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The Electric railway engineer photograph album consists of approximately 235 photographs and 1 booklet documenting the professional and personal life of an unidentified railway engineer specializing in electric rail line infrastructure.

The Electric railway engineer photograph album consists of approximately 235 photographs and 1 booklet documenting the professional and personal life of an unidentified railway engineer specializing in electric rail line infrastructure.

The album (25.5 x 30.5 cm) has dark green cloth covers with “Photographs” stamped on the front cover. All of the album pages are loose and fairly brittle, but the images are in generally good condition.

The first page contains sixteen signatures from participants in the 30th reunion of the Union College class of 1885. Subsequent photographs include several views of Union College campus, aspects of student life (including dorm room interiors and a group of portraits showing crossdressing men captioned “Minstrels"), and formal portraits of members of the Kappa Alpha Society in the mid-1880s, presumably including some of the attendees at the reunion whose signatures are represented.

The unidentified presumed compiler of the album can be seen in several photographs. He appears to have been an engineer specializing in infrastructure projects for electric-powered rail systems and was active in the early stages of when railroads in the United States were moving towards electrification. Many of the smaller circular photographs found throughout in the album were likely produced by a Kodak No. 2 camera, while larger format prints and cyanotypes are also present.

Contents are arranged chronologically starting with the compiler's student days before focusing on various professional assignments and elements of his personal life. During the ten years following his graduation from Union College the compiler apparently participated in several railroad development projects, mainly in what would become Washington State but also in Kansas, Oklahoma, and Idaho. Photographs from this period of his life include views of survey camps along the Columbia River and other regional waterways, interior and exterior views of the compiler’s home in Tacoma, portraits of his growing family, and snapshots of Klickitat people (including a group portrait of three women picking hops). By 1896 the compiler and his family appear to have moved back east, settling in New Rochelle, New York. Photographs from this period include documentation of projects on intercity lines on Staten Island and other nearby boroughs, a project in upstate New York, and numerous images of friends and family. The Albany and Hudson Railway and Power Company’s new electric train line to various towns between Hudson and Albany required establishing power sources along the route. As a small group of photographs in this album show, this necessitated constructing a dam at Stuyvesant Falls on the Kinderhook Creek which would provide electric power to the rail line and various local businesses. The final pages of the album document the construction of Hudson Park Dock in New Rochelle as well as leisure activities such as the 1906 Vanderbilt Cup auto races and a naval review in Oyster Bay.

A total of 18 loose photographs are included towards the back of the album. Images include a group portrait of Union College students from the 1880s, a studio portrait of a young woman and infant taken in the mid-1890s in Tacoma, and a double exposure of a woman standing next to an automobile in Jacksonville, Florida, in 1918. Also present is a printed pamphlet replete with numerous halftone reproduction images titled “Letter from Mayor Clarke to the Voters of New Rochelle with Pictures of Improvements Under His Administration” which highlights several civic infrastructure projects (including the Hudson Park Dock) undertaken during the tenure of mayor Henry Clarke.

The Flathead Indian Reservation photograph album contains 65 photographs of Native American men, women, and children on the Flathead Indian Reservation and in Missoula, Montana.

The Flathead Indian Reservation photograph album contains 65 photographs of Native American men, women, and children on the Flathead Indian Reservation and in Missoula, Montana.

The album (30 x 26 cm) is a modern three-ring binder with brown faux leather covers. All the album’s images are unmounted snapshots that have been arranged inside plastic album sleeves. The snapshots are mostly either 10 x 7 cm or 10.5 x 16 cm.

The album begins with portraits of Native American individuals taken in the Higgins Block of downtown Missoula, Montana, including two portraits of a Native American man posing with his infant child in a cradleboard as well as an unidentified white man, and four portraits taken outside of “Al Green’s Shaving Parlor.” Other images likely taken in and around Missoula show up elsewhere throughout the album, including several group portraits with a white fence in the background that may possibly have been taken outside the residence of the photographer, Dr. C. W. Lombard. Many photographs also appear to have been taken at the Flathead Indian Reservation.

Images of particular interest include photographs showing Native American individuals and groups (including many families) wearing western and/or traditional clothing, infants in cradleboards, encampment and reservation scenes, and landscape views. While many portraits appear to be quite casual and relatively unscripted, several clearly staged photographs are present including a man and older woman posing with sheep heads, two women (one holding a mirror) combing their hair by a river, and two men playing cards in front of a tipi.

While none of the subjects photographed in this album are identified by captions, an older man appearing in two photographs (one posing with a child on a hobby horse and another posing with a group in downtown Missoula with a child in a hand-pulled wagon) has been identified through research as Baptiste Kakashee, also known as Judge Phte and Kil-Ki-Chee.

The Frost family travel photograph album contains approximately 345 photographs of trips to Florida, the Bahamas, Colorado, Maine, and other locations.

The Frost family travel photograph album contains approximately 345 photographs of trips to Florida, the Bahamas, Colorado, Maine, and other locations.

The album (18 x 29.5 cm) has brown leather covers with "Photographs" stamped in gold on the front. Contents begin with images of Greenwich, Connecticut, and views taken aboard a Clyde steamer heading to Jacksonville, Florida, in 1898. Subsequent images of interest include a couple posing in front of Hotel Ponce de Leon; breaking ground for the Miami Hotel; views of Palm Beach; Fourth of July in the Catskills; and views of New York and Long Island. Also present are images of a trip to Colorado Springs in 1900 including views of the Garden of the Gods and Pikes Peak; views of Minneapolis and Duluth in Minnesota (including "Indian Mounds"); a steamer from Duluth to Buffalo; the Great Lakes; the International Hotel in Buffalo; Niagara Falls; several large commercially produced views of Cuba; Frost family headstones in Newcastle and Eliot, Massachusetts; the Pepperrell and Sparhawk houses in Kittery Point, Maine, and Boston; the Pepperrell Tombs; Washington, D.C.; and a trip to Nassau in the Bahamas in 1897.

The Germany, Austria, France travel photograph album contains approximately 146 photographs documenting a trip to Europe.

The Germany, Austria, France travel photograph album contains approximately 146 photographs documenting a trip to Europe.

The album (27 x 37 cm) is book bound and an inscription on the spine reads "Germany, Austria, France 1888 Daniel." Images begin with scenes in Germany including views of Cologne, castles on the Rhine, Leipzig, and Berlin and the City Palace. Also present are images of the Sanssouci in Potsdam, the cities of Dresden and Carlsbad and Vienna, Austria, as well as photographs of works of art, Munich, and Baden-Baden. The album finishes with a series of images of French scenes including views of Strasbourg, Montecarlo, Monaco, Cannes, and Marseilles.

The Grisson family photograph album contains 31 portraits of men, women, and children taken in Michigan.

The Grisson family photograph album contains 31 portraits of men, women, and children taken in Michigan.

The album (28 x 22 cm) has an ornate design with faux wood paper pages. The first page states "Return to M. L. Grisson Grand Ledge, Mich.," indicating that the album may possibly have belonged to Maybel L. Grisson (1876-1954). Images of note include portraits of a family holding a card photograph and a family posing in front of a house.

The H. Merriman European travel photograph album contains 42 commercially produced views of landmarks in England, France, Germany, and Switzerland as well as six theater tickets, 18 theater programs, 39 tourist attraction or transportation tickets, 26 receipts, and two newspaper clippings.

The H. Merriman European travel photograph album contains 42 views of landmarks in England, France, Germany, and Switzerland as well as six theater tickets, 18 theater programs, 39 tourist attraction or transportation tickets, 26 receipts, and two newspaper clippings.

The album (32 x 24 cm) has marbled paper covers. The majority of photographs in the album consist of commercially produced images of European tourist destinations. In order of appearance the cities represented include London, Brussels, Cologne, Mainz, Frankfort, Hamburg, Heidelberg, Baden-Baden, Zurich, Lucerne, Interlochen, Berne, St. Gotthard, Chamonix, Geneva, Lausanne, Paris, Amiens, Canterbury, and Liverpool. Also present throughout the album are theater programs and tickets for a range of performances from the Royal Lyceum's King Henry the Eighth to vaudeville at the Empire Theatre of Varieties. Of additional note are tops of hotel bills and tickets from means of transportation such as the London Underground and Berner Tramway.

The Hugh Fred Cameron photograph album contains approximately 121 photographs related to a young man in New England including images from vacations with friends in Maine, Rhode Island, and New Hampshire as well as snapshots from Cameron’s final year at Brown University in 1909.

The Hugh Fred Cameron photograph album contains approximately 121 photographs related to a young man in New England including images from vacations with friends in Maine, Rhode Island, and New Hampshire as well as snapshots from Cameron’s final year at Brown University in 1909.

The album (25.5 x 18 cm) is bound in green cloth with "Photographs" stamped in gold on the front cover. Most photographs are accompanied by hand-written captions identifying people, places, activities, and dates. Images of particular interest include group portrait photographs showing Cameron with his friends and family posing on the beach, hiking, wearing baseball uniforms, interacting with pet cats and dogs, celebrating Labor Day, and engaging in a number of aquatic activities (including yachting in Bristol, Rhode Island) as well as a portrait of Cameron from his youth sitting alongside the members of the “Hope Orchestra.” Additional photographs show commencement activities and buildings at Brown University including the John Carter Brown Library and Lyman Gymnasium as well as class traditions at Wellesley College including the Alumni Game, Tree Day, and the “Ancient Greek Dance of the Huntresses above Lake Waban.”

The James Galloway Antioch College photograph album is a memorial book for the Antioch College Class of 1860 containing 37 photographs including views of campus, co-educational classes, and individual portraits of class members.

The James Galloway Antioch College photograph album is a memorial book for the Antioch College Class of 1860 containing 37 photographs including views of campus, co-educational classes, and individual portraits of class members.

The album (28 x 23.5 cm) has moiré fabric covers with "James S. Galloway" stamped on the front. The title page lists the photographer as J. W. Winder. The majority of images are studio portraits of members of the Class of 1860, most of which include the subjects’ signatures and hometowns. Of note is a portrait of suffragist Olympia Brown (1835-1926), the first woman to both graduate from theological school and become a full-time ordained minister. Also present is an image of the Antioch College campus, three photographs of co-educational classes, and a letter from one of Galloway's classmates describing the Class of 1860’s 50th reunion in 1910 which Galloway did not attend.

The Jersey Shore, Pennsylvania, Boston, and Canada travel photograph album contains approximately 240 photographs of a trip to several locations around the eastern United States and Canada.

The Jersey Shore, Pennsylvania, Boston, and Canada travel photograph album contains approximately 240 photographs documenting a trip to several locations around the eastern United States and Canada.

The album (25.5 x 31.75 cm) is a "Ward's Album for Unmounted Photographs" with green cloth covers. Images of interest include views of a beachside town with palm trees in what appears to be New Jersey; the Elephantine Colossus at Coney Island, New York; a railroad likely near the Delaware Water Gap; John Bartram's House and various other buildings in Philadelphia; the railroad depot at Landsdowne, Pennsylvania; the Longfellow House and Trinity Church in Boston; as well as the interior of what appears to be a summer cabin. Also present are images of Baltimore, Maryland, including views of the Basilica of the National Shrine of the Assumption of the Blessed Virgin Mary; and images from Canadian locations including the Ontario Provincial Legislation Building in Toronto as well as the Château de Ramezay and Market Day at Place Jacques-Cartier in Montreal.

The John Hendrickson Yale class album contains numerous engraved and lithographed portraits of members of the Yale College Class of 1852, professors, and administrators.

The John Hendrickson Yale class album contains numerous engraved and lithographed portraits of members of the Yale College Class of 1852, professors, and administrators.

The album (25.5 x 19.75 cm) has green leather covers with “John B. Hendrickson’” stamped on the front in gold. Contents begin with four engraved views of New Haven, Connecticut, before progressing to engraved portraits of Yale College professors and administrators. Subsequent images are primarily lithographic portraits of members of the class of 1852, many of which are inscribed with sentimental notes, birthdays, and hometowns. Numerous signatures belong to men who went on to fight in the Civil War. Other signatures of note include those of Daniel Colt Gilman, William Preston Johnston, and Homer Baxter Sprague. The portraits of the students were produced by F. Michelin and George E. Leefe of New York City.