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Prosecuting attorney for Missaukee County, Michigan, Republican State Senator, and U.S. Congressman from the 9th Michigan District from 1935 to 1951. Correspondence, reports and newspaper clippings concerning his activities on the House Appropriations Subcommittee on the Armed Services; material on the Manhattan Project and the testing of the atomic and hydrogen bombs; and photographs.

The Albert J. Engel papers primarily document his eight terms of service in United States House of Representatives, 1935-1951, though is some correspondence and other material dating back to 1911. The papers include correspondence, speeches, press releases, clippings scrapbooks and articles about Engel, files on various topics that came before Engel's House committees -- notably the Bikini Island A bomb and H bomb tests, and photographs

The Al Parker collection includes three envelopes of photographs, sheet music, and newspaper clippings as well as a scrapbook relating to the professional and personal life of Philadelphia-based photographer and photographic supplies salesman Alfred Parker.

The Al Parker collection includes three envelopes of photographs, sheet music, and newspaper clippings as well as a scrapbook relating to the professional and personal life of Philadelphia-based photographer and photographic supplies salesman Alfred Parker.

Envelope A (photographs): includes unmounted oval portraits of Parker’s children Eda and Ray from the early 1900s; studio portraits of Eda and his wife Alice from the 1910s, two of them from the Philadelphia studio of Gilbert and Bacon; an mounted school class photo (ca. 1890s?)

Envelope B (sheet music): includes three examples of World War I songs from the Eagle Publishing Company of Philadelphia with "music by Geo. L. Robertson and lyrics by Al. Parker."

Envelope C (letters, clippings, etc.): includes a letter appointing Dr. Ray Parker head of plastic surgery at a hospital in Johnstown, PA; a magazine article on “Flood Free Johnstown”; letters and clippings about Dr. Ray Parker; article on World War II factory workers; newspaper article on Theodore Roosevelt urging U.S. entry into World War I; and a note from Christmas 1926 from Parker’s grandson Donald addressed to “Ganco."

Scrapbook: The volume (37 x 28) is cloth-bound and has 66 pages total. Materials are not arranged in any chronological or thematic order and so unrelated items often appear together on the same page.

The album begins with photographs of Parker’s family members while the next few pages focus on scenes from his professional life, including a magazine cover from April 1900 and documentation of his break with Willis & Clements in 1910. Portraits of Parker at every stage of his life appear throughout the scrapbook, though not in any chronological order. The earliest is a tintype from the 1850s that shows him as a young boy with his brothers. Many portraits and casual snapshots of Parker's daughter Eda and son Ray from their early childhood into adulthood are included, while a collection of clippings reflects Parker’s pride in Ray's success as a doctor. His delight in playing the doting grandfather is clear from the drawings Parker made for Eda’s son Donald and in the notes that Donald wrote to Parker using the nickname “Ganco.”

A handful of portraits that were taken by Parker show that he was a capable studio photographer in addition to being a successful promoter of platinum photography products while working for Willis & Clements. Requests for his opinions from Eastman Kodak Company, Photo Era magazine, and the Photographers’ Association of New England testify to his recognized expertise. Numerous portraits of Parker in the company of other well-regarded photographers of the day confirm his acceptance in that professional circle.

Many ephemeral items also help illuminate the arc of Parker's career including programs from his minstrel show days; an advertisement for his Australian window blind company; the initial offer of employment from Willis and Clements; business cards from various stages of his career; and an ad for a new camera shutter he invented. Interspersed amongst these items are letters and photographs from various colleagues and employers along with miscellaneous poems, cartoons, programs, drawings, song lyrics, newspaper clippings, and so on.

This collection is made up of letters by Bernard Baruch and Mark Sullivan regarding United States foreign policy, financial policy, national politics, and personal matters.

This collection is made up of 60 letters between Bernard M. Baruch and Mark Sullivan, a testimony and several pamphlets by Baruch, and a signed, dedicated portrait photograph of Baruch. The majority of the collection consists of Baruch's letters to Sullivan. The correspondence addresses United States politics, beginning in the early 1920s with foreign policy, farm policy, and the long term outcomes of the Paris Peace Conference. Later letters contain Baruch's critiques of U.S. fiscal policy, foreign policy, and military preparedness, as well as general thoughts about the U.S. economy and the political environment following the Wilson administration.

Baruch and Sullivan discussed their writings and other works, offering critiques, recommendations, and congratulations. They discussed Sullivan's journalism and historic works, and Baruch's political career and treatment in the media. In one letter, Baruch gave a narrative account of his early education in South Carolina (January 21, 1927). The letters also contain discussions of more personal matters, holiday greetings, and invitations for Sullivan to vacation at the Hobcaw House. At various points in the correspondence Baruch expressed his perception of anti-Semitism in U.S. politics and education. The collection includes one photograph portrait of Bernard M. Baruch, signed and dedicated to Duane Norman Diedrich. See the Detailed Box and Folder Listing for more information.

Aviator, civilian personnel officer with the U.S. Air Force; chronological and topical files, audio-visual materials, and clippings and scrapbooks.

The Chauncey Spencer collection is an accumulation of personal materials - correspondence, scrapbooks, photographs, sound and video recordings - relating to his lifelong interest in aviation, his career with the military, and the career of his mother, poetess Anne Spencer.

University of Michigan professor of political science, special advisor to the U.S. Military Government in Germany after World War II, participant in numerous government commissions; papers include correspondence, working files, speeches, course materials, and visual and sound materials.

The James K. Pollock papers represent an accumulation of files from a lifetime of academic teaching and research and an extraordinary number of public service responsibilities to both his state and his nation. The files within the collection fall into two categories: types of document (such as correspondence, speeches and writings, visual materials, etc.) and files resulting from a specific activity or position (such as his work as delegate to the Michigan Constitutional Convention or his service with the Office of the Military Government in Germany after World War II).

The collection is large and of a complicated arrangement because of Pollock's many activities. When received in 1969, the files were maintained as received; very little processing was done to the collection so that an inventory to the papers could be quickly prepared. The order of material is that devised by James K. Pollock and his secretarial staff in the U-M Department of Political Science. Recognizing the anomalies within the order of the collection, the library made the decision to list the contents to the collection while at the same time preparing a detailed card file index (by box and folder number, i.e. 16-8) to significant correspondents and subjects. While there was much to be said for this method of preparing a finding aid expeditiously, it also covered up some problems in arrangement. Thus series and subseries of materials are not always grouped together as they were created by Pollock. Files on the Hoover Commission and the Michigan Constitutional Convention, for example, come before Pollock's work in Germany after the war. In 1999, effort was made to resolve some of the inconsistencies and obvious misfilings of the first inventory but because of the numbering system used in 1969 and the card index prepared for the files, there are still some problems. Researchers should be alert to these difficulties and take time to examine different parts of the collection for material on a similar topic.

The Letters, Documents, and Other Manuscripts of the Duane Norman Diedrich Collection is a selection of individual items compiled by manuscript collector Duane Norman Diedrich (1935-2018) and the William L. Clements Library. The content of these materials reflect the life and interests of D. N. Diedrich, most prominently subjects pertinent to intellectual, artistic, and social history, education, speech and elocution, the securing of speakers for events, advice from elders to younger persons, and many others.

The Letters, Documents, and Other Manuscripts of the Duane Norman Diedrich Collection is a selection of individual items compiled by manuscript collector Duane Norman Diedrich (1935-2018) and the William L. Clements Library. The content of these materials reflect the life and interests of D. N. Diedrich, most prominently subjects pertinent to intellectual, artistic, and social history, education, speech and elocution, the securing of speakers for events, advice from elders to younger persons, and many others.

For an item-level description of the collection, with information about each manuscript, please see the box and folder listing below.

The Samuel May photograph album contains approximately 208 photographs as well as letters and ephemera compiled by U.S. Army soldier Samuel May from his time stationed in London, France, and Germany during World War II.

The Samuel May photograph album contains approximately 208 photographs as well as letters and ephemera compiled by U.S. Army soldier Samuel May from his time stationed in London, France, and Germany during World War II.

The album was originally housed in a vinyl binder but has since been moved to a separate binder where images and ephemera have been housed in plastic sleeves. In addition to photographs the album also contains a set of tourist postcards, five tickets, one drawing, one newspaper clipping, four magazine clippings, one event advertisement, two miscellaneous documents, one newspaper, and three letters home. All of the photographs have information written on their backs.

Images of note include pictures of leisure activities taken while May was stationed in France including views of Rheims, Marseille, and Paris; the destroyed German War Office and the 1936 Olympic Stadium in Berlin; the city of Aachen in ruins; and young men sporting Adolf Hitler-style mustaches as a joke captioned "This is just in case we lose." Also of interest is a drawing of Samuel May on American Red Cross stationery as well as letters home that were likely written while May was waiting to return home following the war’s conclusion.

The Thomas O'Brien photograph album contains approximately 136 snapshots of people from the Marshall and Gilbert Islands, American soldiers, and U.S. military facilities taken by U.S. Army infantryman Thomas O’Brien.

The Thomas O'Brien photograph album contains approximately 136 snapshots of people from the Marshall and Gilbert Islands, American soldiers, and U.S. military facilities taken by U.S. Army infantryman Thomas O’Brien.

The album (30 x 30 cm) is a modern green three-ring binder with plastic sleeves. Images of note include pictures of women from the Marshall Islands (including numerous topless portraits of young women); performers attached to the Bob Hope show such as June Brunner, Patty Thomas, and Carol Landis; copies of Japanese photographs of causalities; Kauai and other Hawaiian locations; and a monument to the 323rd U.S. Army Infantry Regiment. Many images have handwritten captions on their versos. O’Brien is present and identified in several photographs. Also present is a copy of a card that O’Brien sent to his mother Helen O’Brien.

Detroit attorney, assistant U. S. Prosecutor at the International Military Tribunal for the Far East following World War II; correspondence and official court materials largely relating to Japanese intervention in Manchuria; materials relating to service in Polar Expedition to northern Russian during World War I; miscellaneous papers relating to other political and legal activities; and photographs.

The bulk of the collection consists largely of materials created as a result of the Japanese War Crimes Trials. The collection has been arranged into eight series: Biographical/Personal; Correspondence; Articles, Speeches, etc.; International Military Tribunal for the Far East, International Prosecution Section; University of Michigan; World War I (Polar Bear Expedition); Miscellaneous; and Photographs. Only the Polar Bear material and some biographical material has been digitized and can be viewed here. Researchers must visit the library to view the rest of McKenzie's collection. The Polar Bear materials consist of a diary, June 1918-July 1919, describing his voyage to Russia, his stay in a Red Cross Hospital there, routine work at headquarters, life in Archangel, a supply trip up the Dvina River in a gunboat in June 1919, and the voyage home. Also included are correspondence, June 1918-July 1919, describing life at Camp Custer, the voyage to Russia, life in Archangel, civilian conditions there, his ambition to go to the front, and his boat trip up the river. Other materials include ca. 30 picture postcards of Archangel, Murmansk, and countryside scenes, an issue of The Call, an English-language Bolshevik newspaper published in Moscow, a copy of the constitution of the Russian Socialist Federated Soviet Republic, an issue of The Mess Kit and one of the Daily Communique, both published in France for American soldiers, consisting of poems, and miscellaneous programs, clippings, and rosters.

The Weston family World War II photograph albums consist of four volumes containing approximately 374 images as well as one box of ephemera documenting the camp life and leisure time of married couple Lawrence and Elizabeth Weston. Lawrence served in the United States Army in France during World War II while Elizabeth worked as a nurse.

The Weston family World War II photograph albums consist of four volumes containing approximately 374 images as well as one box of ephemera documenting the camp life and leisure time of married couple Lawrence and Elizabeth Weston. Lawrence served in the United States Army in France during World War II while Elizabeth worked as a nurse.

Volume one (27.25 x 16.5 cm) contains approximately 88 snapshots and one holiday card. The album is constructed like a graduated flipbook, with images loaded into plastic sleeves bound with metal pins. Many images have typewritten notes on the back written by Lawrence Weston. The photographs primarily depict Lawrence's time at Fort Dix in 1940 and 1941, showing soldiers at rest and camp life scenes. Also present are photographs taken in Trenton, New Jersey.

Volume two (27.25 x 16.5 cm) contains approximately 98 snapshots and three negatives. The album is constructed in the same flipbook style as volumes one and three. The images chronicle leisure time in France in Reims and Ancerville around 1945. Of note are several pictures of French civilians standing next to men in uniform, images of Lawrence at a plane crash site, and a cardigan knit from a parachute.

Volume three (27.25 x 16.5 cm) contains approximately 96 snapshots. This album is also constructed in the same flipbook style as volumes one and two and continues where the second volume leaves off. The first half of the album contains more images from France leading up to Lawrence Weston’s departure from Le Havre and Camp Lucky Strike in August of 1945 while the latter half concerns his return to the United States with his arrival in Boston Harbor in January of 1946. Several identified images of Elizabeth Weston are present, and some of the inscriptions on these photographs may be in her hand. The album concludes with views of Detroit, Michigan.

Volume four (30.5 x 24.25 cm) contains approximately 92 snapshots that detail Elizabeth Weston's life from her time in nursing school until 1942. Many images feature her siblings and coworkers while a 1942 trip to Canada is also represented. The album is blue with a ship design on the front cover and is spiral bound.

Also present is one box of ephemera containing three card photographs, 10 tickets and identifications cards, three "letters on record" envelopes, a memo book, two Bond Drive advertisements, a pamphlet on Camp Maxey, four event pamphlets, a copy of a Formula for Peace, a map of Fort Dix, seven documents relating to Lawrence's candidacy to Officer's Candidate School, a certificate, two 1920 letters regarding the location of Lawrence's father, Elizabeth's certificate as a registered nurse, a large map of Germany, and four 1945 copies of The Stars and Stripes.