic order and so unrelated items often appear together on the same page.

The album begins with photographs of Parker’s family members while the next few pages focus on scenes from his professional life, including a magazine cover from April 1900 and documentation of his break with Willis & Clements in 1910. Portraits of Parker at every stage of his life appear throughout the scrapbook, though not in any chronological order. The earliest is a tintype from the 1850s that shows him as a young boy with his brothers. Many portraits and casual snapshots of Parker's daughter Eda and son Ray from their early childhood into adulthood are included, while a collection of clippings reflects Parker’s pride in Ray's success as a doctor. His delight in playing the doting grandfather is clear from the drawings Parker made for Eda’s son Donald and in the notes that Donald wrote to Parker using the nickname “Ganco.”

A handful of portraits that were taken by Parker show that he was a capable studio photographer in addition to being a successful promoter of platinum photography products while working for Willis & Clements. Requests for his opinions from Eastman Kodak Company, Photo Era magazine, and the Photographers’ Association of New England testify to his recognized expertise. Numerous portraits of Parker in the company of other well-regarded photographers of the day confirm his acceptance in that professional circle.

Many ephemeral items also help illuminate the arc of Parker's career including programs from his minstrel show days; an advertisement for his Australian window blind company; the initial offer of employment from Willis and Clements; business cards from various stages of his career; and an ad for a new camera shutter he invented. Interspersed amongst these items are letters and photographs from various colleagues and employers along with miscellaneous poems, cartoons, programs, drawings, song lyrics, newspaper clippings, and so on.