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A currently anonymous writer, likely a traveling salesperson, maintained this "Harris' Improved Expense Account Book for Traveling Men: Vest Pocket Edition" primarily while traveling in Arkansas during January 1889. Other stops appear to have been in Tennessee and North Carolina. The entries are divided between cash disbursed and received, with sections for towns visited, hotel bills, forms of transportation and fare (railroad, sleeper and boat passage, hack, omnibus, street car, etc.), mileage, baggage, washing and incidentals, and other travel expenses.

A currently anonymous writer, likely a traveling salesperson, maintained this "Harris' Improved Expense Account Book for Traveling Men: Vest Pocket Edition" primarily while traveling in Arkansas during January 1889. Other stops appear to have been in Tennessee and North Carolina.

The entries are divided between cash disbursed and received, with sections for towns visited, hotel bills, forms of transportation and fare (railroad, sleeper and boat passage, hack, omnibus, street car, etc.), mileage, baggage, washing and incidentals, and other travel expenses.

This collection consists of an unidentified persons' notes on petitions and sworn statements related to a proposed new road in Ashburnham, Massachusetts, on August 23, 1847. The volume is a blank book with a blue paper cover, with title "WRITING BOOK. MADE FOR JOHN P. HASKELL, TEACHER OF PENMANSHIP. 1847", printed by W. J. Merriam in Fitchburg.

This oversized scrapbook consists of sections of Barnum, Bailey & Hutchinson circus advertising posters. The imagery includes circus tents, musical wagons (including the "Silver-Tubed Caliope" and "Sacred Chimes"), camels and horses, animal trainers, artillerymen seemingly of Middle Eastern descent (possibly part of the "Bedouin Arab" performers), acrobats, minstrel performers, African American musicians, and portraits of P. T. Barnum, J. A. Bailey, and J. L. Hutchinson.

This oversized scrapbook consists of sections of printed Barnum, Bailey & Hutchinson circus advertising posters. The imagery includes circus tents, musical wagons (including the "Silver-Tubed Caliope" and "Sacred Chimes"), camels and horses, animal trainers, artillerymen seemingly of Middle Eastern descent (possibly part of the "Bedouin Arab" performers), acrobats, minstrel performers, African American musicians, and portraits of P. T. Barnum, J. A. Bailey, and J. L. Hutchinson. The back cover bears the print "Toilers of the Sea - Trawling on t[he Dogger Bank]," showing fishermen at sea.

This scrapbook contains materials relating to the Bell Theatre, likely located in Springfield, Oregon, around the 1910s. The theatre presented motion pictures, vaudeville acts, comedy acts, contests and lectures, and other events. The items in the scrapbook include programs, tickets, advertisements, newspaper clippings about the theatre, and other printed ephemera.

The Bell Theatre advertised themselves as having "all the latest motion pictures and vaudeville," and appeared to have been managed by Wallace Potter at the time of the items' creation. Some newspaper clippings reference a legal case of the city vs. Potter, who appears to have been arrested for operating his theatre contrary to an ordinance (passed over the mayor's veto) requiring moving picture shows to pay a license fee.

One newspaper article discussed an uptick in cocaine usage, calling it a "snow" habit. Some advertised events included minstrel shows/comedy acts and "prize baby" contests.

The Boston, Plymouth, and New Bedford photograph album contains 24 images of scenes in Boston, Plymouth, and New Bedford in Massachusetts as well as one cyanotype postcard of a young woman.

The Boston, Plymouth, and New Bedford photograph album contains 24 images of scenes in Boston, Plymouth, and New Bedford in Massachusetts as well as one cyanotype postcard of a young woman.

The album (16 x 19.5 cm) has leather covers with the word “Photographs” stamped on the front in gold. A loose card is included that provides explanatory information and corresponding page numbers for each photograph in the album. Most of the photographs are outdoor scenes with groups of people. Images of note include views of Park Street in Boston looking towards the capitol building, the 1867 suspension bridge, Ether Monument and Washington Monument in the Boston Public Gardens, the Boston Public Waterworks from Beacon Street in Chestnut Hill, a fisherman, an old whaling ship in New Bedford, Plymouth-area monuments, cemeteries, and downtown, and two people in a carriage in front of the Egypt Train Depot in Scituate, Massachusetts. Also present is a cyanotype postcard of a young woman sitting and reading with “Miss Mary E. Black/Eggemoggin, Maine” written on the back.

Breve Trattato di Geografia is a 55-page, 17th-century Italian work on celestial and terrestrial geography, including several maps and diagrams of the world. Assistant Curator of Maps Mary Pedley transcribed and translated the 2-page index that follows the text of the volume: Breve Trattato di Geografia Index .

Breve Trattato di Geografia is a 55-page, 17th-century Italian work on celestial and terrestrial geography, including several maps and diagrams of the world. The treatise is divided into four primary sections and, within them, individual chapters. Early chapters in the book mention the zodiac and celestial features, while later chapters focus on the world's landmasses and degrees of latitude and longitude. The latter half of the volume contains several hand-drawn maps that depict the contemporary view of the world on several scales and according to different projections. One map of the world shows North and South America and "Terra Australe Incognita," while another map of North and South America is labeled "Mexicana" and "Peruana," respectively. Azimuthal projections of Africa and Asia and of the northern hemisphere and a map of Italy showing the location of Rome are also included. Assistant Curator of Maps Mary Pedley transcribed and translated the 2-page index that follows the text of the volume: Breve Trattato di Geografia Index (.pdf).

A currently unidentified cobbler from Bristol, Maine, kept this daybook between 1836 and 1844, recording the names of customers, their purchases, and amounts charged. Customers purchased shoes, boots, and leather, paid for the labor of making or repairing footwear, and repair work on items like harnesses and halters.

A currently unidentified cobbler from Bristol, Maine, kept this daybook between 1836 and 1844, recording the names of customers, their purchases, and amounts charged. Customers purchased shoes, boots, and leather, paid for the labor of making or repairing footwear, and repair work on items like harnesses and halters. Several newspaper clippings of poems are pasted or laid into the volume, and the inside front cover bears several inscriptions by Annie Ervine.

This 82 x 43 x 36 cm wooden document trunk, dating from around 1765, includes a hand-wrought iron lock, reinforcement bands, corner tips, and fancy handles. Its interior is grooved for the placement of three removable wooden panels, one of which is present. Contemporary manuscript lettering on the interior left side of the lid reads "Commissariat / on His Majs: Acct / from Mr Oswald" and on the right "Papers / for the Germn: Army / May 1766 / accounts – [A?] & B."

This 82 x 43 x 36 cm wooden document trunk, dating from around 1765, includes a hand-wrought iron lock, reinforcement bands, corner tips, and fancy handles. Its interior is grooved for the placement of three removable wooden panels, one of which is present. Contemporary manuscript lettering on the interior left side of the lid reads "Commissariat / on His Majs: Acct / from Mr Oswald" and on the right "Papers / for the Germn: Army / May 1766 / accounts – [A?] & B."

A January 9, 1861, note by Philadelphia lawyer Henry J. Williams indicates that the trunk was seized by the French as a prize during the American Revolution, and that his father Jonathan Williams brought it to the United States when returning from his service as acting U.S. Consul at Nantes. Mid-twentieth-century paper tags indicate that the trunk was one of three from the estate of Henry J. Williams' son-in-law Alexander Biddle, discovered after the death of Biddle's son Lynford Biddle in 1941, and sold by Parke-Bernet Galleries in 1943.

The Brookline, Massachusetts, photograph album contains 34 photographs and 2 half tone prints showing people and places in Brookline, Massachusetts.

The Brookline, Massachusetts, photograph album contains 34 photographs and 2 half tone prints showing people and places in Brookline, Massachusetts.

The album (14.5 x 18.5 cm) has green cloth covers with "Photographs" stamped in gold on the front. Images of interest include views of Italianate and Dutch Colonial houses, Brookline after a heavy snowfall, a Deerfoot Farm Dairy Brookline Delivery cart, a young woman with a Gibson Girl hairstyle, portraits of women and men playing tennis and resting on a lawn, people at a rocky beach, an interior view of a residence, group portraits taken during a hiking trip, and two halftone prints of the Harvard Congregational Church.

The Brown and Fox family photograph albums are a two-volume set of albums containing approximately 253 snapshots of people and places in Iowa, Illinois, and Michigan as well as views of Colorado.

The Brown and Fox family photograph albums are a two-volume set of albums containing approximately 253 snapshots of people and places in Iowa, Illinois, and Michigan as well as views of Colorado.

Volume one (19 x 14 cm) has brown paper covers with "Photographs/Souvenirs/of/Denver Colo" stamped on the front cover and contains approximately 67 photographs. Contents mostly consist of architectural photographs of houses in rural or semi-rural settings as well as portraits, many of which are accompanied by handwritten notes. Images of interest include the farm of Henry Brown near Toledo, Ohio; a woman standing near a roadside fruit and flower stand; the homes of Will, Ben and Harry Fox; the Abraham Lincoln home and tomb in Springfield, Illinois; the Catholic Church in Stuart, Iowa; and the courthouse and high school of Fremont, Nebraska. Also of note are photographs of the High Bridge in Boone, Iowa, the Methodist Church in Pueblo, Colorado, and a large house in Monroe, Michigan, possibly the home of Cyrus Augustus Olmsted (1863-1948).

Volume two (20 x 15 cm) has black fabric covers and contains approximately 186 photographs. Contents mainly consist of portraits and outdoor views from a trip to Colorado. Between the inside front cover and seventh page there are numerous portraits of men, women, and children, and many more individual and group portraits are present throughout the remainder of the album. Subsequent images of interest include outdoor views of the American West; a rest tent called the "Corona Café"; a cyanotype of a woman sitting on a rocking horse; the front of a train and the downtown area of a small railroad town; a church en route to Denver, Colorado; a woman holding a Brownie Box camera on her lap; Castle Rock, Colorado as seen from aboard a train; multiple pictures of an infant; views of Garden of the Gods; a snowy street scene with a streetcar in what appears to be Denver; and a group of people shaking hands with an individual wearing a Native American headdress.