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Voters Not Politicians is a Michigan-based nonpartisan political organization whose focus is to support and promote policy that strengthens Michigan's democracy. Records primarily consist of meeting minutes, reports, newsletters, photographs, posters, videos, and clippings.

The Voters Not Politicians records primarily consist of campaign materials and organizational records. Within the campaign materials are field materials (handouts, buttons, stickers, hang tags), posters, photographs, reports, songs, videos, webinars, and other records volunteers used when on the ground campaigning. The organizational records include meeting minutes, newsletters, office manuals, training materials, an interview with the founders of Voters Not Politicians, and short biographies of the members that compiled the records for this collection, as well as the archived website materials (starting 2017). Duplication may occur between physical and digital material, but unique items are present in both formats.

Warren Petoskey is an Odawa and Lakotah elder. He is a writer, musician, dancer, and lecturer on the history of American Indian residential schools. The collection includes materials related to his professional and personal activities and interests, biographical and historical information, copies of genealogical records, as well as personal photographs and audio recordings.

The Warren Petoskey papers is arranged into two series: Personal and Professional Files, and Oral Histories and Interviews.

Personal and Professional Fills contains correspondence regarding presentations that Petoskey has held and his professional performance, copies of genealogy and family records, writings -- including his poetry, essays, and his published memoir, Dancing My Dream, --photographs of himself and family members, certificates for language learning and earned in the course of his work as an addictions counselor, and other materials that document Warren's life as an Odawa and Lakotah elder.

The Oral Histories and Interviews series contains digital oral history interviews between Mike Smith and Warren Petoskey. It also includes recorded sermons delivered by and interviews with Petoskey.

Researchers should note that the materials that date from 1787 to 1884 are photocopy reproductions of original materials.

William Bolcom (born 1938) is a composer and pianist. Joan Morris (born 1943) is a mezzo-soprano. They were both members of the University of Michigan School of Music faculty. Bolcom and Morris have given numerous performances since 1973. They have also recorded albums of classical and popular songs. Performance files include programs, itineraries, newspaper articles and reviews of each performance, and contracts. There are also files relating to the University of Michigan student production of Mina & Colossus as well as Barnum's Nightingale; original scores to Bolcom's compositions, including McTeague, Casino Paradise, and A View from the Bridge; topical files relating to awards, competitions, and other activities and interests; and physical and digital audiovisual materials.

The papers of William Bolcom and Joan Morris document Bolcom's work as a composer and performer as well as Bolcom's and Morris's collaboration in performing and recording American popular songs and classical music. There is also some material relating to their academic work at the University of Michigan, notably a 1988 production of a student opera, Mina & Colossus. The papers include programs, itineraries, and correspondence relating to performances, manuscript and published scores, topical files, audio and visual material (including sound recordings), and photographs.

Singing group established in 1902 as the University of Michigan Girls' Club before changing the name to Women's Glee Club in the 1940s. The group performed on campus and throughout Michigan as well as touring nationally and internationally. The group disbanded in 1953 and was reactivated in 1976. This records include concert programs and posters, fundraising information, correspondence, photographs, audio/visual recordings of performances, newspaper clippings and scrapbooks. Also included are administrative papers including budget information, schedules, rosters and rules.

The Women's Glee Club collection dates from 1903 to 2017 and is comprised of multiple accessions. Because these accessions came with little discernible structure, and because their contents overlapped, they were combined into one collection made up of printed and manuscript materials, as well as posters, scrapbooks, sound and video recordings in a few different formats. The collection has been divided into four series: Audio/Visual Materials, Topical File, Scrapbooks and Concert Posters. The first two series of the collection have been arranged alphabetically by topic, and chronologically within the files. The Scrapbooks series is contained in Box 2, and each scrapbook has retained its original organization.