Search

The Al Parker collection includes three envelopes of photographs, sheet music, and newspaper clippings as well as a scrapbook relating to the professional and personal life of Philadelphia-based photographer and photographic supplies salesman Alfred Parker.

The Al Parker collection includes three envelopes of photographs, sheet music, and newspaper clippings as well as a scrapbook relating to the professional and personal life of Philadelphia-based photographer and photographic supplies salesman Alfred Parker.

Envelope A (photographs): includes unmounted oval portraits of Parker’s children Eda and Ray from the early 1900s; studio portraits of Eda and his wife Alice from the 1910s, two of them from the Philadelphia studio of Gilbert and Bacon; an mounted school class photo (ca. 1890s?)

Envelope B (sheet music): includes three examples of World War I songs from the Eagle Publishing Company of Philadelphia with "music by Geo. L. Robertson and lyrics by Al. Parker."

Envelope C (letters, clippings, etc.): includes a letter appointing Dr. Ray Parker head of plastic surgery at a hospital in Johnstown, PA; a magazine article on “Flood Free Johnstown”; letters and clippings about Dr. Ray Parker; article on World War II factory workers; newspaper article on Theodore Roosevelt urging U.S. entry into World War I; and a note from Christmas 1926 from Parker’s grandson Donald addressed to “Ganco."

Scrapbook: The volume (37 x 28) is cloth-bound and has 66 pages total. Materials are not arranged in any chronological or thematic order and so unrelated items often appear together on the same page.

The album begins with photographs of Parker’s family members while the next few pages focus on scenes from his professional life, including a magazine cover from April 1900 and documentation of his break with Willis & Clements in 1910. Portraits of Parker at every stage of his life appear throughout the scrapbook, though not in any chronological order. The earliest is a tintype from the 1850s that shows him as a young boy with his brothers. Many portraits and casual snapshots of Parker's daughter Eda and son Ray from their early childhood into adulthood are included, while a collection of clippings reflects Parker’s pride in Ray's success as a doctor. His delight in playing the doting grandfather is clear from the drawings Parker made for Eda’s son Donald and in the notes that Donald wrote to Parker using the nickname “Ganco.”

A handful of portraits that were taken by Parker show that he was a capable studio photographer in addition to being a successful promoter of platinum photography products while working for Willis & Clements. Requests for his opinions from Eastman Kodak Company, Photo Era magazine, and the Photographers’ Association of New England testify to his recognized expertise. Numerous portraits of Parker in the company of other well-regarded photographers of the day confirm his acceptance in that professional circle.

Many ephemeral items also help illuminate the arc of Parker's career including programs from his minstrel show days; an advertisement for his Australian window blind company; the initial offer of employment from Willis and Clements; business cards from various stages of his career; and an ad for a new camera shutter he invented. Interspersed amongst these items are letters and photographs from various colleagues and employers along with miscellaneous poems, cartoons, programs, drawings, song lyrics, newspaper clippings, and so on.

The Brearley-Pingree collection consists of approximately 166 autographed photographs of notable individuals that were originally compiled by Detroit-based newspaperman William H. Brearley and later added to by Detroit mayor and Governor of Michigan Hazen S. Pingree. In addition to the photographic materials, 36 manuscript items and two bound volumes are also included in the collection.

The Brearley-Pingree collection consists of approximately 166 autographed photographs of notable individuals that were originally compiled by Detroit-based newspaperman William H. Brearley and later added to by Detroit mayor and Governor of Michigan Hazen S. Pingree. An additional 36 manuscript items and 2 bound volumes are also included in the collection.

The collection appears to have been first started by Brearley during the mid-1860s, possibly during or immediately after his Civil War service. He seems to have solicited the autographs of a variety of famous individuals (including authors, performers, musicians, scientists, spiritual leaders, politicians, foreign rulers, and military officers) primarily by mailing them photographs of themselves and requesting their signatures. Possession of the collection appears to have been transferred to Pingree at some point, and he continued to make further contributions. Pingree’s daughter Hazel retained possession of the collection after her father’s death before eventually donating it to the Clements Library. All components of the collection are stored together in one box.

While most portraits in the collection are original studio photographs taken by a variety of photographers including Mathew Brady and Napoleon Sarony, a relatively small number of photographic reproductions of non-photographic portraits are also present (including depictions of James Monroe, Stonewall Jackson, and Henry and Clara Ford).

Volume 1: Brearley collection reproduction souvenir album

This album (16.5 x 15 cm) has green leather covers with lines of poetry from Henry W. Longfellow’s A Psalm of Life stamped in gold on the front. An index included at the beginning lists the names of 96 individuals represented across the album’s 24 pages. After the index, a passage written by William H. Brearley and dated August 1st 1874 explains that he created a limited number of facsimile copies of his original autographed portrait collection at the “urgent solicitation” of many interested friends. Brearley also explains that he acquired the original photographs and autographs in his collection “by long and patient effort, & tending over a period of ten years, and involving an expense of several Hundred dollars.” Subsequent album pages each contain four individually pasted 5.5 x 4 cm albumen print photographic reproductions of original portraits found in Brearley’s collection. This item was acquired from a separate source and was not part of the original collection of materials donated to the Clements Library by Hazel Hope Pingree Mills.

Volume 2: Brearley-Pingree collection original album

This album (30 x 26 cm) has brown leather covers and the words “Portraits. Autographs” and “Brearley” stamped in gold on the spine. The original autographed portraits of the Brearley-Pingree collection were once housed in this album before Clements Library staff removed the original photographs and substituted them with photocopies in 2010 for conservation and preservation purposes. Manuscript captions were also added by Clements Library staff. The original photographs are housed separately in smaller boxes and have been arranged according to size/format and ordered alphabetically by subject surname. See below for a complete list of photographic subjects contained in each box.

Of additional interest are three manuscript items, including the clipped signature of Hyacinthe Loyson and an October 15th 1873 letter from Henry W. Longfellow containing the same lines of poetry from A Psalm of Life that appear on the cover of the Brearley collection souvenir album. Also present is a letter from Buckingham Palace sent to Brearley in 1873 by Sir Thomas Biddulph explaining that the “enclosed Photograph” of Queen Victoria is being returned but that “The Queen’s Autograph is never given away.” Three wax seals are also included in the volume including an “Imperial Chancellor’s seal” (associated with a portrait of Otto von Bismarck); “the Napoleon Seal” (associated with a portrait of Jérôme Bonaparte); and a Great Seal of the Realm attached to the 1873 letter from Buckingham Palace.

Box 1.1: Brearley-Pingree collection cartes de visite, A-E

This box contains 47 cartes de visite. Represented individuals include the following:

• Adams, Charles Francis, 1807-1886.
• Agassiz, Louis, 1807-1873.
• Alcott, Louisa May, 1832-1888.
• Anderson, Richard Heron, 1821-1879.
• Anderson, Robert, 1805-1871.
• Anthony, Susan B. (Susan Brownell), 1820-1906.
• Bancroft, George, 1800-1891.
• Barnum, P. T. (Phineas Taylor), 1810-1891.
• Barrett, Lawrence, 1838-1891.
• Beauregard, G. T. (Gustave Toutant), 1818-1893.
• Beecher, Henry Ward, 1813-1887.
• Billings, Josh, 1818-1885. [Henry Wheeler Shaw]
• Birney, David Bell, 1825-1864.
• Bishop, Anna, 1810-1884. [Anna Riviere Schultz]
• Bismarck, Otto, Fürst von, 1815-1898.
• Bonaparte, Jérôme, King of Westphalia, 1784-1860.
• Bonner, Robert, 1824-1899.
• Booth, Edwin, 1833-1893.
• Breckinridge, John C. (John Cabell), 1821-1875.
• Bright, John, 1811-1889.
• Bryant, William Cullen, 1794-1878.
• Buchanan, James, 1791-1868.
• Bülow, Hans von, 1830-1894.
• Bunker, Chang, 1811-1874. [in portrait with Eng Bunker]
• Bunker, Eng, 1811-1874. [in portrait with Chang Bunker]
• Burnside, Ambrose Everett, 1824-1881. [two portraits included]
• Butler, Benjamin F. (Benjamin Franklin), 1818-1893.
• Carleton, Will, 1845-1912.
• Chapin, E. H. (Edwin Hubbell), 1814-1880.
• Clem, John Lincoln, 1851-1937.
• Clough, J. E. (John Everett), 1836-1910.
• Coan, Titus, 1801-1882.
• Colfax, Schuyler, 1823-1885.
• Collins, Wilkie, 1824-1889.
• Cook, Eliza, 1818-1889.
• Coombs, Jane, 1842- .
• Curtis, George William, 1824-1892.
• Cushman, Charlotte, 1816-1876.
• Dana, Charles A. (Charles Anderson), 1819-1897.
• Darwin, Charles, 1809-1882.
• Davis, Jefferson, 1808-1889.
• Dickinson, Anna E. (Anna Elizabeth), 1842-1932.
• Dix, John A. (John Adams), 1798-1879.
• Doré, Gustave, 1832-1883.
• Doubleday, Abner, 1819-1893.
• Douglass, Frederick, 1818-1895.
• Emerson, Ralph Waldo, 1803-1882.
• Emory, William H. (William Hemsley), 1811-1887.

Box 1.2: Brearley-Pingree collection cartes de visite, F-N

This box contains 46 cartes de visite. Represented individuals include the following:

• Farragut, David Glasgow, 1801-1870.
• Ferrero, Edward, 1831-1899.
• Field, Cyrus W. (Cyrus West), 1819-1892.
• Field, Kate, 1838-1896. [Mary Katherine Keemle Field]
• Fillmore, Millard, 1800-1874.
• Forrest, Nathan Bedford, 1821-1877.
• Fowler, O. S. (Orson Squire), 1809-1887.
• Garrison, William Lloyd, 1805-1879.
• Gladstone, W. E. (William Ewart), 1809-1898.
• Grant, Ulysses S. (Ulysses Simpson), 1822-1885.
• Greeley, Horace, 1811-1872.
• Greenwood, Grace, 1823-1904. [Sarah Jane Clarke Lippincott]
• Hall, John, 1829-1898.
• Halleck, H. W. (Henry Wager), 1815-1872.
• Hancock, Winfield Scott, 1824-1886.
• Hay, John, 1838-1905.
• Heintzelman, Samuel Peter, 1805-1880.
• Hoar, E. R. (Ebenezer Rockwood), 1816-1895.
• Holland, J. G. (Josiah Gilbert), 1819-1881.
• Holmes, Oliver Wendell, 1809-1894.
• Hooker, Joseph, 1814-1879.
• Howard, O. O. (Oliver Otis), 1830-1909.
• Hugo, Victor, 1802-1885.
• Jackson, Stonewall, 1824-1863.
• Johnson, Andrew, 1808-1875.
• Kirby-Smith, Edmund, 1824-1893.
• Lee, Fitzhugh, 1835-1905.
• Lee, Robert E. (Robert Edward), 1807-1870.
• Lincoln, Abraham, 1809-1865.
• Locke, David Ross, 1833-1888. [Petroleum V. Nasby]
• Logan, John Alexander, 1826-1886.
• Longstreet, James, 1821-1904.
• Loring, Charles G. (Charles Greely), 1794-1867.
• Loyson, Hyacinthe, 1827-1912.
• Lucca, Pauline, 1841-1908.
• Mario, Giovanni, 1810-1883. [Mario, T.]
• McClellan, George Brinton, 1826-1885.
• Mitchell, Maggie, 1837-1918.
• Moltke, Helmuth, Graf von, 1800-1891.
• Monroe, James, 1758-1831.
• Morse, Edward Sylvester, 1838-1925.
• Motley, John Lothrop, 1814-1877.
• Nāṣir al-Dīn Shāh, Shah of Iran, 1831-1896.
• Nast, Thomas, 1840-1902.
• Nilsson, Christine, 1843-1921.
• Nutt, Commodore, 1848-1881. [group portrait with Minnie Warren]

Box 1.3: Brearley-Pingree collection cartes de visite, O-Z

This box contains 36 cartes de visite. Represented individuals include the following:

• Ord, Edward Otho Cresap, 1818-1883.
• Parepa-Rosa, Euphrosyne, 1836-1874.
• Patti, Adelina, 1843-1919.
• Phillipps, Adelaide, 1833-1882.
• Porter, David D. (David Dixon), 1813-1891.
• Rogers, Randolph, 1825-1892.
• Salvini, Tommaso, 1829-1915.
• Saxe, John Godfrey, 1816-1887.
• Schurz, Carl, 1829-1906.
• Scott-Siddons, Mary Frances, 1844-1896.
• Sheridan, Philip Henry, 1831-1888.
• Sherman, William T. (William Tecumseh), 1820-1891.
• Sothern, Edward Askew, 1826-1881.
• Spinner, Francis Elias, 1802-1890.
• Spurgeon, C. H. (Charles Haddon), 1834-1892.
• Stanley, Henry M. (Henry Morton), 1841-1904.
• Stephens, Alexander H. (Alexander Hamilton), 1812-1883.
• Strakosch, Max, 1835-1892.
• Sumner, Charles, 1811-1874.
• Tennyson, Alfred Tennyson, Baron, 1809-1892.
• Terry, Alfred Howe, 1827-1890.
• Thiers, Adolphe, 1797-1877.
• Thomas, George H. (George Henry), 1816-1870.
• Thomas, Theodore, 1835-1905.
• Thumb, Tom, 1838-1883. [Charles Sherwood Stratton; group portrait with Lavinia Warren]
• Twain, Mark, 1835-1910. [Samuel L. Clemens; both names signed on photograph]
• Vanderbilt, Cornelius, 1794-1877.
• Waite, Morrison R. (Morrison Remick), 1816-1888.
• Warren, G. K. (Gouverneur Kemble), 1830-1882.
• Welles, Gideon, 1802-1878.
• Willcox, Orlando B.
• Wilson, Henry, 1812-1875.
• Woodhull, Victoria C. (Victoria Claflin), 1838-1927.
• Wright, Horatio Gouverneur, 1820-1899.
• Yates, Edmund, 1831-1894.
• Young, Brigham, 1801-1877.

Box 2: Brearley-Pingree collection cabinet cards

This box contains 27 cabinet cards. Represented individuals include the following:

• Andrade, Ignacio, 1836-1925.
• Arthur, Chester Alan, 1829-1886.
• Bernhardt, Sarah, 1844-1923.
• Booth-Tucker, Emma, 1860-1903.
• Booth-Tucker, Frederick St. George de Lautour, 1853-1929.
• Bull, Ole, 1810-1880.
• Cable, George Washington, 1844-1925.
• Chamberlain, Joseph, 1836-1914.
• Dickinson, Donald McDonald, 1846-1917.
• Garfield, James A. (James Abram), 1831-1881.
• Garfield, Lucretia Rudolph, 1832-1918.
• Hayes, Rutherford B., 1822-1893.
• Janauschek, Francesca Romana Magdalena, 1830-1904.
• Kellogg, Clara Louisa, 1842-1916.
• Kennan, George, 1845-1924.
• Kruger, Paul, 1825-1904.
• Longfellow, Henry Wadsworth, 1807-1882.
• Phillips, Wendell, 1811-1884.
• Ranavalona III, Queen of Madagascar, 1861-1917.
• Reed, Thomas B. (Thomas Brackett), 1839-1902.
• Stead, W. T. (William Thomas), 1849-1912. [three portraits included]
• Stowe, Harriet Beecher, 1811-1896.
• Urso, Camilla, 1842-1902.
• Victoria, Queen of Britain, 1819-1901.
• Whittier, John Greenleaf, 1807-1892.

Box 3: Brearley-Pingree collection large photographs and manuscript materials

This box contains 9 large format mounted photographs and 33 manuscript items. Represented individuals among the photographs include the following:

• Cleveland, Frances Folsom, 1864-1947.
• Cleveland, Grover, 1837-1908.
• Ford, Clara Bryant, 1866-1950.
• Ford, Henry, 1863-1947.
• Gibbons, James, 1834-1921.
• Guzmán Blanco, Antonio, 1828-1899.
• Mace, Aurelia Gay, 1835-1910.
• Milles, Carl, 1875-1955.
• Wilder, Marshall P.

Manuscript materials of interest include a number of letters dating to the mid-1870s from various individuals (including John A. Dix, C. H. Spurgeon, H. W. Longfellow, and Lucretia R. Garfield) possibly sent to William H. Brearley in response to autograph solicitations and other requests; and numerous letters addressed to Hazen S. Pingree from various individuals (inlcuding William Thomas Stead, Ignacio Andrade, Benjamin Harrison, Grover Cleveland, and William McKinley) dating to the 1890s. Other items of interest include a copy of "Special Order No. 166 'Extract' Head Quarters 2d Brigade 3d Div 2d A.I." dated June 15th 1865 stating that the 1st Mass Heavy Artillery had been ordered by Brig. Gen. Franklin Pierce to repost to General Hancock; calling cards for "Sixto Sanchez Director General de Coreeos - Postmaster" as well as "The Admiral of the Navy" George Dewey from "when he called on Gov. Pingree in Detroit"; a clipped signature of "Louis Botha Commandant General"; an undated note to poet Louise Chandler Moulton; a document dated August 1st 1892 detailing financial investment information related to the Michigan-Peninsular Car Company with pasted clippings of wealthy politicians and their net worths as well as annotations by Pingree; a letter dated Feb 19th 1892 from Don M. Dickinson to Pingree regarding the prospective visit of Grover Clevland to Detroit, Ann Arbor, and the University of Michigan; a letter dated March 9th 1949 from Hazel Hope Pingree Mills to Director of the William L. Clements Library Randolph G. Adams regarding progress being made on research regarding the life of William H. Brearley; and an undated typed copy of a short essay titled "Brearley - Man of Action, Started Many Important Detroit Activities" by historian George B. Catlin.

The Colorado, New Mexico, and Mexico views collection contains 24 photographs of places and people in the western United States, British Colombia, and Mexico.

The Colorado, New Mexico, and Mexico views collection contains 24 photographs of places and people in the western United States, British Colombia, and Mexico.

The collection is stored in a modern brown plastic binder (30.5 x 23.5 cm). Contents consist of images of the Ferguson area of British Columbia; pack mules at work; a gold mine in Oatman, Arizona; Idaho Springs, Colorado; Santa Fe and Laguna, New Mexico; a woman from Cuernavaca, Mexico; buildings (including a Mexican cathedral); portraits of Native Americans in New Mexico; and mountains in Colorado. The collection include mounted and unmounted photographs ranging in size from cartes de visite to prints on 20 x 25 cm mounts.

The David V. Tinder Collection of Michigan Photography consists of over 100,000 images in a variety of formats including daguerreotypes, ambrotypes, tintypes, cartes de visite, cabinet photographs, real photo postcards, stereographs, and mounted and unmounted paper prints. The collection is primarily made up of vernacular photographs of everyday life in Michigan taken by both professional and amateur photographers from the 1840s into the mid-twentieth century. In addition to supporting local history research, the collection has resources for the study of specific events and subjects. Included are images related to lumbering, mining, suburbanization; the industrialization of cities; travel and transportation; the impact of the automobile; the rise of middle-class leisure society; fashion and dress; ethnicity and race; the role of fraternal organizations in society; and the participation of photographers in business, domestic, and social life. The collection is only partially open for research.

The subject contents of different photographic format series within the Tinder collection vary, depending in part upon how each format was historically used, and the date range of that format's popularity. For example, cartes de visite and cased images are most often formal studio portraits, while stereographs are likely to be outdoor views. Cabinet photographs are frequently portraits, but often composed with less formality than the cartes de visite and cased images. The postcards and the mounted prints contain very diverse subjects. The photographers' file contains many important and rare images of photographers, their galleries, promotional images, and the activities of photographers in the field. See individual series descriptions in the Contents List below for more specific details.

Included throughout are images by both professional and amateur photographers, although those by professionals are extant in far greater numbers.

The Grisson family photograph album contains 31 portraits of men, women, and children taken in Michigan.

The Grisson family photograph album contains 31 portraits of men, women, and children taken in Michigan.

The album (28 x 22 cm) has an ornate design with faux wood paper pages. The first page states "Return to M. L. Grisson Grand Ledge, Mich.," indicating that the album may possibly have belonged to Maybel L. Grisson (1876-1954). Images of note include portraits of a family holding a card photograph and a family posing in front of a house.

The Lukens-Parry family carte de visite album contains 49 studio portrait photographs primarily related to the Lukens and Parry families of Chester, Pennsylvania. The Lukens and Parry families were both prominent members of the Pennsylvania Quaker community.

The Lukens-Parry family carte de visite album contains 49 studio portrait photographs primarily related to the Lukens and Parry families of Chester, Pennsylvania. The Lukens and Parry families were both prominent members of the Pennsylvania Quaker community.

The album (14.5 x 12 cm) has embossed brown leather covers, metal clasps, and "Album" stamped in gold on the spine. A taped-in note close to the front of the album reads "my relatives & friends of years ago - Sarah Kinderdine Lukens later Mrs. Wm. W. Downing - Mar 20th 1950." The note as well as numerous inscriptions identifying most individuals represented in the album were all added by Sarah Kinderdine Lukens Downing in 1950.

The Maples family photograph album contains 44 photographs and 18 clippings related to a group of families most likely from Michigan.

The Maples family photograph album contains 44 photographs and 18 clippings related to a group of families most likely from Michigan.

The album (26.25 x 20 cm) has embossed leather covers and contains 15 tintypes, 13 cartes de visite, and 16 snapshots overall as well as 18 clippings. The majority of the photographs are studio portraits of men, women, and children while the clippings range in substance from poetry and professional updates to obituaries. The people represented in this album may possibly be members of the Maples-Keller-McFarlane families.

The Michigan, Ohio, Illinois family photograph albums consist of a two-volume set containing 112 studio portraits of people taken in the midwestern United States.

The Michigan, Ohio, Illinois family photograph albums consist of a two-volume set containing 112 studio portraits of people taken in the midwestern United States.

Volume one (27 x 21.25 cm) has green fabric covers with a plush velvet heart in the center and faux bark pages. Contents consist of eight cartes de visite and 28 cabinet card portraits of men, women, and children.

Volume two (27 x 21.25 cm) has a maroon leather cover and contains a total of 76 studio portraits. The majority of photographs are cartes de visite and cabinet cards while there are also some tintypes present. Of particular note are images of men in military and fraternal uniforms.

The Oberlin, Ohio photograph album contains 11 studio portrait photographs, including several images of family members and friends apparently related to a biracial family based in Oberlin, Ohio.

The Oberlin, Ohio photograph album contains 11 studio portrait photographs, including several images of family members and friends apparently related to a biracial family based in Oberlin, Ohio.

The album (13.5 x 10 cm) has embossed leather covers and a broken metal clasp. The album spine has completely deteriorated and all pages are completely detached from one another. For conservation and preservation purposes, all original photographs have been removed from their album page slots and replaced with facsimile copies. The original photographs are stored in a separate container along with the album.

Most of the individuals represented in this album have been tentatively identified through the presence of inscriptions made on album pages; all or most of the subjects appear to have been biracial/African American. Many page captions appear to be associated with friends and family members of the Vaughn family (alternatively spelled “Vaughan”) of Oberlin, Ohio. One group portrait of two boys present in the page captioned “John & Louis Vaughn” may depict brothers John Sewell Vaughn and Wendal Louis Vaughn, the latter of whom went on to become a professional photographer. While it remains unclear who the original compiler of the album was, it is possible that it was assembled by either a member or close friend of the Vaughn family.

The following list includes inscriptions present on album pages (in order of appearance) and/or descriptions of the portraits associated with each inscription:

• “Oscar Viney Dolph Viney’s father”: Carte de visite portrait of a bearded man with a hat. Possibly Oscar F. Viney (approximately 1830-1904) of Gallipolis, Ohio, who had a son named Adolphus E. Viney (1873-1947)
• “Aunt America Vaughn Clark”: Tintype portrait of a young woman. Possibly America Vaughn Clark (approximately 1845-?) of Gallipolis, Ohio. Includes revenue tax stamps on verso dated January 16 1866 as well as pasted-on clipped newspaper obituary for a woman named Maude Cooper Horton (1880-1903). The obituary mentions a surviving three-year-old daughter by the name of Louise; a Columbus, Ohio, death certificate for a Louise Horton (1900-1918) with parents listed as “Maud Cooper” and “William Horton” indicates that this family was "colored."
• “Will Vaughn”: Carte de visite portrait of a man with a large mustache by H. M. Platt of Oberlin, Ohio. Possibly William Craddock Vaughn (approximately 1835-1912)
• “John & Louis Vaughn”: Carte de visite group portrait of two boys by H. M. Platt. Possibly John Sewell Vaughn (1857-1931) and Wendel Louis Vaughn (approximately 1860-1918).
• “John Vaughn": Carte de visite portrait of a young man by H. M. Platt. Possibly John Sewell Vaughn, though also appears to possibly resemble older version of Wendel Louis Vaughn when compared to preceding group portrait.
• “Aunt Margaret”: Carte de visite portrait of a woman with curly hair.
• “Aunt Margaret”: Tintype portrait of a woman with curly hair. Same woman photographed in preceding image.
• “Thresa Madey”: Carte de visite portrait of a woman by C. W. Howland of Cincinnati, Ohio.
• “? Cooper”: No photograph in page slot.
• “Mary Hamilton”: Tintype portrait of a young African American woman.
• [Unidentified African American infant]: Carte de visite portrait of an unidentified infant by an unidentified photographer of St. Louis, Missouri.

The People photographed while reading photograph album contains 82 portraits of people reading as well as three newspaper clippings regarding the accidental death of railroad fireman Joseph Ronk in Wooster, Ohio.

The People photographed while reading photograph album contains 82 portraits of people reading as well as three newspaper clippings regarding the death of a railroad fireman.

The album (26.5 x 21.5 cm) has red velvet covers and a metal clasp. While the album itself and all the photographs in it date to the 19th/early 20th century, these materials were compiled by a noncontemporary individual with an interest in historic images of people reading. Also present are three newspaper clippings related to the accidental death of railroad fireman Joseph Ronk (1865-1888) following a train derailment in Wooster, Ohio, in July 1888.