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Church documents and personal papers of Dr. Frederick G. Sampson II, pastor of Tabernacle Missionary Baptist Church of Detroit Mich., noted lecturer and keynote speaker, and member of various commissions and boards dedicated to human rights, community outreach, and community education.

The Frederick G. Sampson collection includes personal and church related papers that document his professional work and church activities from 1970 until his death in 2001. In addition, there is some information about the Foundation established in his name. The papers are arranged in the following series: Pastoral Career and Personal Papers.

The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.

The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. At least one volume was kept by an African American man, Lewis G. Mosebay. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.

Performer and professor of modern dance at the University of Michigan. Collection contains subject files relating to Delanghe's activities as a choreographer, dancer, teacher and department chair. Collection also contains photographs and audiovisual material documenting productions with which Delanghe was involved.

The Gay Delanghe papers document a range of Delanghe's professional activities, with particular focus on choreography, teaching, and performing. The bulk of the records originate from the time of her graduation from the University of Michigan in 1965 through the first twenty years of her tenure in the University of Michigan Dance Department. There are few records from her childhood and college years, or from her late career. The records serve to illuminate her engagements as a dancer, and as a teacher, as well as the processes that went into her choreography and the staging of her work. In addition to this finding aid, a performance list exists which attempts to compile information on all of Delanghe's performances for which documentation exists in the collection. This list is available in Performance and Publicity series and upon request.

The collection is divided into ten series of materials relating to various aspects of the professional and artistic activities of Gay Delanghe. These series are: Biographical Materials, Choreography, Correspondence, Funding and Awards, Notebooks, Photographs, Programs and Publicity, Teaching, University of Michigan Department of Dance, and Audiovisual Materials.

Television production and post-production company located in Oak Park, Michigan. The record group consists primarily of albums containing photographs, correspondence, clippings and other materials documenting GTN, its facilities, staff, and projects.

The record group consists of five series: Administrative Records, History/Background, Organizational Albums, Visual Materials, and Sound Recordings. The record group primary strength lays in documenting a Detroit-based television company's daily activities.

This collection contains sketches, manuscripts, printed music and writings by George Cacioppo, American composer, founder of the ONCE group, and faculty member at the University of Michigan.

The collection contains sketches, manuscripts, printed music and writings by George Cacioppo, as well as correspondence (business and family), press clippings, programs and ONCE Festival memorabilia. The materials were arranged in logical sequence rather than "original order" so that research and performance of the materials would be facilitated. Details of the series arrangement have been provided below. Books and music by others have been removed from the collection, but lists of these materials have been retained. Many of Cacioppo's manuscripts were reproduced in different ways. The term "reproductions" was used in the finding aid to refer to ozalid copies and photocopies. Duplicates of the reproductions were removed.

University of Michigan graduate (BFA '74, MA '76, and Ph.D. '88) and artist, art historian, and educator with an emphasis in Latino art. Materials include artwork as well as research, teaching, and professional topical files.

The George Vargas papers present a look at the interests, work, and activities of artist and historian George Vargas. The material is dated from approximately 1933-2016 and includes topical files, artwork, and correspondence.

The strength of the collection is found in the numerous lectures written by Vargas, which reveal the depth of his research, the original artwork, and the broader view of multi-cultural and, particularly, Latino art activities in Michigan. Also of note are his extensive files of artists that were of interest to him as well as his own papers and publications.

The researcher should note that many items in the collection overlap various series. As a result, researchers should—in addition to reviewing multiple series—be sure to look for the "see also" notes that help identify some of these overlaps.

Engineer on various Great Lakes steamship, photographer and collector of photographs; includes photos and some glass negatives depicting Grand Army of the Republic encampment in Detroit in 1891; photographs of war bond rally in Detroit, ca. 1918; photographs of downtown Detroit buildings and street scenes; some of the photographs of Belle Isle other water views.

The Merrill collection consists of photographs (with some glass negatives) depicting public events associated with a meeting of the Grand Army of the Republic organization in Detroit in 1891; photographs of war bond rally in Detroit, including patriotic displays, ca. 1918; photographs of downtown Detroit, including views of commercial buildings, modes of transportation, and people on the street; and some of the photographs of Belle Isle other water views.

Author, writer for radio and television programs, and advertising executive; collection includes scripts for radio and television programs, "The Firefighters," "Reflections," and "I Remember Mama"; materials relating to his work in opposition to the Vietnam War; correspondence, speeches, and manuscripts and copies of novels; also photographs and films.

The Webber papers, dating from 1936-1986, are organized into four series: Personal/Biographical, Writings, Anti-Vietnam War Activism, and Audio-visual Materials. The collection displays the broad creative nature of Webber's life and career, documenting his involvement in both radio and television broadcasting and advertising, his experience as a novelist and writer, as a sailor in World War II, and his activism against the Vietnam War in the early 1970's. As such, they also contain a wealth of information on the advertising industry itself and its response to the Vietnam War, the experience of American novelists in the 20th century, and support research on 20th century American literature. Correspondence can be found scattered throughout the collection: organized chronologically in the Personal/Biographical series, and associated with relevant projects in the Writings and Anti-War series.

Student activist who was involved with SDS, co-founded Kalamazoo Gay Liberation at Western Michigan University in 1970, and was involved with the Gay Liberation Movement at Michigan State University in the early 1970s. Greg Kamm later became an ESL teacher and served in the Peace Corps before teaching English in Thailand, South Korea, and Saudi Arabia. Collection includes photographs, personal journals, and papers documenting Kamm's involvement with various organizations.

Due to his involvement with SDS in the late 1960's and the Gay Rights movement in the early 70's, the Greg Kamm papers are a highly valuable resource for scholars and citizens interested in the history of student activism in Michigan. The papers are especially important for understanding the evolution of Lesbian, Gay, Bisexual, and Transgender rights in the state because Kamm, as cofounder of Kalamazoo Gay Liberation and an officer of the Gay Liberation Movement at MSU, was intimately involved with the movement in the years immediately succeeding the Stonewall riots. At the same time, materials related to Kamm's experiences abroad as a traveler and ESL teacher offer a Michigander's view of the world and his 31 years' worth of journals provide a fascinating insight into Kamm's transitions from activism to eastern philosophy and, ultimately, to the consolation of his early Catholicism. The Greg Kamm papers are divided into four series: Biographical Materials, Student Activism, Visual Materials, and Journals.

The collection consists of correspondence related to the Griffin family of New York City and includes 58 letters that George Griffin and his family exchanged between 1833 and 1854 with author Lydia H. Sigourney of Hartford, Connecticut. Additional material includes letters written by Sigourney about her work and correspondence among members of the Griffin family that provides commentary on family life, two extended trips to Europe, Protestant theology, and higher education. The final series in the collection includes manuscript copies of several of Sigourney's poems, including one on the death of American poet John Trumbull and another on the "Death of a Missionary to Liberia."

The collection consists of correspondence related to the Griffin family of New York City and includes 58 letters that George Griffin and his family exchanged between 1833 and 1854 with author Lydia H. Sigourney of Hartford, Connecticut, as well as several other pieces of correspondence written by Sigourney and others. The second series of the collection includes several folders of correspondence among members of the Griffin family, especially letters of fatherly advice that George Griffin wrote to his sons Edmund Dorr Griffin (1804-1830) and George Griffin, Jr. (1811-1880). In addition to narratives of family life, the bulk of these letters involve accounts of two extended trips to Europe as well as discussions of Protestant theology and higher education. The final series in the collection is a 3-page manuscript copy of Sigourney's poem on the death, in 1831, of American poet John Trumbull.

Sigourney Correspondence, 1833-1854: This subseries consists primarily of Lydia H. Sigourney's correspondence with her close friend and intermediary, George Griffin, and his family in New York City. Thee letters from Lydia Sigourney, dated in 1857 and 1858, may or may not have been to Douglas Smith. In them, she offered a brief remark on her own aging and disclaimed the notion of striving to appear young; content on shipping books to the U.S. Consul; and an interest in agricultural sciences.

Much of Sigourney's correspondence with George Griffin directly involves her work as an author and her position as a woman in that profession. She frequently sent him copies of her written pieces, some of which had already been published in periodicals, asking for advice about the content of the work and about how she might pursue publication. In the course of doing so, she remarked upon her writing and revision process. These letters also specifically address her negotiations, often through Griffin's work as intermediary, with the Key & Biddle, Harpers, Leavitt, Lord & Co., D. Appleton, and Van Nostrand publishing firms, as well as the publication of her Letters to Young Ladies (1833 and 1841), Poems (1834), Sketches (1834), Girl's Reading-book (1838), and Letters to Mothers (1838). Additionally, a small number of letters from 1840 deal with Sigourney's trip to Europe.

Griffin, in turn, kept Sigourney apprised of developments with publishing firms as well as on the sale and review of her work. He candidly offered his response to works she had sent him, as well as general advice on the direction of her literary career. As a writer himself, he too sought feedback for his work, which took the form of theological essays. A manuscript copy of one of the reviews of his book, The Gospel its Own Advocate , appears in this series. Both correspondents also reflected on the challenges facing the publishing industry during the financial crisis of the late 1830s (especially the Panic of 1837) and shared their opinions on the state of American literary culture.

This series also includes letters that Sigourney exchanged with George Griffin's wife, Lydia Butler Griffin, and daughter Caroline. These pieces tended to relate family news and household matters but also included reflections on reading and Sigourney's involvement in various charitable societies. She briefly remarked on her relationship with her African American servant, Ann Prince. In addition, Sigourney conveyed in her letters to George Griffin that she valued the responses of his wife and daughters to her work. Finally, the series contains 2 letters composed by Charles Sigourney, Lydia Sigourney's husband, and ten letters written by Lydia Sigourney relating to her work, public appreciation of it, school celebrations, and social matters.

Griffin Family Correspondence, 1807-1885: The Griffin Family correspondence contains over 150 letters, dated between 1807 and 1885, that relate to George Griffin (1778-1860) of New York City and his family.

Most of the letters from the 1820s deal with Edmund Dorr Griffin (1804-1830), the second son of George and Lydia Butler Griffin. A handful of these items chart his religious convictions and pathway to becoming an Episcopal minister. The bulk of these letters, however, are ones that Edmund exchanged with his parents, siblings, and friends during the extended trip he took to Europe between October 1828 and April 1830. George Griffin's letters to Edmund during this trip are full of advice and directives about where to travel, what to observe, and practicalities about money. He also kept his son informed about matters that were unfolding among the Episcopal churches in New York and at Columbia College. Although George Griffin was the primary writer of these letters, many of them include notes from other family members as well, with accounts of family life, including the courtship and marriage of Edmund's older brother Francis to Mary Sands.

Edmund's letters home narrate his journey and impressions of Europe in extensive detail. George Griffin actively compiled his son's epistles to have them published in periodicals, and upon Edmund's death in September 1830, these travel accounts (not all of which are included in the collection) made up the bulk of the "Remains" compiled by Francis Griffin and published in his brother's memory in 1831. Letters pertaining to the preparation and reception of this document, as well as a 12-page account of Edmund's final days, can be found in Series I and II of the collection.

Another group of letters from 1830 chart George Griffin, Jr.'s (1811-1880) sudden religious awakening and decision to pursue ministerial training under the care of his uncle, Edward Dorr Griffin (1770-1837), a Congregational minister and the president of Williams College. Later letters in the collection reveal that George Griffin, Jr., eventually became a farmer in Catskill, New York, and deal with his efforts to sell his hay. He would also travel to Europe, in 1850, with his ailing sister Caroline (1820-1861). While they were away, their father conveyed advice regularly and procured letters of introduction, some of which remain in the collection.

Additional materials include subjects related to male and female friendship; family financial matter; the births, deaths, or marriages of family members; education; Protestant theology; health and medicine; early telegraph communication; and family genealogy. The handful of items that date to the 1870s and 1880s include a printed piece called "Dear Erskie!" which contains a series of riddles, and a fifteen-page booklet that includes two poems titled "Picnic" and "Archery."

Lydia Sigourney Poems, Notes, and Photograph

This series consists of six items: a 3-page manuscript copy of Sigourney's poem on the death of American poet John Trumbull in 1831; a manuscript copy of "Death of a Missionary to Liberia" written for theColonization Herald; her poem "Tomb of Josephine"; Sigourney's manuscript copy of an 1849 printed notice regarding Whisper to a Bride that she sent to an autograph collector; a "List of L. H. Sigourney's published poetical works" (ca. 1857? in her hand); and a carte-de-visite seated portrait of Lydia H. Sigourney. The photograph was published by E. & H. T. Anthony & Co., New York, from a photographic negative in Brady's National Portrait Gallery. It is signed by Lydia H. Sigourney to her friend Mrs. E. Douglas Smith.