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Church established in 1858; its name was later changed to First Congregational United Church of Christ. Parish record books, minutes of board of trustees and congregational society, and records of church women's organizations.

The congregation's papers have been divided into two series: the records of the church itself and the records of groups within the church. Most important within the first category are parish record books which contain membership information, financial data and minutes taken at meetings of various boards and at the annual meeting of the entire congregation. The second category includes records of the Woman's Missionary Society, the Woman's Union, and the Daughters of the Covenant.

Session minute books, 1831-2014; record books of women's and youth organizations; collected historical records, 1831-2022; and photographs.

The record group consists of meeting and session records, 1831-2014; a church register, dating approximately from 1940 to 1987; records of church women's societies and other church organizations; historical and church anniversary materials, 1831-2022; and financial records.

In the "anniversaries and historical materials'' series, the 100th, 125th, 150th, and 175th anniversary are covered. Additionally, "church historical materials" within this series includes a history of the church's founding, including correspondence, a church history timeline, information about the history of the property and sanctuary and Cook cemetery, and renovations. Lastly, "organizational records" includes directories, board, pastor, and ministry information, cookbooks, as well as a folder about the Saline Underground Railroad.

Founded in 1865, the First Unitarian Universalist Church of Ann Arbor has a history of social activism and involvement with the University of Michigan community. The records contain church files and annual reports, sermons and correspondence of church ministers, and church publications--including the weekly newsletter. The papers also include materials of minister Kenneth Phifer regarding his views on assisted suicide and Jack Kevorkian, and also the issue of racial justice with the Ku Klux Klan rallies in Michigan.

The records of the First Unitarian-Universalist Church of Ann Arbor have been divided into seven series: Church History, Record Books; Church Reports; Yearly Files; Church Publications; Topical Files; and Ministers' Files.

University of Michigan faculty water polo team. Administrative and background information; also photographs, videotape and video recordings of Flounders events; and digital content of Flounders images and documents.

The collection is comprised of two series; Administration and Background Information, and Other Media. The bulk of the records are in the Administration series, which contains information pertaining to the history of the organization, fundraising efforts by the Flounders for a score board, memorials, and bills for annual charges for supplies and rental of space. The Other Media series primarily documents random weekly games, team pictures, and the planting of a memorial tree in 1983 for deceased Flounder member John Slocum. There are also digital materials that contain images of members, miscellaneous clippings, and the 75th anniversary of the founding of the Flounders in 2003. The paper records accumulated during the making of the anniversary video recordings, which include typed captions for images, are within the administration series. A VHS Tape is also included as part of the collection that contains material documented in 2002.

Frank and Peggy Bach were involved with the counterculture in Detroit and Ann Arbor beginning in the 1960s as musicians, performers, graphic designers, promoters, and activists for area jazz, blues, and pop acts. Frank Bach was also involved in community organizations supporting housing and economic development activities in Detroit. The collection documents the Bach's numerous professional activities and organizations, groups, and individuals with whom they were associated, including Rainbow Corporation and Rainbow Multi-media, Allied Artists Association of America, Strata Associates, Detroit Jazz Center, Grande Graphics, Morda-Sinclair & Associates, and John Sinclair. Detroit community organizations documented in the collection include the Creekside Community Development Corporation, the Jefferson-Chalmers Citizens' District Council, and the Jefferson East Business Association.

The Frank and Peggy Bach collection consists of six series including Professional Ventures, Detroit Redevelopment, Arts and Culture, Newspaper Clippings, Visual Materials, and Audio Materials. These are in alphabetical order except for the Professional Ventures series, which follows its original chronological organization according to the Bachs' careers. The majority of the collection includes finished products of their graphic design and advertising careers and photographs of jazz musicians. Another substantial portion of the collection includes materials documenting the inner workings of Detroit community development organizations.

The Bachs are long-standing friends and business colleagues of John and Leni Sinclair. Therefore, the Bach collection closely compliments the John and Leni Sinclair Papers at the Bentley Historical Library, both containing extensive material regarding the 1960s and 1970s youth movement and later business ventures. Additional material about many topics within the Bach collection may be found with the Sinclair papers. Frank Bach was a journalist for the Sun, Fifth Estate, and Creem. Each of these publications is available for research at the Bentley Historical Library. Additional information about many topics within the Bach collection may be found with the Sinclair papers.

Fred Dustin was a Saginaw, Michigan, building contractor, deputy state oil inspector, 1903-1905, and archaeological surveyor and writer on Michigan archaeology and history. The papers include correspondence, newspaper clippings, sketches, diaries, and record books concerning his interest in the archaeology of Michigan, including the archaeological survey of Isle Royale, 1929-1930, and the survey and mapping of the Ogemaw County Earthworks in 1931; also material relating to the history of Saginaw and to Dustin's interest in the archaeology of the Michigan Indian; and photographs. Correspondents include Wilber M. Brucker, Fred L. Crawford, Woodbridge N. Ferris, William B. Mershon, William A. Smith, Albert W. Tausend, Charles E. Townsend, Arthur J. Tuttle, Arthur H. Vandenberg, and Murray D. Van Wagoner.

The Fred Dustin Papers contain correspondence, diaries, record books, writings, field notes, photographs, and other materials that document Dustin's life and interests in Michigan archaeology and history. The papers consist of seven series: Autobiographical and Biographical, Correspondence, Archaeology, Papers and Miscellaneous, Diaries, Record Books and Ledgers, and Photographs and Scrapbook.

Church documents and personal papers of Dr. Frederick G. Sampson II, pastor of Tabernacle Missionary Baptist Church of Detroit Mich., noted lecturer and keynote speaker, and member of various commissions and boards dedicated to human rights, community outreach, and community education.

The Frederick G. Sampson collection includes personal and church related papers that document his professional work and church activities from 1970 until his death in 2001. In addition, there is some information about the Foundation established in his name. The papers are arranged in the following series: Pastoral Career and Personal Papers.

The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.

The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. At least one volume was kept by an African American man, Lewis G. Mosebay. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.

Performer and professor of modern dance at the University of Michigan. Collection contains subject files relating to Delanghe's activities as a choreographer, dancer, teacher and department chair. Collection also contains photographs and audiovisual material documenting productions with which Delanghe was involved.

The Gay Delanghe papers document a range of Delanghe's professional activities, with particular focus on choreography, teaching, and performing. The bulk of the records originate from the time of her graduation from the University of Michigan in 1965 through the first twenty years of her tenure in the University of Michigan Dance Department. There are few records from her childhood and college years, or from her late career. The records serve to illuminate her engagements as a dancer, and as a teacher, as well as the processes that went into her choreography and the staging of her work. In addition to this finding aid, a performance list exists which attempts to compile information on all of Delanghe's performances for which documentation exists in the collection. This list is available in Performance and Publicity series and upon request.

The collection is divided into ten series of materials relating to various aspects of the professional and artistic activities of Gay Delanghe. These series are: Biographical Materials, Choreography, Correspondence, Funding and Awards, Notebooks, Photographs, Programs and Publicity, Teaching, University of Michigan Department of Dance, and Audiovisual Materials.

Television production and post-production company located in Oak Park, Michigan. The record group consists primarily of albums containing photographs, correspondence, clippings and other materials documenting GTN, its facilities, staff, and projects.

The record group consists of five series: Administrative Records, History/Background, Organizational Albums, Visual Materials, and Sound Recordings. The record group primary strength lays in documenting a Detroit-based television company's daily activities.