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The Broadside Press records include correspondence, typescripts, broadsides, books, financial records, audiovisual material, photographs, realia, and other printed material. These records document a portion of the history of the Detroit-based African-American-owned publisher of poetry broadside, anthologies and other works.

The Broadside Press records include correspondence, typescripts, broadsides, books, financial records, audiovisual material, photographs, realia, and other printed material. The ten linear feet span the years 1968 to 1998, with the bulk of materials falling between 1985 and 1996. Records are arranged in ten series: Correspondence (0.5 linear feet), Book Production Material (1 linear foot), Broadsides (0.25 linear feet), Programs and Events (0.5 linear feet), Business Records (1 linear foot), Financial Records (1 linear foot), Photographic Material (0.5 linear feet), Audiovisual Material (0.5 linear feet), Ephemera (1.5 linear feet), and Realia (.25 linear feet).

The Broadside Press records include correspondence, typescripts, broadsides, books, financial records, audiovisual material, photographs, realia, and other printed material. These records document a portion of the history of the Detroit-based African-American-owned publisher of poetry broadside, anthologies and other works.

The Broadside Press records include correspondence, typescripts, broadsides, books, financial records, audiovisual material, photographs, realia, and other printed material. The ten linear feet span the years 1968 to 1998, with the bulk of materials falling between 1985 and 1996. Records are arranged in ten series: Correspondence (0.5 linear feet), Book Production Material (1 linear foot), Broadsides (0.25 linear feet), Programs and Events (0.5 linear feet), Business Records (1 linear foot), Financial Records (1 linear foot), Photographic Material (0.5 linear feet), Audiovisual Material (0.5 linear feet), Ephemera (1.5 linear feet), and Realia (.25 linear feet).

David Cope is a poet in the Objectivist tradition and the founder of Nada Press, a small press which publishes the literary magazine and other poetry. Cope, a University of Michigan graduate and lifelong Michigan resident, taught literature and writing at Grand Rapids Community College and Western Michigan University. The collection documents Cope's writing, editing, and to some extent teaching and other spheres of Cope's life, through correspondence, manuscripts, notes, printed material, photographs, and videotapes.

David Cope made his first donation of papers to the Special Collections Research Center in 1987. Since then he has continued to make frequent contributions. The David Cope Papers cover Cope's writing and correspondence from the 1970s to the present, as well as his editing and teaching activities. In addition to offering insight into Cope's work, the collection details some of the activities and thoughts of friends and fellow writers and poets; in particular, Allen Ginsberg, Jim Cohn, Antler, and Jeff Poniewaz. Not currently well-documented are the more personal aspects of Cope's life--especially his family life--except for those details made available through his writings and correspondence.

The David Cope Papers are divided into eight series: Correspondence and Name Files, Writings, Editing Materials, Teaching and Education Materials, Publicity Materials, Personal, Photographs, and Audio/Visual. A small selection of books from Cope's library have been removed from the collection and have been cataloged individually. They are shelved by call number in Special Collections and can be requested through the Library's catalog.

Edward C. Weber (1922-2006) was long-time curator of the University of Michigan Special Collection's Joseph A. Labadie Collection of radical history. Under his stewardship, the Labadie Collection grew into one of the premier and most forward-thinking holdings of materials relating to radical and protest groups from the United States and around the world. The Edward C. Weber Papers are made up of the subject's correspondence and biographical materials, written from 1949 to 2006. The bulk of the collection, the correspondence is mostly comprised of Weber's letters soliciting materials on behalf of the Labadie Collection or fielding reference questions from researchers, as well as personal correspondence from the his family and friends. The collection's materials are comprised of letters (typed and handwritten), printed out emails, postcards, greeting cards, news clippings, photographs, printed biographical materials, framed commendations, and other miscellaneous paper materials.

The Edward C. Weber Papers consists of Weber's correspondence with organizations, publishers, researchers, associates, family, and friends, along with biographical materials created for his retirement and memorial services. The collection provides a snapshot of the Joseph A. Labadie Collection and his work there for a 40 year period (1960-2000), as well as a portrait of his personal relationships with friends and family from 1949 to 2005.

The Biographical Materials series contains materials from Weber's retirement celebration and memorial service. The first folder contains past articles and correspondence on paper stock, reprinted for Weber's memorial service in 2006. The second set of items relate to Weber's retirement in 2000. This includes a flyer for his retirement celebration, articles about his retirement, and copied certificates of commendation. In addition, two framed items of commendation are housed in an oversized box.

The Correspondence series makes up the majority of the collection and is comprised of 27 linear feet of paper material housed in 54 manuscript boxes, foldered alphabetically by correspondent or corresponding organization. Individual letters, cards, photographs and other types of written communication are arranged chronologically within each subject's folder(s). The majority of folders are dedicated to outreach by Weber to various radical groups and individuals soliciting material donations to contribute to the Labadie Collection. His written responses to reference inquiries for items within the Labadie Collection make up another significant segment of the series. Most of these materials are typewritten letters officially sent on behalf of the Labadie Collection and University of Michigan Special Collections. Some later letters were written by Labadie Collection assistants during Weber's time there and with his knowledge. Since Weber never used email, his letters sent on behalf of the Labadie Collection were typed on a manual or electric typewriter. There are occasional handwritten notations on some of these letters and a few emails printed out so he could read them. Other folders in the series contain personal correspondence from friends, family, and other associates. These items are made up mostly of handwritten notes, postcards, greeting cards, newspaper clippings, printouts of emails, occasional photographs, and other miscellaneous items. Many of the folders were removed from the general Labadie correspondence files in 2008 and a listing was made of them at that time. The rest of the series is made up of personal correspondence Weber stored in his home.

Within the series are several notable, lengthy correspondence partners including Theodore Adams (1950-2004, 21 folders), James Q. Belden (1952-2000, 11 folders), George Nick (1949-1991, 12 folders), Curtis and Clarice Rodgers (1961-2005, 18 folders), and Henry Van Dyke (1950-2004, 12 folders). The series also includes correspondence from notable individuals such as civil rights activist Malcolm X, graphic novelist Harvey Pekar, former Secretary of State Eliot Abrams, the White Panther Party, among many others.

Abbreviations:

LC=Labadie Collection ECW=Edward C. Weber

Ella Reeve "Mother" Bloor (1862–1951) was an American activist dedicated to the labor movement, the Socialist Party, and numerous radical groups.

The Ella Reeve Bloor Papers consist of two linear feet of personal and professional correspondence, notebooks and pamphlets, clippings, publications, and printed ephemera.

The collection, divided into 4 series, documents her activities as suffragist, free speech advocate, and labor organizer.

The Correspondence series consists of manuscript letters betweeen Bloor and her family, and correspondence between Bloor and her colleagues.

The majority of the family letters are to/from her children. Her letters, written during her travels, provide information about individuals and events associated with her work. Most of the family letters include the month and day written, but not the year. As a result, the letters are arranged in non-specific order.

Bloor's correspondence with colleagues and organizations are arranged chronologically. Included are letters from various Socialist societies, state and local government offices, newspapers, and labor unions, such as the New York State Committee Socialist Party, United Cloth and Cap Makers, Tailors' Union. In addition, there are handwritten letters from other activists involved in socialist and labor causes (e.g., letter from Joseph W. Sharts, counsel for Eugene V. Debs in his trial at Cleveland, Ohio; Theodore H. Lunde, officer of the Peace Council in Chicago).

The Publications series includes several small booklets, articles, a journal, and a report on the professional achievements of Harold M. Ware.

Ann Arbor, Michigan artist, invited to curate show on pornography and prostitution in conjunction with University of Michigan Law School on the subject. Speakers, including Catherine MacKinnon and Andrea Dworkin, generally opposed pornography and prostitution while artists argued for freedom of expression legalization and legalization of prostitution. Removal of a videotape from the exhibit resulted in controversy and legal action. Includes materials from the exhibit, correspondence, conference files, photos and videotapes.

The records in the Carol Jacobsen Collection are compromised of materials documenting the "Porn I'mage'ry" exhibit, the controversy and negotiations surrounding the exhibit, and materials concerning the issues of prostitution, pornography, sex work, and censorship. The records are organized into six series: Correspondence Files, Press Clippings and Published Material Files, Original Conference Files, Photographs, Protest and Reinstallation Material, and Videotapes.